where we used to sleep

An intimate insider’s journey to uncover buried truths and explore how the community in Monroe, Georgia has been impacted by the 1946 quadruple lynching and decades of racial injustice, shattering a code of silence that has distanced neighbor from neighbor for generations.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

Engaging themes of love and betrayal, hope, belonging and place, Glad You’re Here documents my nineteen--year journey through building a family life, seeing it suffer the damage of mental illness, grief and separation, and then rebuilding with empathy. A story about an extreme moment of crisis has turned into a documentary that deals not just with the subjective but with the important issue of spousal abuse.

Jim and Loz Beck are brothers from Chipping Norton. They play rock'n'roll together since they're 8 years old. At 18, they leave the boring british countryside to live and work on their music in London. Jim starts working in a Cultural association while Loz discovers the pleasures of the student life. The film is driven by the raw punk music and the deeply political and emotional lyrics from their two piece band Cassels. In this intimate portrait, Jim and Loz will confront their strong artistic point of view and their DIY approach to the reality of the music industry and the social and economical London's life.

The events related to the death of Giulio Regeni, kidnapped, tortured and killed in Egypt, with the reconstruction of his family and lawyer Alessandra Ballerini, showing the stages of the kidnapping, the torture and killing.

In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision the city’s struggle through an uncertain and daunting past, present, and future. The Vietnamese characters in the film are diverse: Kramer’s former guide from an earlier visit in 1969; a tight-rope walker in the national circus; a man who took photos of B-52s and another who lost his fingers shooting them down.

Peregrina

The Rastreadoras de El Fuerte are a group of mothers of disappeared persons in northern Sinaloa who, in the absence of the authorities, twice a week go out with picks and shovels in search of the remains of their children; a testimony of the abandonment of the State, the aggressions of the drug traffickers, the indifference of society and the pain, but also of the strength and courage that keep these women together, and of their empowerment to mobilize society in community organization.

A documentary following the sharp decline of the cod fishing industry in New England. Included is an in-depth look at the potential causes and the resounding effects upon the lives of the fishermen themselves.

A symbolic and personal representation of the filmmaker's journey with grief, after losing their father in 2015. He owned a pair of gold Crocs which he wore everywhere, from lounging around at home to going to the shops. These shoes have been with the filmmaker's family throughout their childhood and have great sentimental value. Now these Crocs belong to the filmmaker's family and everybody who visits wears them. They have become a staple of their home where they will continue to see many more years of their family's life events.

Are we becoming Plastic People? Our ground-breaking feature documentary investigates our addiction to plastic and the growing threat of microplastics on human health. Almost every bit of plastic ever made ends up ground down into "microplastics". These microscopic particles drift in the air, float in the water and sit in the soil. And now, leading scientists are finding them in our bodies: organs, blood, brain tissue and even the placentas of new mothers. What is the impact of these invisible invaders on our health? Ziya Tong, author and science journalist, makes it personal by visiting leading scientists and undergoing experiments in her home, on her food, and on her body.

In Jaan the filmmaker uses her mother’s forbidden cassettes and dance to tell the stories and show the spirit of Afghan women across generations.

1968, The Socialist Republic of Romania. Women catch up on the latest tendencies in beachwear, the young hippies of Hamburg are harshly criticized by Romanian students, while Nicolae Ceaușescu reads the famous defiance speech against the intervention of the Warsaw Pact troops in Czechoslovakia. Floating solemnly over all this is The Internationale, sung on a stadium by a crowd of pioneers dressed in white shirts and red ties. A certainty for each probability: the documentary is at the same time a history lesson and an ideological warning sign, the director’s endeavour permanently draws our attention to the functions of the propaganda film, yet without tarnishing the fascination that dwells in the core of the images, that of the figures that wave at us from a past buried in commonplaces and political parti pris.

The action is placed in a cramped flat in Warsaw’s district of Ochota. A father and a son, both bedridden, live in a fascinating symbiosis. The son, a well‑known photographer Bernard ben Dobrowolski, is lying in bed because a chronic condition has deformed his body and immobilized him. The father, Dominik, has recently suffered from a stroke. Now they are taking care of each other and crowds of visitors move through their room.

Few can resist Venice's magical allure, but with more than 14 million visitors a year, Italy's glorious city of canals faces a number of threats. This documentary examines issues at the heart of Venice's precarious future. Interviews reveal a city in crisis -- politician Roberto plans to modernize Venice, while environmentalist Paolo wages a battle against tourist power-boat shuttles and Michela tries to maintain Venice's residential population.

A Roma beggar on his knees raises many extreme emotions: guilt, rage, sympathy and frustration. Most people just walk on by, but there is always someone willing to help. In this film, the director follows the confrontations between the Roma beggars from Romania and Finnish people, and is forced to question, over and over again, her own ideas about helping.

As a centuries-old black community, contaminated and uprooted by petrochemical plants, comes to terms with the loss of its ancestral home, one man standing in the way of a plant's expansion refuses to give up.

Argentina, 1973. The return of democracy marks the beginning of a new countdown to the next coup d'état: on March 24, 1976, the worst dictatorship in Argentine history is installed, the bitter fruit of a plot carefully hatched for months.

Les Libeterres

65 years of marriage, four systems, two people, one love: Ilse and Wolfgang Gutsche have gotten along well with each other their entire lives. And they would do it all again.