When someone is murdered on New Year's Eve, the prime suspect is Valerie Maas, a church-going home-maker whose life unravels when she discovers that her husband of many years has been leading a double life. Her strength of character and faith keep her going as the revelation of her husband's betrayal threatens to destroy all that they have known.
In the late 1990s, Moncton's Acadian community was forever marked when death struck an high school. In a sweet impressionist film, Samara returns to the city she fled as a teenager to immerse herself in memories that are still buried there, in various places and in dusty boxes containing diaries, photos and VHS tapes. 1999 is not a ghost story, although it is populated by ghosts. The snow-covered streets, corridors and locker rooms of the school are intact, as in a dream, but the absence left by the wave of teenage suicides still resonates with unanswered questions, trauma and regret. Samara meets inspiring people who carry with them great pain and who, 16 years later, can finally comfort each other by breaking a long silence. In the end, the film interweaves different voices and gives rise to a collective reflection on the internalization of mourning and the need to learn to affirm one's desire to survive.
On a trip to Angkor Wat in Siem Reap, Cambodia in January 2000, filmmaker Anne Bass came across a sixteen-year-old boy who moved her immensely with his amazing natural charm and grace as a dancer. A longtime devotee of the world of dance, Bass felt compelled to give this young boy the opportunity to leave his home and follow a dream that he could not yet have fully imagined. From the serene countryside of Southeast Asia to the halls of New York’s School of American Ballet to the stage of the Pacific Northwest Ballet in Seattle, DANCING ACROSS BORDERS peeks behind the scenes into the world of dance and chronicles the intimate and triumphant story of a boy who was discovered, and who only much later discovered all that he had in himself.
When troubled teen boy Stevie (Cameron Van Hoy) and his girlfriend, Rocky (Mischa Barton), attempt to rob a bank without any forethought, the situation rapidly deteriorates. Soon the young couple is holding bank customers and employees hostage, while law enforcement gathers outside. Daniel Bender (Burt Reynolds), a veteran negotiator for the FBI, is charged with assessing the crime scene and ending the standoff as quickly as possible, but Stevie's short fuse considerably complicates matters.
And urban planner's journey to making the impossible possible.
Wanda Seux, one of Mexico’s most emblematic actresses and showgirls during the 80’s, has fallen into an abyss, dragged down by the death of her mother, her solitude, and the passage of time. Wanda, however, struggles every day to rise from that vacuum and walk through that dark tunnel into the light of plenitude.
A waitress working the night shift at a roadside diner in a small, industrial town becomes intrigued by a charming truck driver, while the diner's owner struggles to keep his dwindling business afloat.
They thought she had the perfect life; wealthy and privileged, an honor student with her whole life mapped out. What they didnt know was what lied inside of her; pain and anguish; tearing at her until there was nothing left. Lost and alone, the young woman (Heather Dorff), finds solace in the form of a glistening blade, splitting her skin deeply. Her self-indulgent mother and obnoxious sister (Kelsey Zukowski), are completely oblivious to her inner-turmoil. She has long since become numb to the world around her, getting that sensual release, as the razor cuts deeper, watching the blood drip, is all that matters. As soon as the last drop falls, the calm is stripped away from her with it. How far will she go to silence the hunger that now consumes her? Will she be able to regain control of her life, body, and sanity?
A self-help guru's televised teachings inspire a down-and-out businessman to pursue his dream of making a movie.
An inspirational true story about how a rural community rallied around a distraught family to search for their missing two year-old boy and through doing so changed the lives of many of those involved.
Medellin. Tireless car traffic. In the margins of a society launched at top speed, some lurking engines shutdown to make a living; Jugglers at intersections, employees on breaks, whose precise and repetitive work mark the flow of time which is always repeated.
Dead Horse Point is a film that expresses my feelings of ambivalence for the western genre, and America as a nation. It is the fourth part in a series of North American landscape films that I have been shooting since 2003. It essentially deals with the notion of "the old west," "the frontier," the blurred line between historical fact and myth, the role of Hollywood in the historical process, the importance of celebrity in America, and finally the influence that the western landscape has had in defining the mythology of "the old west." Jason Britski
A widower confronts his older son's decision to leave home and his younger son's self-destructive behavior.
Graphic Sexual Horror takes a peek behind the terrifying facade behind the most notorious of bondage websites, exploring the dark mind of its artistic creator and asking hard questions about personal responsibility. Interviews reveal deep fascinations with bondage and sadomasochism that run parallel, and in fact become irreversibly entwined with the lure of money.
Leo Leone has been wrestling since he was seven years old. As the only son of wrestling coach (and ex-state champion) Edward Leone, Leo's dedication to the sport was tied up in his love for his father. Now Leo is seventeen. His life has been an endless cycle of training, sacrifice, and starving to make weight -- a process that is becoming ever more difficult during adolescence. He's tired of denying himself everything, and is feeling the lure of a world beyond the mat. Living paycheck to paycheck, working a dead-end job in the mines while coaching for no money, Leo's father Ed sees a wrestling scholarship as his son's only chance to escape the treadmill of life in a small Pennsylvania town. But though his motives are good, Ed is pushing his son too hard
Vusi Madlazi returns to the South African village he left as a young boy to bury his father. He meets up with his brother Ernest, who tells him their other brother Stephen couldn't be contacted. Vusi goes to Johannesburg to find him, but at first can only find his neighbor/girlfriend, Karin, a stripper. Vusi proceeds to learn how conditions have changed since the end of apartheid, not always for the better for black men.
This retelling of Charles Dickens's Oliver Twist may be populated by drug pushers, pimps and prostitutes, but the book's classic themes remain the same. Caught under the thumb of a lecherous brothel owner, 10-year-old Lee befriends an aspiring musician named Angel who helps him escape his servitude and sends a maternal drag queen to vanquish the boy's enemies.
A routine trick propels a tall, dark, cynical hustler into a series of life-changing encounters in this drama. But this amicable and sexually efficient rent boy begins to look at himself differently when he finds himself lost in a maze-like apartment building. As he wanders through the building, he tricks with a variety of johns; sex is the commonality, but out of that commodity comes raw, unguarded emotions for all.
The leader of an inner city girl gang is challenged when a new girl moves into the neighborhood.
An aspiring songwriter from a small steel town, Betty Mabry Davis arrived on the scene to break boundaries for women with her daring personality, iconic fashion style and outrageous funk. She befriended Jimi Hendrix and Sly Stone, wrote songs for the Chambers Brothers and The Commodores and married Miles Davis, turning him from jazz to funk and then went on to ignite stages in the 70s with her sassy sexed up mix of hard rock and bluesy funk, inspiring artists from Prince to Erykah Badu to Karen 0 and Peaches. Then she vanished…