Puerto Rico, the last relic of colonization in the western hemisphere, has been a dependent territory of the USA since 1917. Los Macheteros and one of its leaders Juan Segarra have been fighting for its full independence for many decades.
In this searing documentary, Indigenous people share heartbreaking stories that reveal the injustices inflicted by the Canadian child welfare system.
This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.
Merata Mita, Leon Narbey and Gerd Pohlmann’s powerful documentary Bastion Point: Day 507 depicts the eviction of protestors from Bastion Point during the struggle for Māori land rights.
Megacities is a documentary about the slums of five different metropolitan cities.
Take a closer look behind the processes of six different traditional Christmas items: Christmas Trees, Brussel Sprouts, Chocolate, Tinsel, Christmas Jumpers and Christmas Puddings!
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Chronicle of the 9-week strike by the kaolin workers of Plémet. The film emphasizes the particular nature of such a strike in a rural commune and in a sector of the old Breton proletariat: that of subsoil mining, almost entirely liquidated after the closure of the Hennebont forges.
From the West Midlands to West Africa: tour the Phillips bicycle plant in Smethwick and see the products in action overseas.
In the lead-up to the festive bonanza, an exclusive look inside the chocolate-maker's inventing room, and its 'chocolate imaginarium' too. Prepare for special choc drinks and cranberry treats.
The Tank and The Olive Tree recalls a certain number of forgotten fundamentals and sheds new light on the history of Palestine. By combining geopolitical analysis, interviews with international personalities who are experts on the subject and testimonies from Palestinian and French citizens, this documentary offers the keys to understanding what the media call the Israeli-Palestinian conflict. Enough to rid people's minds of clichés and prejudices! If The Chariot and the Olivier is intended to be educational, it speaks above all of a magnificent territory, and of a people who constantly affirm that “to live is already to resist”...
The sights and sounds of a kimchi factory in Vietnam.
Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.
Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.
Greenland, a semi-autonomous territory of Denmark, is currently at the center of international covetousness and tensions. In his rivalry with China for technological supremacy, Donald Trump has made the acquisition of this Arctic territory a priority in order to secure American control over rare earth elements, of which Greenland is believed to hold one of the world's largest reserves.
An industrial film sponsored by the Cleveland Electric Illuminating Company promoting the "Cleveland Corridor," an 85-mile corner of northeast Ohio between the port cities of Conneaut and Cleveland, as "the best location in the nation" for industrial business. This 16mm film is from the Cinecraft Productions collection at the Hagley Museum and Library.
Documenting the production of kerosene tins and their reuse in rural India, this early short by Bimal Roy observes industrial labor and everyday life with a restrained, humanist perspective.
Porsche Taycan Turbo S - Inside the Factory
Making of: Pirelli Tyres
Umbrellas in the Sun takes its title from the 1981 video compilation of the same name released by chic Belgian label Les Disques du Crépuscule (TWI 099), and features selected clips from that project, as well as footage from A Factory Video (Fact 56), A Factory Complication (FBN 7) and A Factory Outing (Fact 71). Plus previously unseen material - the definitive genre document! Featuring cover art by Crépuscule design director Benoît Hennebert, the DVD contains 23 clips filmed between 1979 and 1987 and runs for over 2 hours. The audio soundtracks have been digitally remastered. The disc is Region 0 (multi-region), NTSC format.