February 2010. On a remote island in the Pacific Ocean called Juan Fernández, everyone slept in town. But a 12-year-old girl felt a tremor and warned of imminent danger.
The visions experienced by a man in the midst of Chile’s social revolt lead him to revisit different moments of his life while his mind wanders through a limbo of images. The journey will help him to finally discover why he’s in that place.
Bruno Muel's documentary on the coup in Chile in 1973. Muel, who was part of the famed Medvedkine group, along with Chris Marker and Jean-Luc Godard, among others, captured one of the most powerful portraits of the early days of Dictatorship. Profound solidarity with the socialist cause, Muel and his team showed great courage to mix the official registration of images with those triumphant, clandestine, of the nascent opposition.
An in-depth portrait of Colombina Parra, singer-songwriter, writer, and architect with strong ties to Chilean popular culture. On camera, she shares personal reflections on an artistic journey that has connected her since childhood to the profound legacy of her father, Nicanor, and her close relatives, such as Violeta and Roberto Parra. The archives highlight her persistent rock endeavors with bands like Barracos and Los Ex, and ultimately, her own solo path. These are the journeys of a woman determined to find her own voice, exploring her emotions and concerns through her songs.
During the Pinochet dictatorship, Jorge Lübbert became an instrument for the Chilean secret services, who forced him to work for them in an extremely violent way. He was able to escape from Chile and became a war photographer based in Belgium. Today, his son Andrés takes him back to the places of his unfinished past.
The marks of the violence of the Chilean state, against its own compatriots. Flicker Film. 35mm B & W Still Photography. Silent.
A poetic short film showing a day in the 2019 protests in Santiago, Chile through documentary images.
From the creators of 31 Minutos, here comes the story of a rock that didn't want to grow up...
Documentary short about the death of Chilean general René Schneider by the CIA, following the election of Salvador Allende as president of the nation.
The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.
1972. During the government of Salvador Allende 34 artists made works that were included in the construction of the UNCTAD III building, today GAM. After the 1973 coup, few works survived looting and destruction. 40 years later, Joaquín Maruenda, son of the late sculptor Félix Maruenda, finds a record that leads him to investigate the events of the sculpture "Chimeneas" and its possible restoration. Joaquín, artists and workers involved with the construction of the building, will try to answer the question Why did they destroy the art?
Through moving and detailed testimonies, the documentary explores the significant Chilote heritage in the architecture of an emerging Patagonia at the end of the 19th century.
An interview with the president of Chile conducted by Roberto Rossellini in 1971, but broadcast only after his death.
Rüdiger was a child, Aki two months old and Kurt, the deputy of the pedophile leader of the sect. In 1961 they came to Chile together with 500 other German sect members and for over 40 years they lived secluded from the rest of the world. The film tells about the attempt to survive as a collective after decades of crimes such as torture and murder and shows different ways in which the individual copes with the history of the community.
An immigrant lost in Santiago's subway discovers that the city he inhabits conceals a buried secret: Santiago was founded over a cusco, an administrative center of the Tahuantinsuyo Empire. Through his wandering across the city and the testimony of pre-Columbian history researchers, the film reconstructs the Inca presence in the Mapocho Valley and proposes a decolonial reading of Chilean urban territory.
This is one of the most beautiful rewilding stories of our time, that of Douglas and Kristine Tompkins, a couple of successful entrepreneurs – The North Face and Esprit – who decided to dedicate themselves to protecting vast territories in Patagonia. The results of their actions are astounding: in 30 years they enabled the creation and expansion of 18 national parks between Chile and Argentina, covering a total area of 7 million hectares, equivalent to the size of a country like Ireland. By transforming these spaces and reconstructing natural ecosystems, the development of these parks has also enabled the creation of social bonds, developed a new form of economic activity, brought forth a political space, and contributed to strengthening the population’s sense of belonging to their territories.
A documentary on the rise and fall of Project Cybersyn, an attempt at a computer-managed centralized economy undertaken in Chile during the presidency of Salvador Allende.
The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.