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“Balance of Life” is a film about life’s and human kinds’ fight to find the balance between our own evolving life style and the nature of the planet we inhabit. The human race is drifting further and further away from its real roots and from what being a human is really about. The speed of development has increased to a state where humans have a hard time keeping up. We find ourselves in a situation where both our own and the planets’ wellbeing is severely threatened. As a last resort human is relying on faith to find the balance. Is faith the last defense of man or is this world guided by forces greater than us? Is this force God, evolution or just the mere sum of coincidences that formed the universe, the natural order and laws of physics?’ Watch it here (https://vimeo.com/51203265)

The Alexander Ball is an observational documentary extravaganza celebrating Samoan-Māori-Australian trans woman of colour, Ella Ganza, and the Meanjin (Brisbane) ballroom scene, as she and her ballroom family prepare for one of the biggest pride events of the year: The Alexander Ball.

Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.

In Mahdia, Tunisia, Maram embarks on an intimate journey through the ancestral customs that have shaped her life, exploring matrimonial traditions, and highlighting the Henna, where the bewitching songs of the Machtat resound. Tracing her childhood memories, guided by Latifa and Habiba, two prominent Machtat, she uncovers the maternal essence of tradition, where the bond between mother and bride is at the heart of these intimate celebrations.

Bacata is the first name of Bogotá: the lady of the Andes, the mountain that lights up. It's also the name of a tower, the tallest in Colombia, never completed. From the 28th floor, Laura observes the city, its secrets and its struggles. From the 28th floor of Colombia’s tallest building—a long-awaited, still-unfinished tower block in the centre of Bogota—Laura observes the city below, its secrets and its struggles, as a colourful cast of gardeners, activists, and human statues go about their daily lives in the shadow of the country’s history.

What happens to families in the absence of sons? What happens to land in the absence of farmers? What happens to villages in the absence of men? Sent Away Boys weaves together stories of individual ambitions and family biographies from Punjab (India) to chronicle the gradual transformation of agrarian landscape and patriarchal traditions through ongoing transnational migration. As the promise of a secure future in agriculture grows increasingly uncertain for young men across the region, escaping India to join the low-wage labor in countries like Canada and USA becomes their sole aspiration. In rural Punjab, being a successful man now entails leaving their village, traveling abroad, and sending money home. Through interviews with men preparing to undertake often risky journeys and women awaiting the return of their sons, brothers and husbands, Sent Away Boys shows how young men's decisions to emigrate implicate families and communities across North India.

A TV-hour length documentary film depicting the relationship between language, culture, place, music, tradition, and magic on an active volcano, in the Pacific nation of Vanuatu, on the island of Ambrym.

From the sexy, savage Cornish May Day rites of Alan Lomax's Oss Oss Wee Oss, to Jeremy Deller and Alan Kane's footage of ferociously fought traditional football; from children's games in London's bombed East End to intricate sword and step dances, this collection of poetic documentaries, long unseen television reports and rare silent film footage reveals just how powerful and enduring the folk traditions of Great Britain have always been. The silent films feature innovative fiddle and melodeon accompaniments by contemporary folk musicians.

A documentary revealing an observation on three barbershops throughout the course of one summer's day in the city of London - Hackney, Herne Hill, and Catford.

In the 2000s, Vicente Viloni and La Masa became legendary wrestling rivals and idols for kids across the country. The hit television show "100% Lucha" brought a spectacle of skill and drama to every home, forging a famous rivalry that transcended the screen, leaving a mark on national culture. After the conflict that separated them for ten years, they face each other in the ring and relive great moments from their careers.

Follows the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices.

Eleven-year-old New York City public school kids journey into the world of ballroom dancing and reveal pieces of themselves and their world along the way. Told from their candid, sometimes humorous perspectives, these kids are transformed, from reluctant participants to determined competitors, from typical urban kids to "ladies and gentlemen," on their way to try to compete in the final citywide competition.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

During his stay in Cape Town as a film student, Shatho Tibone was inspired by an initial casual trip he took to the scenic but informal settlement of Hangberg. This film focuses on the uncertainties and inhumane acts of police and state brutality faced by the predominantly Rastafarian, KhoiSan identifying community of Hangberg in Cape Town, South Africa. So, through the participatory collective effort of a few journalists, filmmaker and community leaders Shatho went on a 5 year journey to document the story of this community which has become an enigma in South African imagination,

Iceland's first non-narrative full-feature film's focus is set on presenting Iceland in a way it has never been presented before, using various elements of high-end cinematography. There are places everyone knows, but there are also thousands of well hidden places. To find these locations one has to be adventurous or a local, and to capture them right, one has to be creative and extremely patient.

While no wrestling is actually depicted, Atilogivu: The Story of a Wrestling Match documents gymnastic dancing to drum and flute music of the Ibu people, east of the River Niger.

A documentary about the traditional music of the 'Are'are people of the Solomon Islands.

In this short film, we follow the life cycle and transformation of sugarcane from harvesting, through the milling and boiling process, culminating in the production of the molasses stage. The film focuses on the historical character and community life in a rural area of ​​the high hinterland of Paraíba. It is a record of the knowledge of the workers at the Silva sugar mill through sound experiments and comedic interludes.