How mass protests on the Israel-Gaza border led to one of the deadliest days in a generation. One year later, a moment-by-moment investigation, drawing on exclusive interviews in Gaza and Israel and videos of the protests and bloodshed.
The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
A sci-fi documentary that follows the rise and fall of Lyd — a 5,000-year-old metropolis that was once a bustling Palestinian town until it was conquered when the State of Israel was established in 1948. As the film unfolds, a chorus of characters creates a tapestry of the Palestinian experience of this city and the trauma left by the massacre and expulsion.
Amid the ruins of northern Gaza, Ibrahim clings to the only companion he has left: Farfour, a stray cat he adopted during the war. Farfour has become more than just a pet for Ibrahim. He has turned into his shadow, his confidant, his last connection to humanity. Together, Ibrahim and Farfour navigate a collapsing world, enduring a relentless siege while living in an unsafe building, with no water and electricity. As the war tightens its grip, Ibrahim must flee.
This deeply affecting documentary follows a small number of Israelis and Gazans through the most dramatic and tragic year of their lives. Using personal and previously unseen footage, it tells the story of the war in Gaza and the October 7 attacks through deeply emotional stories from both sides of the conflict. In Gaza, the film follows three individuals from reaction to the October 7th attacks to the start of the bombing by the Israeli military and to the loss of family members that all three suffer. In Israel, we witness footage of the Israeli characters, as they and their family members are attacked by Hamas on October 7th and then follow their stories through the year.
A Palestinian activist's fight for freedom draws a Japanese American filmmaker into confrontation with detention regimes of past and present.
A portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives. Farah Hatoum, a widow living with her children and grandchildren, and Sahar Khalifeh, a novelist from the West Bank.
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
Gaza Fights for Freedom depicts the ongoing Great March of Return protests in the Gaza Strip, occupied Palestine, that began in 2018.
During the Syrian civil war, the district of Yarmouk, home to thousands of Palestinians, became the scene of dramatic and ferocious fighting. The film follows the destiny of civilians during the brutal sieges, imposed by the Syrian regime, that took place in the wake of the battles. With his camera, Abdallah Al-Khatib composes a love song to a place that proudly resists the atrocities of war.
Despite their children's reluctance, Radi and Mounira, a 65-year-old puppeteer couple, set off on tour between Israel and Palestine in their outdated van. They are exhausted from having to set up and take down the stage, from performing three shows in a row in front of hundreds of wild children under a burning sky. Lost in Jericho, frightened by the bombs falling near Majd Al Shams, destabilized by the Bedouin children of the Negev unable to determine their own identity, they no longer know if their mission is still relevant. Safeguarding the identity of their people through their shows, but at what cost? A quest for Palestinian identity.
An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
An Italian cruise ship carrying passengers from all over the world is hijacked off the coast of Egypt by a Palestinian commando unit. It is the beginning of a three-day ordeal in 1985 that culminates in the murder of an American hostage and an armed clash between two NATO allies to capture his killers.
The Tank and The Olive Tree recalls a certain number of forgotten fundamentals and sheds new light on the history of Palestine. By combining geopolitical analysis, interviews with international personalities who are experts on the subject and testimonies from Palestinian and French citizens, this documentary offers the keys to understanding what the media call the Israeli-Palestinian conflict. Enough to rid people's minds of clichés and prejudices! If The Chariot and the Olivier is intended to be educational, it speaks above all of a magnificent territory, and of a people who constantly affirm that “to live is already to resist”...
BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors.
This feature length investigation by Al Jazeera’s Investigative Unit exposes Israeli war crimes in the Gaza Strip through the medium of photos and videos posted online by Israeli soldiers themselves during the year long conflict. The I-Unit has built up a database of thousands of videos, photos and social media posts. Where possible it has identified the posters and those who appear. The material reveals a range of illegal activities, from wanton destruction and looting to the demolition of entire neighbourhoods and murder. The film also tells the story of the war through the eyes of Palestinian journalists, human rights workers and ordinary residents of the Gaza Strip. And it exposes the complicity of Western governments – in particular the use of RAF Akrotiri in Cyprus as a base for British surveillance flights over Gaza.
In an exclusive new documentary, Max Blumenthal rips the cover off the media deceptions and atrocity hoaxes Israel pushed after October 7 to create political space for its gruesome assault on the Gaza Strip. Blumenthal exposes the US mainstream media's role as a megaphone for the Israeli government, introducing new lies even after their initial ones were debunked. Atrocity Inc raises serious questions about the official narrative of October 7, while revealing how Israel's army has consciously engaged in the same hideous atrocities which it falsely accused Palestinian militants of committing.
Guy Hircefeld, a veteran who served in the Israeli military at the start of its occupation of Palestine in the 1980s, now fights against the Israeli occupation. His only weapon is a camera.
An examination of Israel and its society after many months of war, seen initially through the prism of viral social media posts - and exclusive interviews with the soldiers behind them. These posts, some shared millions of times, show soldiers humiliating bound Palestinians, ransacking their homes, joking as they detonate schools and whole districts, and laughing as they launch high explosive ordnance into densely-packed areas. The award-winning team behind this Basement Films production traveled to Israel to interview some of these soldiers, who proudly defended themselves and their videos, some expressing callous disregard for Palestinians in Gaza. Through additional interviews with Israeli radical groups, politicians, and media figures, the film reveals Israeli Jewish society in the aftermath of October 7th, gripped by a vengeance and hate that puts into question any possibility for peace.