An eye-opening look at the 'costume play' subculture known as cosplay. "My Other Me" chronicles a year in the life of three different cosplayers, following the subjects as they travel the convention circuit, balancing their home lives with their cosplay alter egos, revealing the profound effects the subculture has played in their lives.
This documentary is a chronicle of the journey through the most important sites of the life of venezuelan writer Francisco Massiani who reveals the details of his work and the love of his life.
sucking on words is a documentary film that features interviews with, and extensive performances by, the American poet Kenneth Goldsmith. It also features critical commentary on his intense and ground-breaking conceptualist practice from three of North America’s leading voices on avant-garde poetics. Shot on location in New York in 2007, the lively conversations featured in sucking on words are an ideal introduction to Goldsmith’s witty and provocative works, which are already regarded as hallmarks of 21st-century literature. The film showcases readings from some of his notorious books: No.111 (found phrases ending in the ‘r’ rhyme and filtered alphabetically by syllable count); Soliloquy (a transcription of every word Goldsmith spoke for a week); Day (a retyping of one day’s New York Times newspaper); Traffic (one day’s worth of hourly radio traffic bulletins); and The Weather (one year’s worth of radio weather bulletins).
A dramatic recreation of Dylan Thomas' last tour of America, starring actor Bob Kingdom as the Welsh poet. Originally a successful stage production, the show was adapted for this recorded version by renowned actor Anthony Hopkins (in his directorial debut). Dylan Thomas was one of the twentieth century's greatest poets. He was born in the Uplands district of Swansea in 1914 and died in New York in 1953 at the age of 39. Towards the end of his life, Dylan Thomas toured America, performing his works before sell out audiences across the country. The film features the poems "Fern Hill"; "Do Not Go Gently into that Good Night"; "A Poem in October"; "And Death Shall Have No Dominion"; "A Story (The Outing)" and "Return Journey" .
In this highly anticipated sequel to his groundbreaking, ADVERTISING AND THE END OF THE WORLD, media scholar Sut Jhally explores the devastating personal and environmental fallout from advertising, commercial culture, and rampant American consumerism. Ranging from the emergence of the modern advertising industry in the early 20th century to the full-scale commercialization of the culture today, Jhally identifies one consistent message running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness. He then shows how this powerful narrative, backed by billions of dollars a year and propagated by the best creative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption.
Live at Maracanã is the third live album by the Brazilian duo Sandy & Junior, released on December 20, 2002. It is also the first double album of the brothers: one of the versions was sold along with CD Internacional Extras. The show was directed by Paulo Silvestrini and featured twelve dancers, twelve musicians and two backing vocals. For the show that gave rise to the CD and DVD, the stage counts with 19m of mouth, 15m of depth and 11m of height. On the sides, were placed two screens of 6m x 5m.
A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.
A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.
Plastic Galaxy explores the ground breaking and breathtaking world of 'Star Wars' toys. Through interviews with former Kenner employees, experts, authors, and collectors, the documentary looks at the toys' history, influence, and the passions they elicit today.
Following the artist from the bustling streets of New York to her rain-soaked hometown of Bergen, the film includes interviews with AURORA's closest friends, as well as uniquely stripped-back performances of tracks including “Warrior” and “Murder Song (5, 4, 3, 2, 1).” Whether she’s reminiscing on her childhood with her sisters, dancing through the city streets in her headphones, or discussing the secret life of apples, there’s a spellbinding quality to everything the artist does.
Dieters grandma knew it from the start. This guy will be special one. She should be right. Even as a child Dieter shows an enormous power when it is necessary to enforce his will. He quickly learn that you can not only impress the girls, but also make a lot of money as a musician. He understands that the success is mainly a question of the postage costs and a healthy liver. That you may not always tell the truth, but you should always have something lying on the high edge.
A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
A little boy troubled by a paper bird - Quote : "I am alone in my gondola, I am trapped in the sky, My name's Nathan, I don't like the real"
Following a childhood tragedy, Dewey Cox follows a long and winding road to music stardom. Dewey perseveres through changing musical styles, an addiction to nearly every drug known and bouts of uncontrollable rage.
The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.
World famous pop group the Spice Girls zip around London in their luxurious double decker tour bus having various adventures and performing for their fans.
Mysteries of the Starry Sky: Where Did Telescopes Come From
With a sense of humour, this documentary questions the condition of women from the angle of the image and perception of their body, and covers the new taboos and aesthetic diktats concerning their genitals in the era of the sexual revolution and contemporary feminism.
From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.