Drip

Documentary that tells the story of Vianney Trejo, a young woman who struggles every day despite her disability. We go through her daily routine, as well as her passion, swimming, where she has consistently achieved triumphs and has been considered for international competitions.

Willie Whooper, doused in reducing creme, shrinks to the size of a mouse and is chased by a cat throughout a house. Finally Willie returns to normal size and angrily covers the cat in reducing creme. The cat now shrinks to mouse size, and gets a black eye from the mouse he habitually torments.

While on a seemingly routine delivery run for the Brigadier, Benton finds himself close to his childhood home, where ghosts from his past have never rested easily… Trapped in a nightmare world where past and present are one, will he be lost forever or can he fight his way back to reality, where he is desperately needed?

A young woman opens an old family cookbook. From the pages appear miniature nuns in pop-up illustrations. The nuns come to life, jumping out of the book, and help the woman prepare convent sweets recipe for her bakery.

Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.

A unique documentary that interlaces archival interviews with author Philip K. Dick with chats featuring cast and crew. Discussed are the origins of the story, parallels the cast and crew sees to the goings-on in today's world, and adapting the story for film, modern audiences, and its unique look.

Simon

A non-verbal visual journey to the polar regions of our planet portrayed through a triptych montage of photography and video. Landscapes at the World's Ends is a multi-dimensional canvas of imagery recorded above the Arctic Circle and below the Antarctic Convergence, viewed through the lens of whom is realistically an alien in this environment, the polar tourist. Filmed during several artist residencies on-board three expedition vessels, New Zealand nature photographer and filmmaker Richard Sidey documents light and time in an effort to share his experiences and the beauty that exists over the frozen seas. Set to an ambient score by Norwegian Arctic based musician, Boreal Taiga, this experimental documentary transports us to the islands of South Georgia, the Antarctic Peninsula, Greenland and Svalbard. Landscapes at the World's Ends is the first film in Sidey's Speechless trilogy, and is followed by Speechless: The Polar Realm (2015) and Elementa (2020).

Matías and Jerónimo know each other since they were just kids. Their friendship is a mix of fun and desire, but everything changes the night they go to the carnival and they see how a group of thugs beat a gay performer behind the scene.

When Vlace is suspended for hitting a classmate, Sasha is called to come get his son at school and has no choice but to take him along on his delivery route. During this intimate journey, we discover what provoked Vlace's uncharacteristic act, as father and son find their way toward a new understanding.

While cycling through the streets of Marseille, Alfredo, a young Italian student, crashes his bike. Seeking help, he heeds a strange call from a porn cinema from another time.

Archangel is a fifty year old peasant facing accelerating vision loss. Before total darkness overtakes him, he needs to find a nursing home for Patrocinia, an elderly woman from his community that is totally dependant on him.

A man moves to a new house and through the window notices two naked lovers in the house next door.

In the wake of her best friend's untimely death, Robin receives an unexpected gift: her late friend's pet mouse. As she grapples with grief and guilt, Robin is led on a journey of healing, acceptance, and the enduring bonds of friendship.

The van finally stops, the doors open and Ben comes out alive. A few more fights and he will be able to pay his way out of Albania, and hopefully, take his father with him.

Living in war-torn Eastern Ukraine Anna is an aging single mother who is desperate for a change. Lured by a radio advertisement, she goes to party with a group of American men who are touring the country, searching for love.

In a dystopian future where the world has devolved into a pre-industrial state, the Purists rule supreme. The Purists blame technology for all the world’s past ills, and have deemed it to be inherently sinful. A handful of Companions, human-like artificial intelligence, have managed to make it through the apocalypse. They survive the only way they can –by hiding in plain sight.

A journey of passion, a bitter night. Xiao Cheng ask for help to resolve a big trouble, the guy with whom he spend the afternoon is dead on his bed from the effect of a drug, not something the Chinese authorities look kindly on.

Fleischer Studios 'Screen Song' with Ethel Merman singing the songs.