All of Me

The long lasting Palestinian-Israeli conflict has created appaling phenomenons that have horrified the Israeli society. the "politically conscience-refusals" or those individual soldiers refusing to fight in the occupied territories, are one of those phenomenons. In opposition to them stand a thousand immigrants from the former Soviet Union, ex-military men from the Red Army, who yearn to be recruited into the IDF and fight for Israel, but who are denied the right to serve in the army. Through the stories of Oleg and Alex, immigrants and the battalion's charismatic commanders, the story of the Russkii Battalion is told. It is a story of contrasts between the hardships of the daily struggles they face as new immigrants against the pride and the sense of belonging they find in the battalion. The Russkii Battalion is a film about a militaristic social bubble, in a country that is in constant war.

Academy Award®-winning filmmaker Errol Morris confronts one of the darkest chapters in recent American history: family separations. Based on NBC News Political and National Correspondent Jacob Soboroff’s book, Separated: Inside an American Tragedy, Morris merges bombshell interviews with government officials and artful narrative vignettes tracing one migrant family’s plight. Together they show that the cruelty at the heart of this policy was its very purpose. Against this backdrop, audiences can begin to absorb the U.S. government’s role in developing and implementing policies that have kept over 1300 children without confirmed reunifications years later, according to the Department of Homeland Security.

A group of children living on the streets of Athens. Among them is Sayid, a twelve-year-old boy, who works all day selling sunflower seeds in the city’s parks and squares. His existence borders on absolute poverty, as he goes looking for food at soup kitchens. His daily routine in the chaotic capital of Greece is a continuous struggle for survival. At the same time, however, he manages to find and enjoy the freedom the city streets can offer. Sayid, along with his friends who are all immigrants from Afghanistan, escape their desperation by clinging onto their hopes. With them, he plays innocent childhood games and dreams of a better future: He wants to leave for Northern Europe, to go to school, and to get a decent job when he grows up. Sayid is trapped in Greece, a country plagued by a financial crisis, increasing unemployment, rampant xenophobia, and racist violence. Sayid doesn’t mince his words: “I’ve been here for about two years, and it feels like twenty.”

The tragedy of the Syrian people: War, conflict, loss, migration, exile, asylum, detention, drowning… A deserted place. Abandoned people. Abandoned country. The doors slammed shot; the doors are now locked - the keys thrown away...for what seems forever.

In this tale of labor and family that shines a light on the precarity of temporary work visas, Raymundo Morales leads a crew of workers who have to make the challenging decision to leave their families in rural Mexico to plant commercial pine forests in the United States.

“Forgetting is complicit in recidivism,” says the commentary of this film dedicated to the demonstration of October 17, 1961 in Paris and the savage repression that followed. 11,538 Algerians will be arrested, which is reminiscent of the great Vel d’hiv roundup of July 16 and 17, 1942 where 12,884 Jews were arrested.
 The film brings together eyewitnesses including a priest, a peacekeeper, a couple of workers sympathetic to the Algerian cause, a lawyer, Paris municipal councilors including Claude Bourdet (then one of the leaders of the PSU and journalist to France Observateur), Gérard Monatte, the future police union leader, and the editor and writer François Maspero.

The Fall of the I-Hotel brings to life the battle for housing in San Francisco. The brutal eviction of the International Hotel's tenants culminated a decade of spirited resistance to the razing of Manilatown. The Fall of the I-Hotel works on several levels. It not only documents the struggle to save the I-Hotel, but also gives an overview of Filipino American history.

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

The San Francisco Foundation presents 2013 Community Leadership Awardee, Educators for Fair Consideration (E4FC), with The San Francisco Foundation Award, made to an organization demonstrating exemplary commitment to improving human relations in the Bay Area. E4FC provides direct support to and advocacy for highly motivated, college-bound undocumented students who had come to the United States as children and wished to remain. They are a leader in the field of immigrant work, providing youth tangible support and the space for them to tell their own story. As a result, E4FC's work is an essential part of the DREAMers movement catapulting the organizations role as a leader in both the Bay Area and as a national model in supporting and empowering immigrant youth. www.sff.org/cla

Standup comedian Fred Le hears the stories of a diverse range of young overseas-born Vietnamese who made their way back to the land that their parents left following the end of the Vietnam War. The Empathizer explores identity and the impact of trauma among Việt Kiều who grew up a generation removed from tragic events of the past.

