Fleeing the 1980 Civil War in El Salvador, Dora Rodriguez, among a group of twenty-five asylum seekers, were abandoned by their guide and left to fend for themselves in the relentless Sonoran desert of Arizona.
Filmed on the war fronts of Chalatenango and Guazapa, the film is based on the construction of Local Popular Powers (PPL) in areas under guerrilla control.
A meditation on the intersection of Afro-Caribbean and Indigenous American existence.
The war in El Salvador was the most cruel and bloody Latin America has ever seen. During that time of turmoil Latin American bishops created the famous preferential option for the poor, demanding justice, food and education in the name of the gospel. Using interviews and old footage, the film follows the civil war and the role of the Church in it. In 1977, after the murder of Father Rutilio Grande, the Archbishop Oscar Romero took a strong anti government position, broadcasting sermons over Radio Luz demanding that the government stop the repression. He could not understand why he was thought to be a follower of Karl Marx, when he knew "he followed only Jesus Christ." An inspiring film about people of faith who stood up against injustice.
It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.
This documentary juxtaposes scenes of El Salvador's opposition factions, including U.S. government advisors and government troops, and guerrillas and their sympathizers.
Return to El Salvador explores the reconstruction of El Salvador, post-civil war. The film revisits the struggles of the nation and examines what drives over 700 Salvadorans to flee their homeland each day, often risking their lives to illegally enter countries in search of a better life for their families. The film also profiles a number of Salvadorans effected by the civil war. One couple, who fled death threats in the 1980s, finds asylum and a political platform in the United States. The film also follows a different couple who, after escaping the war, returned to El Salvador to work with churches and poor communities.
A documentary about the rival gangs Mara 18 and Mara Salvatrucha, originating in Los Angeles but terrorizing El Salvador. It explores their origins as possible founding myths of organized crime in a globalized world.
Salvador : vivre sous Bukele
In late 1980, the bodies of four American women were exhumed from a crude grave in El Salvador. The women - Ita Ford and Maura Clarke, nuns of the Maryknoll Congregation in New York; Dorothy Kazel, a nun in the Ursuline Sisters of Cleveland; and Jean Donovan, a lay missionary from the Cleveland Mission - had been abducted, raped, and murdered. An investigation led to the trial and conviction of five Salvadoran National Guardsmen.
Join affable presenter Nigel Marven as he explores El Salvador, the volatile land of volcanoes with a colorful culture and natural history. Follow along as he climbs an active volcano near the capital San Salvador, comes face-to-face with a crocodile, cuddles a caecilian, fights fire with fire, dives deep into a volcanic lake, and discovers the Pompeii of Central America.
Produced by the Radio Venceremos System, chronicles the first decade of the guerrilla broadcaster that became a crucial communication tool for the FMLN during El Salvador’s civil war. Through archival footage, radio transmissions, testimonies, and scenes of daily life in liberated zones, the film traces the station’s military, political, and cultural role, from reporting on combat operations and peasant struggles to fostering literacy, music, and international solidarity. The documentary portrays Radio Venceremos not only as a strategic instrument of war, but as a symbol of resistance, collective organization, and revolutionary memory.
A production by Radio Venceremos in 1992. The documentary's central objective is to showcase Radio Venceremos' new role after the end of the armed conflict, portraying it as a radio station that would continue serving the needs of the Salvadoran people. The documentary includes some of Radio Venceremos' broadcasts during the Salvadoran peace process.
Filmed during the Salvadoran civil war, La luz que te decía documents the struggles of the country’s labor and trade union movement amid escalating political violence. Through strike footage, congress meetings, marches, and first-person testimonies, the film portrays a society marked by state repression, workers’ mobilization, and efforts to build national and international solidarity. The documentary pays particular attention to the strike of the National Water Authority workers (ANDA), featuring members of the SETA union who describe the causes of the protest, the repression they faced, and the survival strategies adopted during the conflict. Testimonies from other unions, grassroots organizations, and international labor groups broaden the film’s perspective beyond a single labor dispute.
Years after the Salvadoran military destroyed the village of Cinquera in that country’s civil war, survivors have returned to rebuild their community. Soulful, beautifully rendered, this amazing debut is an evocative testament to place, memory and the power of life to rebound from tragedy.
A fresh, free-wheeling look at the mothers, daughters, teachers, and political prisoners in El Salvador and their struggle to come to terms with suffering and political persecution. A rare opportunity to witness the participation of Salvadoran women in the popular movement. Made in El Salvador, this film was part of a video series curated by El Salvador Media Project, a New York-based media organization.
It documents the civil war in El Salvador, in its first 8 years, as well as the political movements, and the human rights violations that occurred.
Pedro Linger Gasiglia’s twelve-minute documentary "The Massacre at El Mozote: Twenty Years Later," offers first-person accounts of the horrors as well as the media’s lack of coverage.
This documentary examines the formation of labor unions in El Salvador and the systematic violations of workers’ rights that characterized the country during the 1980s. Through testimonies and on-the-ground footage, it exposes the climate of employer authoritarianism and repression faced by workers, situating these conflicts within a broader history of social unrest that dates back to the 1930s and re-emerged with intensity in the 1980s. The film also depicts how the guerrilla movement carried out campaigns of political and labor awareness among peasants and workers, encouraging collective organization and the defense of labor rights. Ultimately, the documentary reveals the “two faces” of El Salvador: on one side, state power embodied by the army and the police; on the other, the opposition represented by guerrilla forces and grassroots popular organizations.
El Salvador: Bukele's Supermax Prison