40 Years of Fuckin' Up

Amateur documentary chronicling the first six years of Showbread's touring career. Previously available as the main feature of the independently released How Showbread Ruined My Life DVD.

This collection of short films represents a hint of the tectonic shift in the underground film world in connection with the punk rock “movement.” Restored from original negatives, it showcases the reasonably well-known alongside the extremely rare, from music shorts to impressionistic documentary.

Mia san Dageng: Punk In München!

Documentation of the legendary all ages hardcore punk show held at a Jack Astor's Sports Bar & Grill during operating business hours in St. John's, Newfoundland. Featuring performances from local hardcore heavyweights Carnage, GlitterGlue, Buck 50'd, and the debut performance of Life Jolt.

Formed in 1979 in Wichita, Kansas, the so-called "blister pop" band the Embarrassment played major U.S. cities and garnered praise from the likes of Allen Ginsberg, John Cale and Jonathan Demme, but their refusal to compromise their vision made success elusive. Through archival interviews and concert footage, this documentary draws a portrait of the oft-overlooked post-punk legends.

A documentary about the punk band Lagwagon. Includes interviews and live songs.

Razing the Bar documents the development and eventual demolition of a well-loved fringe punk rock Seattle venue through interviews of employees, friends, and a multitude of local musicians.

For over 25 years, the legendary band Stevie Stiletto were punk rock stalwarts, yet never got the national recognition they deserved. After dozens of releases, thousands of shows, hundreds of brushes with the law, countless line-up changes and one terminally ill diagnosis, the band finally gets their due with this two-hour, in-depth documentary. Featuring interviews with members of the band (past and present), road crew, producers, family, friends and fans, My Life is Great covers the entirety of their storied career. Complete with live footage from the last three decades, this film is a document of a band that never got a break, never gave a damn, and never sold out.

A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.

On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.

In the early 1970s, rubber was still king in Akron, Ohio. But just a few short years later, Akron's most important product was, ever so briefly, music. In the mid-1970s, a group of local bands took over an old rubber workers' hang-out in downtown Akron called The Crypt and created a mix of punk and art rock that came to be known as "the Akron Sound." And for a while, it was almost "the next big thing." Almost. It's Everything, and Then It's Gone, a Western Reserve PBS production written and directed by Phil Hoffman., takes viewers back to a time when the music really did mean everything. And for the men and women in these local bands, it was a way out of the factory.

Documentary about the Argentine punk and hardcore scene, from the early 80s to the mid-2000s. It includes interviews with various people in the environment, both musicians, producers and journalists, as well as archive material.

What is "la escena" (the scene) and what is its importance, if any? Guillermo Gómez Álvarez tries to answer these questions with candid interviews from musicians and fans of the vibrant and, many times controversial, punk music scene in Puerto Rico. The decadence, rage, drugs, alcohol, politics, and social aspects are showcased in this documentary that tells an important part of the history of the great dysfunctional family that is "el punk boricua".

Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.

Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.

The Long Ryders, with bands such as The Bangles and The Three O' Clock, were key players in the Paisley Underground, a musical movement from the mid-1980s, combining the chiming folk rock of the 1960s with a psychedelic bent and a bit of punk attitude. The Long Ryders developed a cult following, becoming college radio favorite. This presentation finds frontman Sid Griffin and his band performing at the Roxy in Los Angeles in February of 1986.

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

Documentary on the shock rock group "The Mentors".

In the year 1984, TV Journalist, Donna Detweiler, takes you on a journey with her documentary segment "Down and Out with Donna Detweiler." In episode 6 of season 4, she aims to uncover the lost history whereabouts of the English punk rock band, Sachwheel.

This 58 minute DVD video is one of the Dead Kennedy's last ever live concerts, captured on film just months before their breakup in 1984. This 14-song performance at San Francisco's On Broadway catches Jello and company at the height of their punk powers.