The Cossack and the Gypsy takes us to the heart of intimate worlds of Lev Chayka and Régine Gabrysz, illustrating their memories, interior views composed of the stories about their childhood and devotion to their country of origin (Ukraine and Soviet Union). The wars and dictatorship of the past in the Eastern Europe is set in contrast with the Far North of Quebec in a forgotten boom town. Vera and Jack, the last miner, Régine and Lev are among the last first immigrants. Their Slavic voices and accents still lull the Abitibi sonorous landscapes, but for how long...

Made in the sunset years of Paul Bowles’ life, the film sees the eccentric author and composer reminisce on how he ended up in Morocco.

A surprising look at the past of movie star Jackie Chan and the difficulties of Chinese families during the Culture Revolution.

On May 8, 1989, Sports Illustrated ran an article about Ultimate frisbee… about a team with no name hailing from New York City that was about to change the sport forever. From its 1968 New Jersey birth to its unanimous 2015 recognition by the International Olympic Committee, FLATBALL circles the globe to showcase four decades of world-class Ultimate and goes even further: to a set of fields in the Middle East to understand and demystify the unique spirit of the game.

An hour-long portrait of Canadian immigration lawyer, M. Lee Cohen, renowned for his work with refugees. The film follows his representation of Sonya Pecelj and Vladimir Zalipyatskikh. The first case follows a young woman, Sonya Pecelj from Kosovo, who seeks sanctuary for more than a year in a church; the second case follows a Russian sailor who dives off a ship in Halifax Harbour to escape virtual imprisonment by the Russian fish mafia.

During World War II, many Japanese immigrants in Santos, Brazil, were forced to move to another place. Matsubayashi draws attention to the fact that 60% of the immigrants were from Okinawa. Based on testimonies from interviewees, this film reveals the hidden historical relationship between Okinawa and Brazil.

A poetic retelling of the experiences of Joseph Murakami, a fourteen-year-old boy from Darwin, who is summarily rounded up and interned by his government on the basis of his ethnicity, leaving wounds unhealed to this day.

This is the story of an ordinary man transformed by history. A simple baker from Besançon who became a political symbol of resistance. That of a France that knows how much it needs others to grow. Of working classes rejecting the siren calls of populism. He says: "I was nothing and I became a monster" to express the vertigo of his transformation. And so the baker entered politics, visited the United States in the footsteps of Martin Luther King, brought aid to the Ukrainians, and ran for legislative elections. Fearless. Fighting with all his heart. It is this inspiring, touching, and funny human epic that Pedro da Fonseca's camera followed closely, capturing his doubts, his hesitations, and his emotions.

Behind the scenes of a popular deli on New York's Upper East Side, undocumented immigrant workers face sublegal wages, dangerous machinery, and abusive managers. Mild-mannered sandwich maker Mahoma López has never been interested in politics, but in Jan. 2012, he convinces a small group of his co-workers to fight back. Risking deportation and the loss of livelihood, the workers team up with a diverse crew of innovative young organizers and take the unusual step of forming an independent union, launching themselves on a journey that will test the limits of their resolve. In one rollercoaster year, they must overcome a shocking betrayal and a two month lockout. Lawyers will battle in backroom negotiations, Occupy Wall Street protesters will take over the restaurant, and a picket line will divide the neighborhood. If they can win a contract, it will set a historic precedent for low-wage workers across the country. But whatever happens, Mahoma and his compañeros won't be exploited again.

Natives of the New World is a short documentary film shot on cell phones by the Kino Mosaik collective, which was founded in Lesbos Island, Greece, in 2018. The migrants who were members of the collective tried to transform the period when they were stuck in Lesbos waiting for the decision on their asylum applications into a constitutive process. Kino Mosaik’s main goal was to oppose the passive, apolitical, and victimized migrant image created by mainstream media and many artistic representations.