The film is based on the stories Anton Chekhov. It is a tribute to the actor Boris Andreyev. He plays a major role that keeps up for the duration of the film. Lively and intelligent Valery Spout largely mitigates underline the drama of the protagonist, while Michael Sveta's role, though small, is bright and memorable.
Country Music queen Reba McEntire will debut as host for the eighth annual “CMA Country Christmas” event from Nashville’s famed Grand Ole Opry House on Monday, November 27, 2017 on ABC. The two-hour holiday music celebration airs on the ABC Television Network and will feature performances by McEntire and a lineup of today’s best in Country sharing their favorite sounds of the season.
A ghostly visitor with a shocking secret, a daughter devastated by loss, a deadly duel – and the most famous question in all of drama. Just some of the reasons why Shakespeare’s iconic tragedy will hold you spellbound.
Set against the backdrop of post-war Britain, John Osborneʼs modern classic conjures the seedy glamour of the old music halls for an explosive examination of public masks and private torment.
In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
It's a summer's morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital scrapping quickly turns to blood-sport.
For her first television film, director Vera wants the perfect cast. But the first day of shooting is fast approaching and the numerous casting sessions have yet to find a suitable actress to play the leading role. Although the producer and crew are getting ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audition reader, delivering the lines of dialogue to the starry candidates at the various castings. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
A Yugoslav stage actor marries an American girl in Belgrade and has a child with her, when his career downhill out of political reasons he develops a drinking habit, his wife leaves him and takes their daughter to U.S.A.
Marika is a cheerful girl who lives on the Danube aboard an old barge she inherited from her father. She works as a waitress in her aunt's inn, entertaining the guests with singing and dancing. Her greatest dream is to save enough money to repair the old barge and sail down the Danube. One day, she meets three young artists, Georg, Oskar, and Christoph, who all fall in love with her. Together, they put on an open-air revue and raise the necessary money. And with Georg, Marika is lucky in love.
New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.
The enthusiastic Reine is forced to take a job as a social worker at Kumla prison.
The theatre 7:3 project was conducted at the Tidaholm prison 1998-1999. What started as an artistic experiment, ended up in police killings at Malexander. The process in the prison were filmed during 6 months.
This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. This is the story of their lives, their memories, their unbending habits and the films they love.
Piera is a young woman who grows up under the parentage of two extremely original overseers: both her mother and father have incestuous relations with her before they are committed to insane asylums. A special connection, between a mother and her daughter, full of sensuality and complicity, has allowed to portray a family full of fears, rather unbalanced, but nevertheless searching infinite love.
Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.
A stage play by John Murrell, adapted by Eric-Emmanuel Schmitt, performed to perfection by Fanny Ardant and Robert Hirsch about the last days of Sarah Bernhardt. The play concentrates on an uneasy relationship between Sarah and her servant to whom she dictates her memoir, as well as a fragile relationship between her memories, actual history and reality.
Multi award-winning psychological illusionist Derren Brown returns in the recording of his acclaimed live show ‘Infamous’. Featuring Derren at his baffling best with the excitement of a live theatre audience, Infamous includes amazing, provocative, jaw dropping demonstrations of his incredible skills of magic, suggestion, showmanship and misdirection in a must-watch roller coaster of emotions.
This cinematic portrait shows the Austrian filmmaker Ulrich Seidl at work. The much-discussed ‘Seidl method’ is conveyed here vividly and directly: The camera watches over Seidl’s shoulder during the filming of his new production IM KELLER, and observes him at the rehearsals for his latest theatre production ‘Böse Buben / Fiese Männer’. The film paints the picture of a fascinating and exceptional artist using a combination of extensive interviews and excerpts from earlier works.