Sofia, a promising young LA-based musician, returns to her home-town of Kyiv for the first time in four years. Her brother is getting married, the tables are heaving with food, everyone is there, including her ex-boyfriend. And then, suddenly, the sirens start wailing, and with the hangover comes the fight for survival.
Based on a true story. Two fighters of 'Donbas' Volunteer Battalion get locked inside city of Ilovaysk after regular Russian army enters Ukraine and shells the surrounded divisions of Ukrainian Army in the infamous would-be 'green corridor'. The fighters survive thanks to the help of the locals and manage to break out through the front line to reach the freed territory. Taras Kostanchuk who is playing himself as 'Beshoot' is that same Donbas commander who is the prototype of the story. Half of the actors and extras are real 'Donbas' volunteers who survived the battle.
A young Ukrainian street photographer reflects on his feelings of longing and connection to his father as he explores the streets of New York City.
Five young Ukrainians discuss life following the Maidan Revolution of 2014. Not all fought in the Russian-Ukrainian war, but it, regardless, shattered their life plans. Representing 'Generation Maidan', they face the question of how to cope with experiences of violence, how to go on. A local theatre director produces Hamlet, wherein they can use Shakespeare’s tragic character as a mirror and face their traumas onstage. For them, 'to be or not to be' is not simply text but an existential dilemma with no clear answer.
Two mirror situations: telephone conversation of a Russian soldier with his mother, and a soldier of the Armed Forces of Ukraine, who also communicates with his own, during the Russian military aggression. Why is there such a huge gulf between our people and their people? Perhaps the answer to this question lies in the difference in relationship with mothers.
Made refugees by the war in Ukraine, Olga and her granddaughter Milana travel to a summer camp in the Austrian Alps to test the limits of their own bravery, and to strengthen their growing bond.
A woman struggles with the isolation of being confined as a prisoner in a war-torn country.
The chronicles of four years in the life of Julie, a young woman who navigates the troubled waters of her love life and struggles to find her career path, leading her to take a realistic look at who she really is.
Tatiana is forty-two years old and she is a stylist for one of Kyiv’s women’s magazines. She is ironic, self-confident, Tatiana lives in a large house on the suburbs of the Ukrainian capital and she enjoys the freedom that her recent divorce gave her. Her quite successful life is interrupted by the outbreak of the war. Friends and acquaintances come to her house, including her ex-husband and colleague who has a crush on her. Together, they watch how Russia destroys their city. After a few days, almost everyone tries to get out of Kyiv and persuades Tatiana to follow. But she can’t make up her mind.
This documentary follows two long-lost Ukrainian friends, Arsalan and Nastya, as they reconnect in Germany after russia's full-scale invasion against Ukraine. Arsalan, an actor now in Frankfurt after time in a refugee camp, and Nastya, journalist and producer who stayed in Kyiv, reflect on the divergent paths their lives have taken due to the war. Through their conversations and therapy sessions, the film explores themes of displacement, identity, and the emotional impact of war on youth.
The story of war, love and death that was documented by the immediate participants of events. Off screen and later on it are the two - a boy and a girl. He volunteered for the front; she went to the place just after the battle. He got into Ilovaysk cauldron, lost his closest brother-soldiers. She, while travelling along the ruined towns, strives to understand the essence of war and love. Both tell openly one another about their feelings during the war, escaping the cauldron, a try to live together after, and a common trip to the frontline.
Since the uprising of a pro Russian insurgency in eastern Ukraine in 2014, hundreds of women joined the army. Only a few made it to the front line. Filmmaker Masha embeds herself in the war zone to follow the daily life of three of them. By sharing the intimacy of these fighters, Masha soon becomes a victim of this brotherhood conflict jeopardizing this film and her life.
A young Ukrainian refugee in the USA becomes entangled in an emotionally charged online dispute, triggering a powerful reaction that leaves him at a crossroads.
Ilir Luma, a martial arts master specialized in the Pelasgian art of "Mundije", escaped the communist regime, when he was only 14 years old. He'd witnessed the hanging of a poet in the city of Kukes, Albania. In Germany, at a Taekwondo school, he meets Ana, who became his student and his girlfriend. Ilir promised to be there for her, whenever she needs him. Thirty years later, Ana is kidnapped and sent to Mexico. Ilir risks his life to rescue his kidnapped girlfriend, and battles the most dangerous fighters in the world.
As war ravages their homeland, Ukrainian children flee their homes out of fear. Across the country, young lives are uprooted and transformed overnight. But even amidst devastating loss, the children's resilience and optimism shine through. The original version of the film was 15 minutes long, and it was the one that had the initial festival distribution and screenings. Then, for the release of the film on VOD, the running time was increased to 52 minutes.
The story of trust and its absence against the background of events unfolding in Eastern Ukraine in early 2014. The main topic is revealed through the prism of the Luhansk border base, whose fighters the separatists and Russian special services tried unsuccessfully force to betray their country.
The story of Ilya Lichtenstein and Heather Morgan, a millennial couple who stole over $3 billion in cryptocurrency before being caught by the Department of Justice.
As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.
Filmmaker Olly Lambert spends two months on Ukraine’s southern frontline with volunteer special forces as they begin the push to capture Kherson. The film follows “Hummer”, an experienced military commander who now finds himself a chaperone to completely inexperienced forces on the frontline.
Personal videos from the phones, camcorders, cameras and GoPros of Ukrainian soldiers are woven into a surreal journey to the frontline of the war with Russia. The film shows a bizarre world whose laws are quite different from what we are used to. The behaviour is different, the relationships unfold differently and the humour takes on different notes. The heroes wake up and fall asleep, rejoice and cry, always feeling that the recording may end at any moment.