Cry to Heaven

A young woman with cancer travels to a remote wilderness zone in Northern Italy in search of an alternative cure. What she and her friend, Martino, find is a secluded paradise, but their arrival threatens its fragile existence.

A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.

Alice In Chains returned to the stage after a three year absence with this live acoustic performance in New York on 10th April 1996. The band performed a 13-song set, including, 'Heaven Beside You', 'Rooster' and 'Would?'.

The Count of Maravillas receives an unusual proposal from a masked woman: to kidnap the valido of King Carlos IV.

17-year old Sarah, filled with adolescent angst, is an extreme person who in her rehearsals with a theatre group is transformed until she is almost in a trance, and her performances at home or elsewhere verge on excess. A cold, intellectual father, a timid mother, a younger sister and an older brother who has left home complete the picture: a silent time bomb.

Haunted by a childhood romance and recollections of love lost during the 1947 Partition of India, 95-year-old Ishar Singh Grewal shares his story with his grandson Nirvair, the past unfolding through memories of migration, longing, and a romance that endures across generations.

After she drops out of school and moves to Tokyo by herself, Nina Iseri meets Momoka Kawaragi, the vocalist of her favourite band, and discovers the allure of music. Together with Subaru Awa, who always hides her true intentions, Tomo Ebizuka, who was ignored by her parents, and Rupa who has no relatives, Nina starts the rock band Togenashi Togeari. The five girls who all have their own worries confront the absurdities of the world and search for their place to belong.

After forming the band Togenashi Togeari, Nina confronts her issues at the hometown she escaped from. Momoka also confronts Diamond Dust, the band that she left. Their overcoming of the past inspires the others to do the same, and aim to become pro musicians, but they are unable to adapt to the demands of society and decide to continue as an indie band.

A biopic of Bank of America founder Amedeo Peter Giannini who, besides pioneering modern banking, supported Hollywood’s emerging film industry.

On an empty beach, 5 kids talk and talk, over the beach lenght. They are young but not dumb. Mean but not beamed. And cute but not stupid.

La Bohème (Sydney Opera House)

The Marquis d’Urfé finds refuge in the home of a strange family after becoming lost in a hostile forest while working as an emissary for the King of France.

An unsung pioneer of 1970s Texas Progressive Country, Steven Fromholz had a knack for snatching defeat from the jaws of victory. Revered by legends like Willie Nelson, Lyle Lovett & John Denver, he remained commercially unknown. He sought redemption on the Rio Grande as a river guide until a debilitating stroke erased his musical memory, stripping Fromholz of his artistic identity. With an almost obsessive persistence bolstered by newly discovered archives as well as never-before-heard recordings, this intimate and impressionistic portrayal unveils the evolution of Fromholz, and reshapes the notion of success and artistic fortitude.

During the 18th century, German noblewoman Sophia Frederica, who would later become Catherine the Great, travels to Moscow to marry the dimwitted Grand Duke Peter, the heir to the Russian throne. Their arranged marriage proves to be loveless, and Catherine takes many lovers, including the handsome Count Alexei, and bears a son. When the unstable Peter eventually ascends to the throne, Catherine plots to oust him from power.

Oscar François de Jarjayes was born female, but her father insisted she be raised as a boy as he had no sons. She becomes the captain of the guards at Versailles under King Louis XVI and Marie Antonette. Her privileged, noble life comes under fire as she discovers the hard life of the poor people of France. She is caught up in the French Revolution, and must choose between her loyalty and love.

DJ Gabe: The Movie follows the inspiring journey of Gabriel Winters, a passionate musician known as DJ Gabe. The film explores his deep-rooted connection to music, faith, and his local community in Oregon. Through a blend of high-energy concert footage, intimate interviews, and behind-the-scenes stories, the movie celebrates the power of following one's calling and the impact of uplifting others through art and service.

As the end-of-year concert approaches, Théa, a young student pianist at a conservatory, finds herself losing all her nerve due to her fascination with one of her elders, Cécile.

The official visuals for JOE SD’s album “Forever Young”.

The tale of a quick-witted fox and her escape from confinement for a life in the forest.

Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!