Pride & Attitude

Paul Weller's musical rebirth unfolds as he records the solo album Wild Wood in 1992-93, embracing analog sound and revisiting his roots, captured through new interviews with Weller, band members, producer, and collaborators.

Zanzibar: Trouble in Paradise depicts a group of women who gained financial independence and stability in an otherwise male dominated culture through seaweed farming, until climate change killed the seaweed. The film follows the women, whose ingenuity led them to a new crop, more resistant to climate change: sea sponges. However, new challenges occurred; combating bacteria and climate change threatening their new product as well. In bringing the story of these women to light, the film demonstrates their resiliency and individual struggles facing the effects of climate change. While many documentaries focus on the science, Zanzibar shines a light on the disaster's impact upon those least likely to be heard.

A documentary about the sea and memory. Its movement is its form. Its strength.

The lastest neuroscience discoveries show surprising results: false memories, distortion, modification, déjà vus. Our memory is affected in many ways, and deceives us every day. The very fact of recalling souvenirs modifies them. The everyday consequences are manyfold. To what extent can we rely on our souvenirs? How much credit can we give them during trials? Even more shocking, scientists have proved to be able to manipulate our memory: creating artificial souvenirs, deleting, emphasizing or restoring them on demand.

Gene Kelly is a legend of the heyday of the Hollywood musical. His name stands for masterpieces such as "Singin' in the Rain" and "An American in Paris". As a singer, dancer, actor, choreographer and director, he was a true all-round artist who revolutionized the world of dance in particular. Kelly, who loved to experiment, explored new forms of dance expression and helped a whole generation of young talents to fame. From his beginnings in cabarets and on Broadway to his recognition as a choreographer and director, the documentary shows how the good-looking star with a charming smile expanded the boundaries of dance expression: He danced in the open air in the streets of New York, with a cartoon character or his own reflection. But this dazzling entertainer image should not obscure the fact that Kelly, as a staunch supporter of the American civil rights movement, also saw dancing as a political statement.

In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.

In the streets of Marseille, René Allio encounters, once again, the spaces of his childhood, and remembers his family history.

Cruelty, psychological and sexual violence, humiliations: reality television seems to have gone mad. His debut in the early 2000s inaugurated a new era in the history of the audio-visual. Fifty years of archives trace the evolution of entertainment: how the staging of intimacy during the 80s opened new territories, how the privatization of the biggest channels has changed the relationship with the spectator. With the contribution of specialists, including philosopher Bernard Stiegler, this documentary demonstrates how emotion has made way for the exacerbation of the most destructive impulses.

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.

The film explores the potential for automation in every sector of employment and questions the integrity of our methods of resource distribution going into the future.

Cóndor

In 150 years, twice marked by total destruction —a terrible earthquake in 1923 and incendiary bombings in 1945— followed by a spectacular rebirth, Tokyo, the old city of Edo, has become the largest and most futuristic capital in the world in a transformation process fueled by the exceptional resilience of its inhabitants, and nourished by a unique phenomenon of cultural hybridization.

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

Drawing from never-before-seen footage that has been tucked away in the National Geographic archives, director Brett Morgen tells the story of Jane Goodall, a woman whose chimpanzee research revolutionized our understanding of the natural world.

80 years are gone since The Little Prince was released. Author Antoine de Saint-Exupéry was also a pilot, and we follow his last four years from his US exile to when his plane in 1944 disappeared over The Mediterranean without any trace.

Two Filipina victims of sexual abuse search the truth behind the finding of a renowned anthropologist: that merely a few generations ago, the Bontok Igorot lived in what seems an unthinkable utopia—a rape-less society.

Tabu, propriedade privada

Every night women are forced to feel obliged to take precautions in order to feel safe on a night out. This is the story behind the victims of the serial spiking frenzy. A student documentary shot, directed and edited by Naomi Long Music composed by James Roberts Hearing the unsettling realities for women on nights out; Millie Robinson, Zara Mansell, Annie Foulkes and Janice Asare

An expository and poetic documentary that invites thinkers and artists from different areas to analyze the construction of images that affect the female body in issues that cross genders.

The film traces the life and times of Esther Eng, a San Francisco native known as Hong Kong’s first “directress.” She directed 10 Cantonese talkies.