The Inexhaustible Variety of Life

To cope with a grieving process, Eli creates his own pink musical paradise, full of neon lights and a lot of gayness.

Sketch Fragments

MiniDV visions portraying the anguish of a curious artist who becomes obsessed with replicating images of a woman he sees in his dreams.

A visceral journey through dysphoria in the internet age.

A chronicle of the lives of a couple and the gradual dissolution of their relationship.

A loop of a guy in Maine hanging out in his room.

After an intruder infiltrates her apartment, Allie must deal with the remnants of painful memories that she refuses to accept.

Returning to his hometown one last time, a wayward love rat reignites friendships and reopens old wounds in one self-destructive weekend.

An abstract exploration of teenage hood and future discontents. It is the search for an alternative.

Reflektion

A mentally unstable teen transforms himself into a clown to deal with and mask his own disturbing, nihilistic worldview and deteriorating mental health. the further the film continues, the more prominent his descent into madness becomes.

A man trapped in an aimless routine becomes the spectator of his own life as he wanders through the urban landscapes of his city in search of something that gives him meaning. Between memories and ghosts, he faces his doubts and longings, questioning what is real and what is just a projection of his loneliness.

The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity

A Stone Story

The experimental film follows a young woman as she struggles to keep up with the fast pace of life. The film delves into her inner turmoil as she tries to escape the relentless pressure of time and find a sense of peace and belonging in a world that never slows down.

"After the experience of making the film for my thesis defense, and, of course, translating and working on the essay Amateur vs. Professional [Amateur Cinema], particularly Maya Deren’s definition of amateur cinema, it became a concern of mine. After a difficult year, I decided, based on a personal manifesto shaped by my surroundings [Paramedia], to make a film that I myself would like to see more of. A film created through image, montage, and the possibilities specific to the cinematic apparatus, with an emphasis on organicity. At the same time, it was a response to the question of mainstream cinema versus art cinema, and ultimately an attempt to arrive at a third option, one that is completely separate from those two modes of cinema: experimental cinema, structural, abstract, expansive, and so on. The final product was Me, I'm Not."

Kaito lost his sister who was his lover in his childhood. He severed all contact with the outer world for twenty years and devoted his time to writing down memories of his sister. One day, a week before the manuscript is to be completed, a woman visits his room. She burns all his papers and takes him to the city to cut him off from his memories. Nevertheless, Kaito cannot stop writing about his sister. The woman decides to lead him on a journey to ultimate hell.

Two young film enthusiasts from downtown São Paulo are doing a film rehearsal and, for the final scene, inspired by "The Man Who Left His Will on Film," they want to film a projection onto a woman's body.

Years after the crime, three clueless investigators discuss the disappearance of a young tourist in a small French town.

Oriana Mejer's niche poem-film style has created "NOISE!". The film dissects late stage capitalism and the effects social media has on the mind. This is a spoken word poem, performed by Mejer, combined with projections. It is a completely new approach to editing. Originally score by Sofia Camarena.