Matrix [First Dream]

There is nothing left to do but complain.

A teenager decides to shut himself off from the world around him after receiving bad news.

Beyond all human restraint lies one's lugubrious layers of paint.

Steadily reading while/becomes treading into murky waters.

Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.

Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»

Ich lebe in der Gegenwart - Versuch über Hans Richter

Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.

A man’s female friend who just came back from London spends time on the river shore.

Η οδύνη του Νώε

Ode to Dorothy reexamines the relationships of the main characters in The Wizard of Oz, revealing these relationships to be much more complicated and dark then we first understood as children. Comprised of footage from The Wizard of Oz and Meet Me in St. Louis, two musicals starring Judy Garland, the tape takes existing, iconographic images and reinterprets the footage to create an alternative narrative to the original storyline intended by L. Frank Baum.

A graphic disintegration of paranoia, perversion and violence in Chicago. (worldcat.org)

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

A dark take on media manipulation and political situation in Malaysia. The idea is to convey how normal citizens even though sometimes they know what they read and heard are absurd and not right but still with not much options to react but to accept them in order to maintain their livelihood. And at the same time powerful figures whom understands the mentality of the citizens continues to drives their ridiculous and absurd ideas and opinions to the mass.

A person shaken by the catastrophes of the world cannot let go of their chaotic thoughts until they find a bond that was once lost.

Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

The quietly insistent and critical DEPOSITIONS attempts to restore some dignity to images of the communities of the Scottish highlands taken from patronizing BBC documentaries and news features from the 70’s and 80’s. DEPOSITIONS repurposes footage from the archives of the BBC and sound from the School of Scottish Studies, it is a film about differences and dichotomies: science and superstition, near and far, community and the individual.