Straight From The Heart: A Tribute To Philip Seymour Hoffman

Documentary by Occitane Lacurie.

About the black community in Ladbroke Grove and Notting Hill which grew up in the 1950s. “No Irish, no coloured, no dogs" read the rooms-to-let signs in what was already a decaying inner area of London. In the Grove black people had to face the brunt of a crude and brutal racism and a grassroots defence was organised against white racist attacks in 1958, to become part of the more general community resistance. And that strength was reflected in the emergence of several major 'Black Power' organisations. Since the 1960s the vital sense of black community which developed in the Grove has resisted attempts to disperse and weaken the community and in particular the attempt to suppress the annual Carnival - the major Afro-Caribbean event in Britain.

The ocean is the origin of creation. We simply wouldn't be here without it. In this poetic short film, we explore our relationship with it, allowing the ocean to speak to us, while wondering how we can best respond to the questions it makes us ponder. Will we ever be able to change our destructive behavior towards its environment? Perhaps we can only do so by understanding our relationship with it and remembering the deep connection we seem to have forgotten about.

Debris is a 25 minute film made in collaboration with the National September 11th Memorial and Museum. This documentary tells the story of September 11th, 2001 using bystander footage, source audio and newly composed music. Some of what you'll see may seem familiar - but certain events in Debris have rarely been viewed by the public.

Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.

Sing! is a 2001 American short documentary film about the Los Angeles Children's Chorus, directed by Freida Lee Mock. How do squeaky-voiced 8 year olds become amazing singers? Sing! tells the story of how a community group, amid severe cutbacks in the arts, is able to develop a children's chorus that is one of the best in the country. It was nominated for an Academy Award for Best Documentary Short.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

A documentary about Captain Dale Black, a pilot who died in a famous airplane crash in Burbank, California which was covered by the LA Times. After coming back to life, Black shares his near death experience as the sole survivor of a non-survivable plane wreck.

The Numbers Start with the River is a 1971 American short documentary film about small-town life in Iowa. Produced by Donald Wrye for the United States Information Agency, it was nominated for an Academy Award for Best Documentary Short.

This in-depth documentary short exposes how an irresponsible rancher in Washington State set up a pack of wolves living on public land in a remote forest to attack his cattle.

A conversation with an author.

Radical resistance in the postwar British Caribbean community, from the 1948 Nationality Act to the 1958 Brixton riots.

A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.

Abused by her family, forced into marriage, raped, pregnant at 13 then hunted down for violating her family’s honour. This is the shocking, compelling true story of Sameem’s struggle to break free from her past and fight back against her upbringing.

The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.

What is the difference between a story and a good story? In this short documentary, ten of the greatest screenwriters in Brazil answer this and other questions, guiding us through the universe of creative writing and all its possibilities.

The Invisible Subtitler is an independent documentary about the use of subtitles in cinema and the life of subtitlers themselves, focusing on the economic issues faced by the subtitlers and how they are currently invisible in the globalized business of the film industry.

At a mobile home park in small-town Northern California, five best friend retirees navigate their golden years with grace, humor, and wisdom, and reflect on the importance of genuine human connection.

This fast-paced Documentary was filmed inside America's biggest Comics/Film Convention and includes informative and humorous interviews with Levar Burton (Star Trek Next Generation, Roots), William Shatner (Star Trek, Boston Legal, Wrath of Khan) Lou Ferrigno (The Hulk) Saul Rubinek (Warehouse 13), Paul Michael Glaser (Starsky and Hutch, Num3ers) Nicholas Brendon (Buffy the Vampire Slayer, Criminal Minds) and more!

"Come In" explores how Morse history is entangled with the history of the Spiritualist church. The Spiritualist Church was founded by the Fox sisters in 1850. They claimed that they were mediums who could communicate with the dead and they justified this ability by citing the new ability, through Morse, to speak with someone far away almost instantaneously. After fifty years of practicing Spiritualism, the sisters declared the religion a hoax, and many years later Morse code officially lost its role in the commercial realm. As Spiritualists continue to send messages to the dead in spite of the sisters’ statements, and Morse operators transmit messages into the ether with hope, Johnson asks: How do communication networks and technologies affect our calls and responses and make visible our desire for reciprocity?