Brighton Street Scene

Louis Malle presents his entertaining snapshot of the comings and goings on one street corner in Paris.

Documentary about making cheese in the Netherlands.

An early British Kinemacolor short, in which delicate tones and shades of color are beautifully reproduced in examples of highly cultivated sweet pea flowers.

Spring comes every year and brings us hope for recovery and development. But time is inexorable and fleeting. Not for everyone will come next spring ...

Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. The man serves his friends. They clink glasses and drink. Then the man asks for a newspaper. He reads a funny story in it and the three friends burst out laughing while the waitress merely smiles.

A documentary of explorer Richard Halliburton's travels on the Indian sub-continent, featuring a mix of real and staged footage.

Belfast firefighters demonstrate a ladder.

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

With the cameraman atop a moving train car the viewer is given a one minute glimpse of a French urban area.

Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.

Early Edison short showing two men fencing.

William K.L. Dickson and William Heise shake hands in this early experimental film.

A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the second motion picture to be copyrighted in the United States.

Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest a butterfly. As she dances, she uses her long, flowing skirts to create visual patterns.

“Shows how a full carload of coal is loaded onto a vessel every thirty seconds at the great Erie Railroad Docks, Cleveland, Ohio. Great clouds of coal dust rise as each car is unloaded.”

LeGrande, an old trapper, refuses to vacate his favorite hunting grounds when ordered to do so by Sampson and other settlers, and his life is only saved through the intervention of his daughter, Joan. The rascals soon learn to fear the girl's keen wit and daring, and Sampson, already pledged to marry Sanchezza, a Mexican girl, falls in love with Joan.

In 1975 French Oscar-winning documentary filmmaker Pierre Dominique Gaisseau traveled to Panama to make a film on the indigenous island-dwelling Kuna people. Accompanied by his wife and their daughter, Gaisseau lived with the Kuna for a year, gaining their trust and filming their most intimate ceremonies. He promised to share the resulting film with the community, but that never happened. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…While uncovering this fascinating story with humility and warmth, Swiss-Panamanian filmmaker Andrés Peyrot succeeds in capturing a true sense of culture and place. The result is simultaneously a cautionary tale raising questions around how and why documentaries are made and for whom, and a testament to the power of what it means to see yourself on the big screen.

Eugen Sandow, who claims to be the strongest man in the world, appears in the Edison Company's film studio.

King of the slack wire. His daring feats of balancing as he performs his thrilling feats in midair show that he is perfectly at home.

Close up we see pistons move up and down or side to side. Pendulums sway, the small parts of machinery move. Gears drive larger wheels. Gears within gears spin. Shafts turn some mechanism that is out of sight. Screws revolve and move other gears; a bit rotates. More subtle mechanisms move other mechanical parts for unknown purposes. Weights rise and fall. The movements, underscored by sound, are rhythmic. Circles, squares, rods, and teeth are in constant and sometimes asymmetrical motion. These human-made mechanical bits seem benign and reassuring.