Vukica Djilas – Home Movies

Dodging Raindrops – A Separate Reality is an episodic experimental film, in which documentary and staged scenes intertwine in a mythic-apocalyptic narrative. The film begins in Los Angeles und retraces the field trips into the Southwest assumed to have been taken by the controversial anthropologist Carlos Castaneda, a founder of the New Age movement. Taking up the anthropological concept of othering, the film casts its subjects as others inhabiting another side, another reality and another opposite. In doing so, Dodging Raindrops – A Separate Reality weaves a web of ostensible truths and untruths, of legends and utopias, of historic incidents and visions.

Marcel Duchamp alternates between scrutinizing the camera, and smiling and nodding in response to what seems to be a large crowd of off-screen admirers trying to get his attention. Occasionally he puts his fingers to his lips, indicating that he is not supposed to talk.

Sara and Alberto spend their days at home. They look out the window and watch: spring is approaching and the sun is setting later and later. Alberto entertains himself by playing with the light, the shadows and the nooks and crannies they leave on the living room. Sara goes out on the balcony in the evenings and examines the neighborhood with her camera. When they are in bed, they talk about what worries them. About job expectations. About being creative and why keep trying, if someone else has done it before you. About living in confinement, but at the same time, realizing that things haven't changed as much as they seem.

Jonathon "The Impaler" Sharkey threw himself into the race for Minnesota governor on January 13, 2006. His "coming out" to the media as a Hecate Witch, Satanic Dark Priest and Sanguinary Vampire grabbed international attention, and his candidacy marked the beginning of the largest amount of media coverage ever given to an unknown third party candidate running for governor in American history.

A British WWII propaganda short warning citizens that Nazi sympathizers could be listening to their everyday conversations to discover important information about the war effort.

An experimental short in which a couple engaged in lovemaking is superimposed over ocean and beach scenes.

A piano player is able to perform a Chopin piece backwards and Galeta will film it backwards and forwards creating four different variations of a movement bound to time.

"Now Eat My Script is a precipice, a fluid solution in which some spectral noises of the self float adrift. Narration takes the role of a pregnant writer who continuously affirms her hunger and clumsiness towards language and history. Her body is crossed over by both the years to come and the stories that have been buried. As a would-be pirate, she navigates through the tumult of familiar waters."

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.

One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club

A woman walks, loves, eats and washes herself, dances. It all takes place in a bedroom. At times flashbacks, or visualizations of previous or following scenes. Unless her life in the bedroom becomes an obsession, she lives through the other scenes.

Footage from summer of 2018 that explores the passing of time regarding the little things in life.

A documentary in réalité style harkening back to the early years of cinema. Composed of scenes around Victoria, BC during February 2019.

Calangros: Um faroeste sobre o terceiro mundo

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

(Always) Next to Me is a 16mm film that pairs abstract sequences of plants developed directly on the film emulsion with intertitles briefly describing what was going on for me personally at the moment the plants were collected. I started the film at the beginning of the pandemic, just after I found out I was pregnant for the first time in April 2020 and finished it just before the birth of my baby in December of the same year.

The passing time is displayed as a series of still frames, or a rapid sequence of moments, ever flowing like the waves that break on the shore, like a repeated chant with no beginning, middle or end.

Butterfly as verb. The monarch migration and an unearthed cassette tape correspondence form a storm speaking towards motherhood, loss, expectation, care and legacy. An elegy. An ode to uncertainty. A cry for radical optimism and a reordering of splendor.

In an abandoned shopping center outside of Cleveland, the story of the last remaining grocery store is told through recent google reviews.

Set in Charlottesville during the early 1990s, "Pride" follows an aspiring writer as she finalises stories for the latest issue of "Pride", a student run newspaper at the University of Virginia. Over a hectic two-day period, she puts the finishing touches on the upcoming issue. Despite the looming deadline, she moves with a calm confidence.