Modes of Masculinity: The Western and Red River

Proyecto muerto v6 (6).mp4

A look back at the wild and crazy endeavor to make 12 Westerns in 12 Months during 2020 with director Travis Mills, actor/producer John Marrs, and other key cast and crew members.

Shot in Florence, the film draws on Leonardo da Vinci’s notebooks and Paul Valéry’s essay on da Vinci’s creative process to explore parallels between Renaissance space and the moving image. Beavers employs rapid pans and tilts along the city’s facades, interspersed with glimpses of his own face, linking camera movement to the filmmaker’s investigative gaze. The work marks a turning point in his practice, foregrounding presence and perception as central to his method. (Note: The film was re-edited and re-released in 1999.)

A portrait documentary tracing the inspiration, philosophy and imagination of the celebrated theatre and screen writer - and Bunuel's long term collaborator - Jean Claude Carrière. Carrière predicts that between the house he was born in and the cemetery in which he will end there is a life journey of just 250 meters. "Carrière: 250 Meters" follows him as he reflects on the wealth of global traditions of storytelling, travelling through past and present, across countries and cultures from Paris to New York, Mexico and India and joined by his family, friends and collaborators. A testament to the life and work of an extraordinary man and a key architect in contemporary cinema.

An in-depth documentary revealing all the secrets behind Marko Mäkilaakso's film THE CREEPS.

Shot during the making of Fanny and Alexander, this feature-length documentary presents extended behind-the-scenes material from rehearsals and filming sessions, with Bergman at work staging scenes and directing performances. The film focuses on the practical process of production, including collaboration with the principal cast and key crew members such as cinematographer Sven Nykvist and on-set documentarian Arne Carlsson.

In 2007, Gillian Wearing placed an advert – in newspapers, online, in job centers, and elsewhere. It read: “Would you like to be in a film? You can play yourself or a fictional character. Call Gillian.” Of the hundreds of people who replied, seven – chosen through an extended process of auditions, interviews, and workshops – ended up appearing in Self Made. Of those seven, five in particular use the acting technique known as Method to delve into their memories, impulses, anxieties, fears, fantasies, and inner resources to create a series of individual performance vignettes, their personal ‘end scenes’, that reveal with particular intensity and clarity who they really are deep down – or who, in another version of their lives, they might easily have been.

Meeting with the director Quentin Dupieux, who agreed to open the doors of one of his sets on the set of his film “DAAAAAALI!”.

DIYSEX is a film that reflects on the use of the image and the language of mainstream pornography, and wonders how far this use can transcend when making your porn film.

The time was 1938. The place, Hollywood. This is the story of one of the 456 films made that year, how it was made, and why it has endured.

A documentary on the life and career of the legendary British exploitation film director Norman J. Warren, who gained a name for himself in the sexploitation business in the late 1960s before moving into low budget horror pictures in the 1970s and 1980s. Produced for the American release of "Inseminoid", which debuted on Blu-Ray in the USA on March, 10th 2020, this extensive documentary draws on hours of footage of Warren and also some of his best known collaborators such as the screenwriter David McGillivray.

A director (P. Chann) tries to make a movie following the guise of Joseph Campbell's framework.

Sylvester Stallone's 90-minute video diary, covering the making of "The Expendables".

During the production of my Jabba documentary short, Slimy Piece of Worm Ridden Filth, I was put in contact with Toby Philpott’s colleague and Jabba’s right hand man. Literally, his right hand man, puppeteer Dave Barclay. Dave helped us, along with Toby (Jabba’s left arm), Mike Edmonds (tail) and John Coppinger (animatronic engineer) to reconstruct just how it was inside that filthy Hutt. And of course it couldn’t have been done without the amazing work of Eletrographica aka Pete Starling, who rendered all that information into a multilayered illustration. Dave was so impressed with the Jabba documentary that he asked if I would consider doing one on Yoda. Dave aged just 19 in 1979 was involved in building and puppeteering Yoda for The Empire Strikes Back. After a few email exchanges, Dave kindly found time between his work on The Muppet Show for an interview.

Take a front row seat as we sit down to chat with some of the creators and stars of the best and most beloved exploitation and grindhouse films of the 1970s and 80s. Featuring interviews with John Dugan (The Texas Chainsaw Massacre), Craig Reed (The Re-Animator), John Russo (Night of the Living Dead), Lynn Lowry (The Crazies), Carl Crew (Blood Diner), and many more independent horror veterans.

An intimate chronicle of the shooting of Ran (1985), a film directed by the legendary Japanese filmmaker Akira Kurosawa.

In a remote village in Kyrgyzstan, the paths of an immigrant filmmaker from Belarus and a spirited ten-year-old local girl intersect, unfolding an intimate and visually rich cinematic journey. “I Lit the Fire!” premiered at Doclisboa 25, where it received an Honourable Mention from the Green Years jury — recognition for its poetic approach and strong visual storytelling. In 2026, the film received the Grand Prize for Best Film at Punto de Vista — International Documentary Film Festival of Navarra.

Through stop motion animation three creatives share their experiences in living with a disability in the Australian film industry.

The first definitive feature documentary to lend new and compelling perspectives on the partnership, both professional and personal, of director James Ivory, producer Ismail Merchant, and their primary associates, writer Ruth Prawer Jhabvala and composer Richard Robbins. Footage from more than fifty interviews, clips, and archival material gives voice to the family of actors and technicians who helped define Merchant Ivory’s Academy Award-winning work of consummate quality and intelligence. With six Oscar winners among the notable artists participating, these close and often long-term collaborators intimately detail the transformational cinematic creativity and personal and professional drama of the wandering company that left an indelible impact on film culture.

An insight into the production of an animated film.