Cuban Serenade

The film gives the history of Venezuela from 1989 to 2004 and then explores some of the projects sponsored by the Bolivarian government, including the financing of cooperatives as a way of building the Socialism of the 21st century.

The notion of a Cuban civil society is often misrepresented in the U.S. mainstream media. According to most sources, Cuban civil society is limited to the opposition, which has little impact on the Cuban political scenario. Regardless, yearly, the U.S. government allocates tens of millions of taxpayer money to empower dissidents in the island. By doing so, it overlooks genuine expressions of pluralism, reform and contestation which are shaping the Cuban public sphere, sometimes in autonomous ways, sometimes within State-run institutions. Through in-depth interviews to members of Cuban Civil society, this documentary explores the complexities associated to these processes, following the itinerary of the debate about the concept of civil society generated in Cuba, since the 90s to the present.

An innovative and charismatic influencer is suddenly exiled from her community of creative partners and colleagues when she states an opinion that she did not know was “unacceptable” in their eyes.

La Singular Historia de Juan sin Nada

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

Thomas Sankara came to power in Burkina Faso in 1983, with the promise of a revolutionary government that would transform the West African country. To help build the revolution, he sent 600 children — many orphans from rural areas — to be educated in Cuba. But after Sankara’s assassination, the children were stranded. The last would only return to Burkina Faso in 2005. SANKARA’S ORPHANS tells their stories through interviews with some of the 600, along with archival footage of their lives on Cuba’s Isle of Youth — where both Sankara and Fidel Castro came to visit. Along with their education, the children worked in the fields and received weapons training. This, combined with their idealism, frightened the new Burkina Faso regime, which worried they might return and take up arms.

As the walls of Cuba's ageing infrastructure continue to crumble, a burgeoning street art scene is born in Havana. Murals of hand-painted masked character – Supermalo – with the tag “2+2=5?” have begun to appear in seemingly every corner of the heavily foot trafficked city.

In the run-up to parliamentary elections in mid-October, Polish filmmaker Marcin Wierzchowski travelled across his country to gauge the atmosphere in a society that is more divided than ever.

Will Cubans be able to safeguard their heritage of pristine Nature and preserved ecological treasures under this new era, as they are facing the combined pressure of money and tourism? What policies can be implemented to maintain the island’s spectacular wilderness?

A love letter that unites Brazil and Cuba. In the film Travessias, the director goes on a long journey seeking to understand the feelings and transformations of a person who is close to her. On this path of doubts and concerns, she meets Justin, a trans man who will help her on this journey. With a poetic and self-referential look, the director invites us to rethink our own prejudices and limits in relation to the others.

A documentary that explores the myth behind the truth. Different people around the globe reinterpret the legend of Che Guevara at will: from the rebel living in Hong Kong fighting Chinese domination, to the German neonazi preaching revolution and the Castro-hating Cuban. Their testimonies prove that the Argentinian revolutionary's historical impact reverberates still. But like with all legends, each sees what he will, in often contradictory perspectives.

The impact of Marx on the 20th century has been all-pervasive and world-wide. This program looks at the man, at the roots of his philosophy, at the causes and explanations of his philosophical development, and at its most direct outcome: the failed Soviet Union.

Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the first Western European delegation officially invited to North Korea after the devastating Korean war and a nurse working for the Korean Red Cross hospital, in Pyongyang, capital of the Democratic People’s Republic of Korea.

A squatted bank tower in downtown Caracas is transformed into a socialist micro-society by 3000 people. RUINA tells about difficulties and achievements by building up a community in a vertical city.

Torre David, a 45-story office tower in Caracas, was almost complete when it was abandoned following the death of its developer and collapse of the Venezuelan economy. Today, it is the improvised home of more than 750 families, living in an extra-legal occupation that some call a vertical slum.

A documentary that explores bi-cultural identity through the Cuban-American lens, exploring the Cuban-American experience and their complicated relationship with Cuba.

The first Road Movie feature film made by the Italian artist Sanzi together with the Cuban Balboa is inspired by friendship, the island and the motorbike. The two artists used, for the first time in Cuba, the form of the Road Movie--the cinematic genre the plot of which is developed during a trip.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

The young American Pablo Menéndez came to Cuba to study Music at the National School of Art. Here he formed a family and became one more Cuban. Member of the Sound Experimentation Group of ICAIC and promoter of the teaching of the electric guitar in Cuba, he is, together with his group Mezcla, one of our most original musicians.

This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.