The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.
Sisterhood portrays a current reality in Japan, showing the vision and lives of different people, such as a nude model, a music artist, a student and other diverse individuals who give their opinions in front of the camera.
Meagan Mullen, freshly moved in her new home, keeps in touch with her friends and family through a video blog. As her entries (and her life) become more complex and emotional, strange things begin to happen in her room and the camera captures all of it.
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
Women, landscapes and manifestations of color meet experimentally with the possibilities of the artisanal copying technique on 16mm.
Starting from frame by frame in-camera editing, the film translates a nursery garden from Chillán into a filmic landscape, with a rhythm and structure coming from a personal relationship with color, light and occurrences that took place near the end of the summer at the Olaxis garden. This is the first part of a work which takes reference from Violeta Parra's poetry, created from flowers, plants and certain places of the Ñuble area.
Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.
Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian electronic music pioneer who studied with Pauline Oliveros, David Tudor, John Cage, and Pandit Pran Nath. His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993. Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.
A paranormal investigator travels to the South to research a series of deaths connected to a supernatural curse haunting an old Louisiana family.
The final days before Weston mysteriously snaps and goes insane.
A young film student is about to make a documentary about an elderly man who has been hiding from the world for many years. But as secrets from his past come to light, their strange relationship takes a fateful turn.
The new documentary from Apprehensive Films follows eight Home Haunters in their pursuit to transform their nice suburban homes into visions of the macabre. Their obsession with Halloween has lead them to spend thousands, dedicate countless hours and resources to acheive their horrific attractions and to scare the daylights out of unsuspecting trick-or-treaters. We'll meet all sorts of different haunters from basic yard haunts to one's so extreme they go beyond their property lines. Special features include: Trailers, Spotlight on Hauntcast, Larry Scholl's Tiki Room, Alternate Opening and Behind the Scenes at Night Frights.
In 2023, Writer/director Aaron Irons went deep into the Appalachian wilderness area known as Jeffrey's Hell to expand on the legends and stories from his 2022 found footage film, CHEST. He was never seen again. This documentary explores what really happened to Aaron and what secrets are being kept below the surface.
In 2002, 17-year-old Emily Jackson vanished in the isolated town of Lockwood, despite an extensive search, the case went cold. Eight years later, in 2010, student journalist Katie Ridley and local filmmaker Jonathan Harrington travelled to Lockwood Lake to investigate the unsolved disappearance and film a documentary. This is that unfinished documentary.
Matthew and his sisters have spent their entire lives on a secluded farm, far removed from the outside world. Following the passing of their father, they uncover a long-held family secret that thrusts them into a terrifying new reality.
Rafael wakes up in a house he has never seen before. He suspects he has been kidnapped, but manages to escape from the house. While escaping, he finds an open house, with no one there, and no cars. Due to his desperation, he enters the house without thinking and spends a few days there. After regaining his sanity and access to the internet, he manages to ask a trusted relative for a ride. But when he gets home, he begins to feel changes in his body and begins to suspect that he has been the victim of a ritual. From that moment on, things initially become strange.
“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton
A topic spiritual documentary. It includes 20 selected unpublished posts.
A documentary about aliens and UFOs with re-enactments of alien interviews and video of a supposedly real video of an alien being interviewed by government officials.
Inspired by an infamous online video clip of a son beating his mother, a television crew from Belgrade comes to a remote Serbian village to shoot a report on violence against women. Inquiring with the locals about the protagonists of the video, they encounter a local expert on supernatural phenomena and learn about a ritual of summoning an ancient demon, naprata. Wanting to capture the first authentic footage of something otherworldly, they change their plans. Excited by the prospective success of the recording, they defy the old saying that "it's better to believe than to be convinced."