Film for Untitled Viewer

An animated film made from approximately 1700 laser printed photo(collage)s, manipulated by hand.

Abstract video short about a nameless "Diver"

I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.

Slow disintegration and aging of artists head, revealing underlying bone structure. Created using old picture-phone technology. New music added in 2013.

Very hard radiography of repression, torture and the unstoppable desire to achieve freedom. The untold protest drawn by OPS, with a mouth that screams in a face that has literally sewn other parts, becomes one of the most political and adult works of Spanish animation.

A meditation on the relationship between humans, nature, and technology.

A film beyond the eyelids. In one word: a trip.

Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.

The surreal film Newscaster/Dragon/Maggots is a transmission of what lurks in between the channels. This is a rotoscoped piece of animation created from three randomly selected pieces of found footage. The foundation of this piece is based in mathematics, chance and montage editing measured in increments of triangular numbers. After the Formalist groundwork was laid, elements of Surrealism were employed to take the film beyond the initial framework of the metric and rhythmic editing process. The pixels were playfully manipulated and melded together into an entirely new form, backed by a noise composition set into place without regard for pacing, only duration. Music by legendary noise musician Merzbow.

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.

Anatomy of a moth

The emotion of people easily changes. It is not easy to define what emotion is. We just feel it. To feel emotion is like to observe nature because nature always changes by time, sun, and wind. When we observe nature, the nature tries to say what our emotion is because the nature leaves the trace of emotion.

Visit He visits a city. The city already forgot him. The city is still sinking in his dream. The flicking segments of real life and illusion. Only the lighthouse has his memory. But the memory will may be vanished.

A short movie about a guy living in his own world.

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.

This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.

Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope