Ich bin! Margot Friedländer

Fear and fascination arise in Muriel Grey when she remembers the figure of her father, who passed away when she was still very young. Thirty years after his death, Muriel will tell us the story of José Carlos Grey, a Black Holocaust survivor, freedom fighter in the Spanish Civil War and the French Resistance, and one of the only Black men known to have been imprisoned at the Mauthausen concentration camp in Austria.

In 1938, the Jew and political activist Ernst Federn was arrested by the Nazis in Vienna, taken to Dachau concentration camp and later to Buchenwald. He was imprisoned there for seven years - and survived. In the documentary, Ernst Federn, who emigrated to the USA after the war, talks about the terror he experienced.

Dr. Edith Eva Eger recounts her story of survival as a prisoner at Auschwitz concentration camp, her struggle with survivor's guilt and how her work as a psychologist has helped her grow and heal.

In 1944, two prisoners miraculously escaped from Auschwitz. They told the world of the horror of the Holocaust and raised one of the greatest moral questions of the 20th century.

A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".

In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.

A young Holocaust survivor who descends into crime; an Italian-Jewish engineer who wants to see a movie; a German Christian who forgives her husband’s murderer because of her Buddhist faith; and a Jewish woman who carries on an affair with a Nazi and exposes members of the resistance so that she and her children may survive: their fates intersect when two bullets are fired into a queue of people waiting to see “A Man Escaped” at Tel Aviv’s Cinema North in 1957.

The stories of nineteen Holocaust witnesses and survivors, including an American POW, resistance fighters, a Jesuit priest, an American liberator, a Hitler Youth, and ghetto and camp survivors, create a narrative of the Holocaust in the words of those who experienced it.

Henryk Greenberg is a Polish-born American who lost much of his family in the Holocaust. Certain of the location where his father and younger brother were murdered, Greenberg returns to find most of his former neighbors predictably claiming foggy memories at first; but soon their recollections come more easily.

On the cusp of her 100th birthday, Risa Inglefeld looks back on a life full of hard knocks and shares her secrets to getting up again with joy and humor. A meditation on life, aging, love and the secret to living with joy.

The life and work of German political philosopher of Jewish descent Hannah Arendt (1906-75), who caused a stir when she coined a subversive concept, the banality of evil, in her 1963 book on the trial of Nazi war criminal Adolph Eichmann (1906-62), held in Israel in 1961, which she covered for the New Yorker magazine.

Located nearly 80 kilometres north of Berlin, Germany, the former municipality of Ravensbrück was home to a prison between 1939 and 1945 that became a concentration camp designed specifically for women. It was built by order of Heinreich Himmler, a high dignitary of the Third Reich and head of the SS. Of the more than 130,000 people who were deported there, almost 90,000 never returned. Based on witnesses, international experts and computer-generated images, the document reveals the atrocities committed in Ravensbrück.

L'Chaim! is an intimate portrait of a man with a rare and significant story. It is the tale of Chaim Lubelski. He gave up a career as a chess player and successful businessman in New York to dedicate himself to his elderly mother, a Holocaust survivor.

Filmmaker Amir Bar-Lev follows two Czech Holocaust survivors, Jan Weiner and Arnost Lustig, as they revisit Terezin, a labor camp where Arnost was interned for five years and Jan's mother was murdered.

What starts out a standard talking head doc about one woman's experience in Auschwitz during WW2 turns into a picture of an aging Hungarian woman - Ms Emmy - and how having red hair saved her life. The filmmakers don't hide their involvement in the making of the film, rather are continually bossing her around, which allows us to appreciate the density, detail and focus of Ms Emmy's reflections.

The true story of German-Czech businessman Oskar Schindler (1908-74) as told by some of the Jews — more than a thousand people — whose lives he saved from extermination during World War II.

Mengele mi říkal prosím

Sonny - eine Geschichte über den Holocaust, Eintracht und Frankfurt

Recalls the day when Holocaust survivors took their first steps into freedom, unaware of their future. Every Face Has a Name puts a name on those nameless faces and lets them recount their feelings of that day, the 28th of April, 1945.

The stories of Eitan, Yigal and Miri show how long the past can cast its shadows. Their Holocaust-surviving parents were abused by the Nazis, then became abusers themselves—their fear and grief transformed into aggression and anger towards their children. For the first time on-screen, children of Holocaust survivors talk openly about the mental and physical suffering they experienced. Stories of abuse contrast with cheerful-looking black-and-white photos of the families. Even the grandchildren appear to be suffering from their parents’ burden of sorrow and pain. The children's attempt to talk about the past, as with Eitan and his ailing mother and Miri with her son, seem futile. The palpable inability to make contact is almost unbearable. Shadows asks the unavoidable questions: how long will the Holocaust continue to exert its evil influence on future generations, and how can the demons of the past be exorcised?