Ladies of Italian Horror

Documentary about Mario Bava's film "The Girl Who Knew Too Much" and its impact on the Giallo genre.

An interview with film critic Kat Ellinger who discusses the themes of Dario Argento's giallo "The Bird with the Crystal Plumage" and its relations to Fredric Brown's novel "The Screaming Mimi."

In this visual essay, author Alexandra Heller-Nicholas reflects on the recurring theme or perception in Dario Argento's filmography.

A feature about philosophy, perception and imprisonment in Aldo Lado's Giallo "Short Night of Glass Dolls".

A video discussion about Lucio Fulci's classic Giallo "Don't Torture a Duckling".

A video essay about 1972 Giallo "Don't Torture a Duckling", focusing on accusations of misogyny against director Lucio Fulci.

Author Stephen Thrower analyzing the themes and characters of Mario Bava's proto-slasher "A Bay of Blood".

An interview with Nicoletta Elmi about her days as a child actress.

An interview with actress Florinda Bolkan about her performances in the films "Don't Torture a Duckling" and "Lizard in a Woman's Skin".

An interview with Italian actress Silvia Collatina about her role in Lucio Fulci's "Murderock".

A look at the career of Italian writer/director Maurizio Pradeaux.

An analysis of the critical themes in Dario Argento's 70s Giallo "Deep Red".

A featurette on the career of Italian director Armando Crispino.

Italian director Enzo Milioni reminisces about his career and his 1978 giallo "The Sister of Ursula".

A visual essay about the 5 classic Giallo films by Italian director Sergio Martino.

Documentary about the making and distribution of Al Festa's film "Fatal Frames".

A visual essay by Michael Mackenzie exploring the giallo's relationship with the social upheavals of the 1960s and 70s.

After becoming the lead suspect in a series of brutal slayings, a close-minded architect must team up with a free-spirited sex worker in order to clear his name and solve the crimes before they become the killer's next victims in this suspenseful, stylish, and hilarious queer love letter to Hitchcock, De Palma, and the Italian giallo.

While recording sound effects for a slasher flick, Jack Terry stumbles upon a real-life horror: a car careening off a bridge and into a river. Jack jumps into the water and fishes out Sally from the car, but the other passenger is already dead — a governor intending to run for president. As Jack does some investigating of his tapes, and starts a perilous romance with Sally, he enters a tangled web of conspiracy that might leave him dead.

An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders.