Longing for Spring

In this short from James Knight, a collection of Paul Celan's poetry is subjected to an electrical atomisation. Its words are severed from their material form. Knight composes through decomposition, pages disintegrate and reintegrate, and all the while the traces of their words remain fixed.

Captured on HUAWEI P60 Pro, "The Sea Is Not Blue At Seberang Takir" is a glimpse into the lives of three characters in a village by the sea in Kuala Terengganu. Written and directed by Ariff Zulkarnain, the short film features an anthology of poems by the great T. Alias Taib, also known as the "People's Poet".

Digital images decomposing in rain-like effects. A visual poem, trying to capture the poetics of a cinematic rain shower into the structure of its images. Still images from the 1982 science fiction film noir classic Blade Runner become animated, a frozen memory of two lovers is washed away in time.

Rumination is a quiet reflection on a fractured relationship, told through memory, distance, and unanswered questions. Looking back, the narrator sifts through what went wrong, caught between what was real and what was lost.

a haiku films, a poem by Nha Thuyen

A haiku film poem. the early morning waiting for the monks. the voices. the fire. the wat drum.

An intimate visual poem explores the delicate balance between change and stillness, inspired by Ethan TK Trinh’s 2025 poetry collection, “Change and Don’t.”

In the tradition of experimental genres such as the cut-up, collage, permutation, altered book, & erasure poem, ‘Burning Batteries’ dissects the idea of the book in both a literal & philosophical way. Books are usually thought of as 2D, static, fixed pieces of historically relevant narratives – ReVerse Butcher wants you to (re)think books as contested spaces for possible intervention, creative agency, & rebellion. She sees books as multi-layered places where multiple meanings hide behind the illusion of being locked-in by consensus reality.

Fue una clara tarde, triste y soñolienta

A loose interpretation of the poem of the same name by Dutch poet M. Vasalis, "Time" follows a grieving man who is plagued by a strange and prophetic dream.

Sitting Idle (2021) is a meandering, meditative visual poem that follows the life of a nameless character over the course of a year - as he traverses across the country, meeting and living with friends along the way. Luke Olutunmogun presents an unconventional plot-free narrative that acts as a visual longitudinal study and diary - exploring feelings of loneliness, alienation, and jadedness amid the death throes of a decaying urban landscape.

A short film by artist and writer Sarah Roselle Khan that includes footage of everyday British-Pakistani culture, scenes shot in Hackney Marshes and archival material. Combined with a confessional poetic monologue and an original score by musician Nadia Tehran, the film reflects on the complexity and alienation of navigating a cross-cultural existence in a homogeneous Western society - the cycle of disconnect with environment and homecoming to self through honest embodiment.

"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.

A visual album made to accompany the EP of the same name by I.L.L.

In this farewell letter to Ana (aka Anorexia), I reveal the suffering associated with this illness. I sincerely express my deep desire to regain my freedom and vitality by sharing not only my progress but also my relapses. Through the interweaving of drawings and poetry, I share this quest for reconstruction, which I hope will help raise awareness of this mental illness and bring a little hope to people affected by it and those around them.

Inspired by moments of the Brazilian writer Gabriel Yared’s life and mixing storytelling and poetic declamations by the author himself, the film presents us the love overgrowing between two young man, Alex and Luís, their comfortable couple routine, and explores which limits that love can support when, like dry flowers, it faces the hard and cold earth of deceptions and expectation breaches, with the city of Macapá, in ther Northern Brazilian State of Amapá, as background.

Occasionally, "your own" life is only based on the lifes of the rest. The human being, cutted off from the cultural and social, finds things in common with the other of the antipodes. An essay of the common and the different. The protagonist writes a letter and digress and imagine, with what isn't theirs. Taking it, transforming it and turning into another part of their body.

Philophobic delves into the complexities of modern relationships, offering a glimpse into the emotional journey of a young woman navigating love and fear. Through the lens of her bedroom and the use of viewmaster reels, viewers witness her struggle to reconcile her longing for connection with her deep-seated fear of vulnerability. As she grapples with her emotional detachment, Philophobic prompts reflection on the fragile nature of Gen Z relationships and the universal quest for validation.

A kaleidoscopic montage, interpreting the poem "Our Punjabi Market" by Kuldip Gill depicting the vibrance of the Punjabi Market at 49th and Main in East Vancouver, BC.

A short film about boys riding their bicycles in the forest. A beautiful visual poem.