we're here because we're here (we're doomed)

To free their poetic minds, Guillaume Marin and Ariane Caron-Lacoste have created, through an audio testimony, a video poem where verses on the screen act as counterpoints, initiations, and endings. The rich visuals answer the speech to constitute its body.

Movimentum

La fontaine et la chute IV (les origines)

De peindre, mes os sont devenus poussière

After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.

A depiction of a girl’s uneasy state of mind as it wavers between life and death.

“I've never seen light that looks or feels so dark; forward moving possibility united with so much cosmic terror.”—Marilyn Brakhage

Welcome Home.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

"The Holy Spirit will come upon you,and the power of the Most High will overshadow you;” (Lc 1:35) The most important event in the history of the Christian religion occurs beyond the physical plane, when God himself touches humankind for the first time. This event will bring light and shadow together in one place.

the emotional rollercoaster journey of a wood cutter when nature is paying back.

Solo live concert recorded in Brussels, April 12, 1992. Tracks: 1) On A Wedding Anniversary 2) Lie Still, Sleep Becalmed 3) Do Not Go Gentle Into That Good Night 4) The Soul of Carmen Miranda 5) Cordoba 6) Ship Of Fools 7) Leaving It Up To You 8) The Ballad Of Cable Hogue 9) Chinese Envoy 10) Fear Is A Man's Best Friend 11) Dying On The Vine 12) Heartbreak Hotel 13) Paris 1919 14) (I Keep A) Close Watch 15) Hallelujah

An exploration into perceptual processes in the act of seeing and listening, Chiasmus takes film as a metaphor for the breathing body, through the intercrossing of the medium and the fragmented images of the body in movement. The rhythm and tension created by the interplay between sound and image, and their disjunction and conjunction, aspire to an organic and sensual moment where inside becomes outside, and outside inside.

"I Do Not Know What It Is that I Am Like" juxtaposes images of animals, both wild and domestic, and natural environments with human activity as it takes place in an apartment, and during a fire walking ceremony in Fiji. Documentary-style footage is combined with staged events. Despite the piece's lack of a traditional narrative, it bears some relationship to nature works. The segment features material from "Il Corpo Scuro (The dark body)" - animals and natural environments are seen up close and at a distance.

Ken Burns Says "Jazz" 3 Billion Times (actually 2.97 bn) in Under 3.5 Minutes

Controversial cinéma vérité analysis of Havana’s lumpenproletariat in waterfront bars and cafés shortly after the failed Bay of Pigs invasion.

Virus

This film is composed of three sections created to accompany a piece of music (by Barbara Feldman) on a Homeric poem.

An abstract film on the music 'Unfinished' 8th Symphony, part 1, by Franz Schubert by Oerd van Cuijlenborg

A documentary of an avant-garde theatre performance, presents an orgiastic rite of sex, degradation, and bloody sacrifice, performed by Zero-Jigen.