Longing for Spring

Tender caresses and enveloping embraces are portals into the life of Mack, a Black woman in Mississippi. Winding through the anticipation, love, and heartbreak she experiences from childhood to adulthood, the expressionist journey is an ode to connection — with loved ones and with place.

Fed up with surviving on social crumbs, he takes a surreal flight to find a hidden truth. In a dull world, we need color, but what if this colorful idealization turns against you?

Using Varsha Panikar's poetry series by the same name, it follows the journey of a poet as they rediscover love, passion, and identity after encountering their muse.

Compiled from stock footage, Livestock is a visual poem exploring the digital, physical and metaphysical synergy of the modern workplace.

Philophobic delves into the complexities of modern relationships, offering a glimpse into the emotional journey of a young woman navigating love and fear. Through the lens of her bedroom and the use of viewmaster reels, viewers witness her struggle to reconcile her longing for connection with her deep-seated fear of vulnerability. As she grapples with her emotional detachment, Philophobic prompts reflection on the fragile nature of Gen Z relationships and the universal quest for validation.

De Wind

An experimental visual poem about a sick lonely old man stays in his big empty house, dreaming of a glorious life that he could have. In this dream, he plays a Rubik's Cube, which connects the memories of his prime in a paralleled universe, the chapters of love and pain.

“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.

FALL

A granddaughter gives a new meaning to her grandma's death through previously unspoken memories.

"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.

In this farewell letter to Ana (aka Anorexia), I reveal the suffering associated with this illness. I sincerely express my deep desire to regain my freedom and vitality by sharing not only my progress but also my relapses. Through the interweaving of drawings and poetry, I share this quest for reconstruction, which I hope will help raise awareness of this mental illness and bring a little hope to people affected by it and those around them.

Ilumina-me o elimina-me

In this short from James Knight, a collection of Paul Celan's poetry is subjected to an electrical atomisation. Its words are severed from their material form. Knight composes through decomposition, pages disintegrate and reintegrate, and all the while the traces of their words remain fixed.

A kaleidoscopic montage, interpreting the poem "Our Punjabi Market" by Kuldip Gill depicting the vibrance of the Punjabi Market at 49th and Main in East Vancouver, BC.

A filmographic essay featuring lines from "Bonedog" by Eva H.D. A pathos on memory, travelogue consciousness and the divets remaindered from environmental displacement.

A reflection on loss and nature’s quiet observance in a small nook of the Ozarks. 

Voyeur

A haiku film poem. the early morning waiting for the monks. the voices. the fire. the wat drum.

A young boy recalls his grandmother’s guidance on how to cross the street, as he spiritually retraces this ritual in Manila—where memory, faith, and childhood converge.