The Trial

Puella Magi Madoka Magica the Movie -Walpurgisnacht: Rising-

Year 1208. The first Eastward enlargement of Europe is under way. Brutal forces of the Teutonic Order are steadily marching on. In their path live a simple and peaceful people, whose main pastimes include cultivating the earth, singing and, if possible, doing both at the same time. They are the Estonians. Ignorant in the ways of war, they find an unlikely leader in a young boy with Catholic upbringing. In their fight for freedom, the Estonians encounter numerous obstacles, including the Germans, French, Russians and, worst of all, the Latvians. Will they succeed in defeating their enemies or will they experience a cultural awakening?

Dr. Reineger, a famous neuro-psychologist, has become convinced that a twin girl named Anna has a rare form of Autism called Asperger's Syndrome, rendering her unable to cope with reality. As for her blind sister, Sarah, the doctor cannot say for sure why her imaginary visions map so close to Anna's. At home, unable to face reality, their father leaves the family. To escape the pain, the girls sink deeper and deeper into their imagination. When a major earthquake takes their mother's life, Reineger gets more involved with helping the now-orphaned twins, while struggling with his realization that the girls seem to be capable of prophetic visions. The girls escape the doctor's institution and a subsequent search finds no trace of them. Have they transcended the physical realm? A mixture of live action, stop motion animation and other techniques makes this film a fantastic journey into the realm of imagination.

A young woman is awakened to a world of cruelty, shadowy passions and sensuality.

A jet-propelled white rabbit flies through the vulva of a supine woman into a wonderland where people and objects turn inside out, changing shapes and identities at warp speed. Events roughly follow Lewis Carroll's "Alice in Wonderland." The caterpillar and the queen make appearances, as does Alice. Images and symbols are often sexual. At the end, Alice asks, "Who has had such a curious dream?"

The new owner of a roadside diner stuck in a town built around an always leaking nuclear power plant plans to torch the place to collect insurance. However, an assortment of bizarre characters and weird events (such as spaceships flying around) gets in his way.

In a dreamlike journey through the memories that formed him, Sergio's past comes to life before his eyes. With his grandparents' house in ruins as a vehicle of memory, he will question his first 10 years of life and why he considers them his Prelude, the foretaste of what his life and work would become. Among ghosts, he will have to make peace with his memory, his reflection and his name to find the color among the ashes and stop fearing the future.

Poet/lecturer Charles Serking awakens from his alcoholic haze long enough to take a bus back to L.A. and plunge into an orgy of drink and sexual depravity.

Inspired by the Greek myth of Prometheus, a Titan who created the first mortals from clay and stole fire from the gods, Prometheus' Garden immerses viewers in a cinematic universe unlike any other. The dark and magical images of this haunting film unfold in a dreamlike stream of consciousness revealing an unlikely cast of characters engaged in a violent struggle for survival.

When Anna awakes one morning at this place without time nothing was as before. She found herself being controlled by a strange force. Controlling her body, her mind and her soul.

Playtime’s cosmopolitan spectacle, presented in a kaleidoscopic montage across seven large screens, interconnects the lives of its archetypical characters—hedge fund managers and art world players in London; a photographer in Reykjavik; and a Filipina houseworker in Dubai—each of whom is based on a real-life individual directly affected by the market collapse.

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

Enter the tale of the Crusher Council, a group of rugged individuals known for assignments ranging from transportation to terraforming and everything in between. In the early days of space exploration the Crushers took on the job of destroying asteroids and defining space lanes. Because of their work, they were nicknamed "Crushers" which eventually became their business moniker. Despite the rough and ready nature of the Crushers' work, they subscribe to a few steadfast rules. Unethical and illegal assignments are taboo, and any Crusher accepting one is barred from the Union. Of course, this presents problems for shady clients who try to trick the Crushers into accepting misleading assignments. They know that once the Union accepts a case the Crushers are honor-bound to follow it through. Among the various worlds, the Crusher Council has a stunning reputation, and among the Crushers, the most elite team is the one led by Crusher Dan and his successor, Crusher Joe.

A man steadily bashes through the snow. He disappears and the trees, covered in white, shift and show a beautiful array of hidden colors. A poetic, meditative short film about letting go of the past and embracing the unknown future.

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

Above all, an experiment. Two identical films mirror each other. The only thing that differentiates between them is colour and sound, which is simply reversed. Through the use of just colour and sound, each part invokes unique sensations in the viewer. Not a single identifiable object features. Instead, the films focus on repetition, texture, movement and light.

From the bowels of the kitchen sink, comes a dark and tender love… An original and full-blooded short film that combines humour with surrealism and leads the viewer towards the fantasy of horror.

A.D. 2015: A virus has been spreading in many cities worldwide. It is a suicidal disease and the virus is infected by pictures. People, once infected, come down with the disease, which leads to death. They have no way of fighting against this infection filled with fear and despair. The media calls the disease the "Lemming Syndrome".

Vertical Features Remake is a film by Peter Greenaway. It portrays the work of a fictional Institute of Reclamation and Restoration as they attempt to assemble raw footage taken by ornithologist Tulse Luper into a short film, in accordance with his notes and structuralist film theory. The footage consists mostly of vertical landscape features, such as trees and posts, shot in the English landscape.

Amateur footage, filming of dubious origin, chromatic alterations and hard-core details in an alienating and curious collage with sinister and gloomy voices reciting poems of the beat generation.