The Inexhaustible Variety of Life

A wealthy, callous moneylender finds a terrifying way to learn about money's limitations.

Matarile

Erin. He thinks he's in 4th period math. Oh he's wrong

A weekend in the city park is meant for recreational activities. During a twenty minute period, several men seek out a way to pass their time at a cruising spot located in the heart of a small peninsular grove.

PRÓXIMO!

Exposé of two news photographers covering the People's Revolution in the Philippines.

Musician Oliver Sim is the main guest of a talk-show that soon slides into a surreal journey of love, shame, and blood.

A young tradesman learns that money doesn't necessarily bring happiness. Drama.

A man and a woman talk on the phone and express their feelings and desires for each other for the first time. We watch as they listen to the other's admissions.

After a period of time where her hearing begins to overtake her sight, Casandra searches for the cause of her problem, isolating herself from society. She starts having visions that remind her of the past and promise an apocalyptic future.

ONE DAY, TEN PEOPLE - HOW DO THEY ALL CONNECT? OUR CHARACTERS INTERACT WITH EACH OTHER IN THE BUILD UP TO A GIG THEY ALL ATTEND, THROUGH VHS FLASHBACKS WE UNVEIL WHAT HAS HAPPENED BETWEEN THEM. FITTING ROOM IS AN EXPERIMENTAL SHORT THAT PLAYS WITH THE COMING-OF-AGE GENRE. UNLIKE MOST COMING-OF-AGE TALES, NO STORY IS MORE IMPORTANT THAN ANOTHER AND NO ONE IS THE NARRATIVE FAVOURITE. IT AIMS TO UNIFY THOSE WATCHING THROUGH THE MEMORY OF FEELING, NOT THE SPECIFICITY OF EXPERIENCE. EACH CHARACTER IS GOING THROUGH THEIR OWN DIFFICULTY WITH GROWING-UP BUT FITTING ROOM HIGHLIGHTS HOW NO ONE DOES THIS ALONE AND HOW WE LEARN FROM EACH OTHER CAN AT TIMES BE THE MOST IMPORTANT LESSONS OF ALL.

A man attempts to operate a mysterious device, but with each attempt comes a new set of problems.

A musical audiovisual journey in four parts. A young man finds himself unexpectedly taking an audiovisual odyssey into a world of surreality, slowly recounting his memories, revealing the puzzle pieces that led him to where he is, and maybe how he can get out.

Smith's third feature film was originally titled "The Kidnapping of Wendell Willkie by the Love Bandit," in reaction to the 1968 Presidential Campaign. It mixes B&W footage of Smith's creatures with old campaign footage of Willkie, a liberal Republican who ran against FDR in the 1940's. The climax of the work appears to be the "auctioning" of the presidential candidate at a convention.

The second installment to BTOB's Ballad Trilogy, "Way Back Home" tells the story of three troubled boys who, after having lost their way, finally find their way back home.

An approaching loss threatens the of a middle-class family, whose dark secrets gradually come to light and begin to gnaw away at the family members - literally.

The third and final installment in BTOB's Ballad Trilogy, "Remember That" tells the story of a man reminiscing his past love.

Marcos, an independent film and video editor, works editing late into the night. On a typical night at work, he has a seizure that causes him to lose consciousness. Upon waking up, he discovers that his way of perceiving life has changed in such a way that he now lives everything and sees it in the same way as a cinematographic montage.

A couple bound by drugs and chaos must confront the emptiness of their relationship when the highs fade and only the void remains.

An experimental and short compilation of rhythmic documents about the devolving state of entertainment and reactionaries in it's entirety. From the parodic controls between the obscure artifacts of media-consumed culture, to the real world consequences of how film discussion shapes the political and mental state in a society.