After an introduction in which he reminded us all of our meaningless, shitty lives, there followed an exhilarating hour and a half packed with hilarity, a dismantling of the Jesus myth, emotion, useful tips for the bakery, a few English expressions, Skopja skopja, and above all, Wim Helsen.
Stage registration of the second comedy special by the Dutch comedian Micha Wertheim. This performance takes place in a dream, a dream in which Micha Wertheim shares all kinds of confessions, for example about how he manages to cope with the knowledge that he is probably not a real genius.
Registration of the third theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. One day a man has to go. Away from family, away from home and hearth. Away from the drudgery of his work, out to look the world straight in the eye! In short: one day a man has to go to a equipped holiday cottage. Diederik van Vleuten asked his friend Erik van Muiswinkel to come along. The result was their theatre third program in which two men, one with a house and one with a bunk bed, clash. What are two Dutch friends in their forties discussing in a house on a Dutch Frisian Island?
Mike & Thomas: De Mike & Thomas Kerstrevue
A video-registration of the revue/cabaret show 'Showponies 2' by the Alex Klaasen Revue. In this sequel to the first Showponies-show, Alex Klaassen explores to what extent he cares about what (the still quite heteronormative) society thinks. Klaassen considers coming out for a second time, because he feels like he has ended up in a second closet after his first coming out.
Youp van 't Hek: Een Vloek En Een Zucht
Registration of the first solo theatre program by the Dutch actor, comedian and singer Alex Klaasen. Klaasen sings, among other things, a schizophrenia musical and a hymn to the turd.
In his third show, Daniël Arends argues that good deeds are a form of self interest, and evil deeds are a hobby.
With the world changing faster than ever, comedian Peter Pannekoek shares his thoughts about power, evolving gender relations and the times ahead.
Klaas van der Eerden: Schaap
Registration of the third theatre program by the Dutch musical comedy duo (Niels) Van der Laan & (Jeroen) Woe.
The brothers Gé and Arie Temnes return to the home where they used to live as teenagers during WWII. Arie talks about the role that he played in the resistance movement.
TV registration of the third theatre program by the Dutch comedian Henry van Loon. The show is about insomnia.
Registration of the first theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. Two men visit the Montignac caves, famous for their prehistoric rock paintings. Diederik van Vleuten thinks he has ended up in the Womb of Western Culture, Erik van Muiswinkel thinks his five-year-old son paints better. They don't agree.
Stage registration of the first comedy special (1996-1997) by the Dutch comedy troupe De Vliegende Panters (The Flying Panthers). The show consists of songs and skits on a variety of subjects, such as a Sesame Street parody, the Bee Gees, Anne Frank and the butcher Korrel.
Registration of the fourth theatre program by the Dutch comedy duo (Niels) Van der Laan & (Jeroen) Woe.
Hans Teeuwen is a successful comedian, jazz singer and a staunch defender of free speech. Nowadays he plays his unique comedy shots only in the UK, where he gets a great response and fantastic reviews plus he was the recipient of a 2008 Chortle Award. Here, finally, is a chance for Dutch audiences to see Hans Teeuwen's first new comedy show in five years, and the first show in English for the rest of the world: Hans Teeuwen Live in London!
Registration of the Oudejaarsconference of the year 1999 by the Dutch comedian Youp van 't Hek.
In his second comedy show the Dutch comedian Kees Torn sings about postmen who wonder about street names, Rotterdam by night, playing Mozart and being trapped in your own limited body.
In his third comedy show the Dutch comedian Kees Torn tells and sings about his girlfriend. He is in love and therefore affraid that it will end. He also fears that he is too in love to write about anything else and that his audience will get tired of him.