Graça Morais – As Escolhidas
A lost chapter in black British film: extraordinary rushes from a documentary showcasing talented members of the black community.
Matisse & Lydia
Bacon-Freud, face à face
The Catholic Church secretly investigates Caravaggio as the Pope weighs whether to grant him clemency for killing a rival.
Expert interviews, dramatic reconstructions and location shooting bring to life the iconic legend of Egyptian Queen Cleopatra in this historical documentary.
What would it be like to step inside a great work of art, have it come alive around you, and even observe the artist as he sketches the very reality you are experiencing? From Lech Majewski, one of Poland's most acclaimed filmmakers, The Mill and the Cross is a cinematic re-staging of Pieter Bruegel's masterpiece "Procession to Calvary," presented alongside the story of its creation.
The film starts with a long, static shot of the sun rising above the hills near the Roma village of Hetea in Romania. We only hear the sounds of birds, including a cuckoo. In the distance, a satellite dish figures on a roof. Slowly, the daily routine begins. We see more and more activity, like the harnessing of a horse to a cart, loading stripped tree trunks, collecting water from a pipe, playing soccer and a girl getting punished with a severe slap on her arm. These scenes are mostly captured from a distance. Then, towards noon, the fat is in the fire. The camera looks for the villagers who argue with each other and registers how an old man paces up and down the street. Because the images have not been subtitled (intentionally), the meaning of the quarrel remains unclear. The film does not mention any names or other facts, either. The absence of this context makes this documentary into a picturesque impression.
A Local Reno Artist and DJ discusses the many inspirations behind her work and how it impacts herself and others.
A wily 87-year-old New Yorker, Judith Godwin is one of very few women of the Abstract Expressionist Movement. A creative awakening in college led her to produce the brilliant, gestural paintings for which she is renowned.
In 2014 a large painting representing Judith Beheading Holofernes was discovered in an attic in Toulouse, France. A controversy ensued immediately about the attribution of the painting's authorship to Caravaggio. The documentary follows a famed art expert in charge of organizing the sale of the painting on behalf of the owners, while specialists debate on its authenticity.
Documentary about the life and work of Mário Eloy, one of the greatest painters of the second generation of modernism in Portugal.
The Norwegian painter Edvard Munch is the author of a powerful body of work that is rooted in symbolism and expressionism. His most famous painting, "The Scream", painted in 1893, has become the symbol of existential anguish. He obsessively sought to express his most violent emotions in the face of death and love, bringing them together in a great whole, the "Frieze of Life". Nature, in perpetual movement, the bearer of vital momentum, helped him to exalt his anguish of living through its colors and undulating lines.
The insatiably curious and headstrong inventor Leonardo da Vinci leaves Italy to join the French court, where he can experiment freely, inventing flying contraptions, incredible machines, and study the human body. There, joined in his adventure by the audacious princess Marguerite, Leonardo will uncover the answer to the ultimate question – "What is the meaning of it all?"
Beth Moore-Love is perhaps the greatest living artist working in America today. Her works can be found in private collections throughout the United States and Europe. She is a national treasure and yet, she is virtually unknown. Filmmaker Larry Wessel is determined to change that with his nine year labor of love.
Vincent Van Gogh's life was a masterpiece painted with the dueling colors of madness versus genius. However, this inner battle gave birth to some of the greatest works of art known to man. The film traces Van Gogh's journey through the many twists and turns of his tumultuous and exciting life.
Painter Dora Carrington develops an intimate but extremely complex bond with writer Lytton Strachey. Though Lytton is a homosexual, he is enchanted by the mysterious Dora and they begin a lifelong friendship that has strangely romantic undertones. Eventually, Lytton and Dora decide to live together, despite the fact that the latter has fallen in love with military man Ralph Partridge, whom she plans to marry.
“Pat Pasloff is a strong artist within a strong tradition…She has transcended some of the angst of Abstract Expressionism, without descending into something that is bland or formulaic or potentially conceptual” – David Cohen Pat Pasloff (1928 – 2011) was an ambitious abstract expressionist painter who produced large scale, fresh, and vital bodies of work. Studying under pioneering artist William de Kooning, she was able to find her own path and grow from his influence. Her patterns and grids come alive with the materiality and physicality of her paintings. Watch as Pasloff describes her experiences painting, gaining an education in art, and as her visual language of emotion comes alive.
A portrait of New York artist Keith Haring. The film looks to Haring as an artistic role model for his preternatural talent, of course, but also for his infectious lust for life that had him as committed to social activism and teaching children as to his latest painting.
For the whole of his long life Emil Nolde, the leading German Expressionist, luxuriated in colour. Before the First World War in Berlin he made many paintings of the theater, music-hall and opera; he loved flowers and even coaxed a garden out of the salty soil of the Baltic coast, where he had built himself an isolated house. His parents were Frisian peasants and he loved the landscape of North Friesland: it was the theme of many of his pictures. But the Nazis disapproved of his work and finally forbade him to paint at all. Although Nolde was already in his seventies when this happened, no political regime could stifle his vision. At great danger to himself he continued to work, making watercolour sketches the size of postcards, which he called 'unpainted pictures,' meaning them to serve as sketches for the large oils he would paint when he was free. And he did outlive the Nazi regime, marrying a twenty-eight-year-old woman in 1948 and painting up until the year before he died.