The Apology

Room 19 follows an elementary school teacher who uses an innovative art curriculum to inspire her students, and transform the way they see the world, and themselves. Room 19 is a third grade classroom at Tulita Elementary School in Redondo Beach, California, the home room of teacher Mrs. Julie Tamashiro. Mrs. Tamashiro has created an innovative learning environment which incorporates in depth arts activities and lessons in her daily curriculum.

A quietly devastating look at a family of Ponderai Native Americans as they travel to Yellowstone to preserve their treaty hunting rights.

Explores the marriage of a young couple with Down syndrome, and the family who strives to support their needs.

"The Pearl" explores the raw emotional and physical experience of being a middle aged to senior transgender woman against the backdrop of post-industrial logging towns in the Pacific Northwest. The film leans into the struggle of those who were reared and successful as men and have reached middle age or later with a burdensome secret that they can no longer keep.

My Louisiana Love follows a young Native American woman, Monique Verdin, as she returns to Southeast Louisiana to reunite with her Houma Indian family. But soon she sees that her people’s traditional way of life- fishing, trapping, and hunting these fragile wetlands– is threatened by a cycle of man-made environmental crises. As Louisiana is devastated by Hurricane Katrina and Rita and then the BP oil leak, Monique finds herself turning to environmental activism. She documents her family’s struggle to stay close to the land despite the cycle of disasters and the rapidly disappearing coastline. The film looks at the complex and uneven relationship between the oil industry and the indigenous community of the Mississippi Delta. In this intimate documentary portrait, Monique must overcome the loss of her house, her father, and her partner – and redefine the meaning of home. Her story is both unique and frighteningly familiar.

The world of gambling - from the fascination and personal fates to the dark sides such as addiction and illegal online offers. Those affected, experts and gamblers have their say and show how close thrills and the abyss are.

The film sheds light on the problems at school, the difficulties foreign youngsters have in finding their way between two cultures and languages, the impossibility of exercising the right to a good education.

An Iranian man and a French woman stroll around the city of Isfahan, Iran and find that their love is mirrored perfectly in the architecture and mosaics of the city's mosques.

A documentary that follows people from communities in the Southern United States in their various processes of becoming involved in social change, with special emphasis on the work the

Judi Bari and Darryl Cherney were falsely arrested for car-bombing themselves on May 24, 1990 while on an Earth First! musical organizing tour for Redwood Summer. They sued the FBI for violations of the First Amendment, claiming the FBI knew they were innocent but arrested them to try to silence them. Having survived the bomb but now stricken by cancer, Judi Bari, a leader of the movement to save California's old growth redwoods, gives her on-camera, deathbed testimony about the attempt on her life and her colorful organizing history with the radical environmental movement Earth First.

Around the world, multinationals are taking advantage of carbon credits to allow them to burn their waste. Beneath the system’s environment-friendly veneer, entire ecosystems are under siege, human populations are in economic crisis, and greenhouse gases keep spewing into the atmosphere. Three years after making MYTHS FOR PROFIT, activist filmmaker Amy Miller follows up with this ambitious documentary (filmed on four continents) – a bold, highly intelligent work on the dark underbelly of green business. Even while working on a grand scale, she creates intimate portraits of numerous communities, never forgetting that global issues always affect individual lives. An essential appeal to conscience.

Rosanna Arquette talks to various actresses about the pressures they face as women working in the entertainment industry.

For the past 40 years, a group of comedy writers and directors has gathered every other Wednesday for lunch - and other nourishment. These are the fabled guys that made America funny.

In 1981, the New Zealand government invited the South African rugby team to tour New Zealand. This effectively split the country in half. Patu! is the story of the protest movement, HART (halt all racist tours). This documentary shows footage of protester meetings, rugby games and various beatings meted out to protesters from police.

An animated feature-length documentary telling the story of the life of Crulic, a 33 year-old Romanian accused of having stolen a wallet from an important Polish judge. Crulic was brought to the Krakow Detention Center Custody prison. He decided to start a hunger strike from the day he was arrested, demanding a meeting with somebody from the Romanian Consulate.

A Road-Movie on rails, Ocean offers both a journey between Montreal and Halifax, as well as a sensory evocation of the intimate experience of travelling.

War is a compelling stimulus to the imagination, creating some of our richest and most powerful artistic inspiration. Oscar-winning actor Eddie Redmayne takes an intensely emotional journey, visiting artists’ studios, museums and travelling to battlefield locations to shine a powerful light into the abyss of warfare, where War Artists have left a unique legacy.

This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.

Porto Alegre, 5 October 1984, front page of a newspaper: "Extreme left-wing activist holds up the home of an ex-consul of Paraguay, then commits suicide". The extreme left-wing activist was the director's father. The ex-consul was an ex-nazi whose past her father was investigating.

In Rio de Janeiro, over many days, the director Maria Ramos witnesses and films the judgment of several teenagers accused of stealing, trafficking and murdering. Underage youths are protected by the Brazilian laws and their faces can not be exposed; therefore, they are replaced by teenagers from poor communities.