They Call Us Monsters

Pete and Toshi Seeger, their son Daniel, and folklorist Bruce Jackson visited a Texas prison in Huntsville in March of 1966 and produced this rare document of of work songs by inmates of the Ellis Unit. Worksongs helped African American prisoners survive the grueling work demanded of them. With mechanization and integration, worksongs like these died out shortly after this film was made.

An absurd game of “finding happiness” is being played by local Latvian coyotes* and illegal immigrants on the Russian and the European Union border. It is a game with no winner – all participants are driven to play by the sense of despair. While one side leaves home and undertakes a perilous journey to the other side of the globe, hoping to spend the rest of their lives in a free country, the other side risks their freedom to earn a chance to stay right where they are, in their homeland. *coyote – someone who smuggles illegal immigrants

This video, The Road to Mass Incarceration, by Greenhouse Media summarizes criminal justice policy decisions dating back to the 1960s. Although the effects often took decades to manifest, each of these policy shifts increased the rate of incarceration in the U.S. The video ends with many of the architects of these changes, Democrats and Republicans alike, admitting the failure of these policies and suggesting that it is time for real change.

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An inside look at the notorious Sing Sing Correctional Facility, where one of the U.S.’s only in-prison college programs, Hudson Link, offers long-time inmates an education – and a new lease on life.

A documentary about juveniles who are serving life in prison without parole and their victims' families.

The parents are at their wits’ end, so a temporary supervision order is the last hope for a group of teenagers in Punks. Now, on a remote farm in France, they’re going to have to get their lives back on track, with the help of a counselor. If they want any chance of a happy life, they need to engage in some frank and painful conversations. Mitchel has to find a way to get along with his father, but maybe too much has already happened since his mother died. Jahlano is already at the next stage: he’s no longer allowed to live with his mother, and needs to get over the disappointment. Mike, meanwhile, is struggling with his image as a boy who’s “got a screw loose.” Filmed in constant close-up by director Maasja Ooms, the teenagers try to tame their demons with music and therapy, but problems from the past keep resurfacing. In this intimate and sincere portrait, these troubled kids show us their most vulnerable sides.

Three boys, they all committed murder. After discovering their haunting faces and disturbing stories in a banned prison documentary from 1984, the filmmaker goes out to find them and discovers untold secrets and a Hungary he has never known.

One decade after THE FARM: ANGOLA, USA (Oscar nominated 1999; two-time Emmy winner 1999), we go back inside Louisiana's maximum security penitentiary, to catch up with our characters' lives. While the theme of THE FARM was "to err is human, to forgive divine", we now delve more deeply and find hope for "reconciliation and release". Angola is America's oldest and largest prison, with 5,000 inmates, most of whom have received life -, or death-, sentences for violent crimes, and will never leave Angola. THE FARM continues to provide extraordinary opportunities for learning through storytelling.

The war on drugs has been going on for more than three decades. Today, nearly 500,000 Americans are imprisoned on drug charges. In 1980 the number was 50,000. Last year $40 billion in taxpayer dollars were spent in fighting the war on drugs. As a result of the incarceration obsession, the United States operates the largest prison system on the planet. Today, 89 percent of police departments have paramilitary units, and 46 percent have been trained by active duty armed forces. The most common use of paramilitary units is serving drug-related search warrants, which usually involve no-knock entries into private homes.

Imagine the prison of Alcatraz, only 10 times worse, built on tropical, hellish and deadly islands, lost to the rest of the world. Three tiny castaway islands rise away from the coast of French Guyana, in South America: The Devil's Islands. Now buried under an impenetrable jungle, lay the lost remains of what had been for a hundred years the most storied convict prison in history. There, while most of the prisoners faded into oblivion, a few became legends. Some because they were innocent, as in the scandalous Dreyfus Affair, some because they somehow escaped the islands of nightmare, as did the "butterfly", Henry Charrière, immortalized by Steve McQueen in Papillon. Now 50 years after the prison doors slammed shut for the last time, we explore what's left of the Devil's Islands' unbelievably dark and oppressive realm.

This documentary recounts the dysfunctional state of the death penalty in the state of California by revisiting the crimes, arrest, trials and appeals of Lawrence Bittaker, a convicted serial killer who has been on death row at San Quentin since 1981.

Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.

A documentary about Goran Ivandic 'Ipe', the drummer of most popular Yugoslav rock band of all time, Sarajevo-based "Bijelo dugme" (White Button). Ivandic's fatal jump from the balcony of hotel Metropol in Belgrade in 1994 sparked much controversy around his fate.

In the documentary Last To Know political prisoners, sent to jail for openly opposing the East German regime that existed until the German reunification in 1990, talk about their times of trial and their lives today. Neither they, nor their families have come to terms with what happened.

Today, you're more likely to go to prison in the United States than anywhere else in the world. So in the unfortunate case it should happen to you - this is the Survivors Guide to Prison.

Retrospective documentary on the making of the low-budget horror film Prison (1987)

Preschool to Prison is a compelling examination of how the United States public school system is built and operated like prisons. Zero-tolerance policies are used to justify suspension and arrests that set up a pathway to send children of color and children with special needs from school to prison. Children are being suspended, restrained, dragged, physically manhandled, and subsequently arrested for minor offenses such as throwing candy on a school bus. These personal accounts from people affected by the school-to-prison pipeline give riveting tales about the generational impact on society.

Explores the realities of death-row inmates inside Huntsville (Texas) Unit, a prison with the highest number of executions in 1997. Features interviews with prisoners, guards, officials, lawyers and victims' family members.

Narrated by Uncle Jack Charles and seen through the eyes of Indigenous prisoners at Victoria’s Fulham Correctional Centre, this documentary explores how art and culture can empower Australia's First Nations people to transcend their unjust cycles of imprisonment.