Black Hole Sun

An analysis of the critical themes in Dario Argento's 70s Giallo "Deep Red".

An interview with actress Florinda Bolkan about her performances in the films "Don't Torture a Duckling" and "Lizard in a Woman's Skin".

In this visual essay, author Alexandra Heller-Nicholas reflects on the recurring theme or perception in Dario Argento's filmography.

Documentary about Mario Bava's film "The Girl Who Knew Too Much" and its impact on the Giallo genre.

In the 1980s there was a punk band in Stockholm who put out one single, got torn apart by local music critics and went away. 35 years later they are contacted by a music label from New York interested in their music.

An interview with Nicoletta Elmi about her days as a child actress.

An interview portrait of the three Italian actresses Stefania Casini, Silvia Collatina & Barbara Magnolfi.

An interview with Italian actress Silvia Collatina about her role in Lucio Fulci's "Murderock".

Italian director Enzo Milioni reminisces about his career and his 1978 giallo "The Sister of Ursula".

Discover the heart-wrenching tale of Ecuador’s forgotten guitar road in “Vanishing Strings of the Andes.” Witness the struggle to preserve an age-old generational craft practised high in the Andes mountains before it’s too late...

Author Stephen Thrower analyzing the themes and characters of Mario Bava's proto-slasher "A Bay of Blood".

Mamans solos - Les oubliées de la République

A video essay about 1972 Giallo "Don't Torture a Duckling", focusing on accusations of misogyny against director Lucio Fulci.

An interview with film critic Kat Ellinger who discusses the themes of Dario Argento's giallo "The Bird with the Crystal Plumage" and its relations to Fredric Brown's novel "The Screaming Mimi."

A video discussion about Lucio Fulci's classic Giallo "Don't Torture a Duckling".

A feature about philosophy, perception and imprisonment in Aldo Lado's Giallo "Short Night of Glass Dolls".

A visual essay about the 5 classic Giallo films by Italian director Sergio Martino.

A look at the career of Italian writer/director Maurizio Pradeaux.

In an escort agency called the White Rabbit, Alice Liddell is a sex worker. When The Mad Hatter meets her, he becomes obsessed with her.

While recording sound effects for a slasher flick, Jack Terry stumbles upon a real-life horror: a car careening off a bridge and into a river. Jack jumps into the water and fishes out Sally from the car, but the other passenger is already dead — a governor intending to run for president. As Jack does some investigating of his tapes, and starts a perilous romance with Sally, he enters a tangled web of conspiracy that might leave him dead.