Anna Magnani - Recitare la verità

The life story of Brazilian football legend, Pele.

This vehicle for the great actress Anna Magnani was one of the four made for Italian television and shown in 1971-1972 at the end of her career. The other three were "La sciantosa," "Correva l'anno di grazia 1870," and "L'automobile" and were all directed by Alfredo Giannetti.

The movie is inspired by the true life story of Bulgarian paralympic ‘Long jump’ triple world champion Mihail Hristov. The film follows Mihail from the moment he loses both his arms in an electric current incident and makes the life-changing decision of becoming a professional athlete as he goes through the catharsis of deciding to start a new life without arms. He goes through a number of difficulties, both on the sports field and in his personal relationships with his parents, his coach, the girl he falls in love with but most of all, the difficulty of accepting what has happened to him. The script traces Mihail's difficult fate from the accident that left him without arms to becoming a triple long jump world champion, inventor of a new type of prosthetics and a motivational speaker.

The film will tell about the most striking events in the biography of the Kazakh wrestler. The plot line is based not only on Kazhymukan's sporting successes. Love, money, fame, poverty, batyr had to go through all this in his life. Kazhymukan Munaitpasov is a world champion in classical wrestling among professionals, the first Kazakh to become a champion in French wrestling, a multiple winner of world, regional, Russian, as well as all-Union championships in classical wrestling among heavyweights.

A look at the relationships and rivalries within The Rolling Stones in their formative years, as well as the creative musical genius of Brian Jones, key to the success of the band.

How was the Second World War experienced in Rouveen, Overijssel? This Orthodox Christian village near Staphorst was self-sufficient during the war. And largely isolated from the outside world. The last eyewitnesses of the war, the children of that time, are now all very old. In the Duutsers, residents of the Overijssel village of Rouveen talk movingly openly about their war memories to fellow villager and filmmaker Geertjan Lassche. Their stories are interspersed with historical video fragments and photos from the past. This is how an honest child's view of growing up in a rural village unfolds. How did the war come to the village? Who is that stranger in the village in front of them, that German? And in what those of other strangers? When does unrest arise, and unrest in fear of hatred? What about the Jewish labor camps in the village and how did they view the Canadian liberators?

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.

One man's search for joy has culminated in a constant experience of rhythm in the world around him.

The life of the bullfighter Andrés Roca Rey during a day of bullfighting, from the moment he dresses up to the moment he undresses.

Nicole Kidman has worked with a host of top directors in a varied career including Gus Van Sant, Jane Campion, Stanley Kubrick, Lars von Trier and Sofia Coppola. A portrait of a fascinatingly ambivalent actress who shines in Hollywood blockbusters as well as auteur cinema, determined to explore, role after role, the female condition.

Kim Novak never dreamed on being a star, but she became one. Most famous for her enigmatic performance in Hitchcock’s Vertigo (1958), the Chicago-born actress never quite fitted into the Hollywood mould and wanted to do things her own way.

Filmed over two years, this new documentary takes an exclusive inside look at Tony-winning director Marianne Elliott’s creative process of bringing a reimagined gender-swapped production of Stephen Sondheim and George Furth’s musical Company to Broadway during the COVID-19 pandemic. Featuring rehearsal and performance footage, plus new interviews with Elliott, Sondheim, Katrina Lenk, Patti LuPone and members of the original 1970 cast, the broadcast tells the story of the show’s Broadway debut in a city on the verge of bankruptcy to its reimagination 50 years later as both Broadway and New York City emerge from one of the greatest crises in contemporary history.

The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story.

On a search for a couple for a love story with sex beyond the 70 Herbert Götzinger sent me to his colleagues sculptor Ludwig Chateau. During my surprise visit with the running camera, asking if he would be willing to do his part, he attacked me: "Is not that enough what they're doing at this moment?" –LM

Pioneer filmmaker J. Stuart Blackton was intrigued by the idea of a film about the history of the movies as early as 1915. He finally released a 52-minute feature called The Film Parade that was shown in New York and favorably reviewed by "Variety" in 1933. He continued tinkering with the film for the rest of the decade, and later filmmakers and distributors used Blackton's footage for stock or to produce their own variously titled and truncated versions. -UCLA Film & Television Archive

A day in the life of a game warden.

Anthology short film with segments by nine directors against Silvio Berlusconi and its Forza Italia party — released ahead of the 1994 Italian general elections, which Berlusconi nevertheless won in a landslide. In Nanni Moretti's segment, he and Silvio Orlando reprise their roles from The Yes Man (1991).

Documentary by Moretti (later to become “Palombella rossa”) about his last competitive waterpolo tournament (1986), accompanied by his voice-over. It narrates the different stages, the character of the coach, the teammates, the final and his last real match, in the open sea.

The life and work of Giuseppe Bertolucci, as told by his father and brother, friends and colleagues.

Memories and anecdotes of the making of "Padre Padrone"