Perdus entre deux rives, les Chibanis oubliés

Football is both the place, the crystallization of sporting passion and the witness of identity imaginations. It is also an interesting and relevant area for discussing the migration issue. From the 1930s to the present day, football, notably with the composition of the French team, has reflected the plurality of the French population. Raymond Kopa, Michel Platini, Zinedine Zidane, Basile Boli... these four footballers alone illustrate the four major waves of immigration that France has experienced.

De Charles de Gaulle à Emmanuel Macron, les gardiens de l'empire

A computer screen, images from the four corners of the world. We cross borders in one-click while another trip’s story reach us in bits, through text messages, chats, phone conversations, and an immigration office’s questionnaire. It’s the journey of Shahin, a 20-year-old Iranian boy who, fleeing his country alone, lands in Greece, then winds his way to England where he claims asylum.

Police à bout de souffle

At the close of Jacques Chirac's life, politician Jean-Louis Debré has wished to make a film to celebrate his friend, to tell the story of their friendship and professional understanding, and to make an intimate portrait of the former President of France through the accounts of a few very close friends. Thanks to Jean-Louis Debré's presence, Claude Chirac and some of Jacques Chirac's closest friends, famous or unknown, agreed to talk to the camera, sometimes for the first time, to evoke their untold-before memories and tell about the moments that bonded the two men for a lifetime.

Un peu, beaucoup, passionnément... Les Présidents et les Français

Indianapolis has one of the lowest high school graduation rates in the country. Night School follows three adult students living in the city’s more impoverished neighborhoods as they attempt to earn their diplomas while juggling other difficult responsibilities and realities. Through their stories, the filmmakers explore many issues that low-income Americans deal with, including unjust minimum wage and working conditions, arbitrary legal hindrances, and race and gender inequality.

55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.

An intimate and political history of the French working class from the early 1950s to the present day.

French actors Lucien Jean-Baptiste, Aïssa Maïga, Sonia Rolland, Deborah Lukumuena, Marie-France Malonga, Gary Dourdan and others speak up on the reality of black actors in the French movie industry.

An exploration of Rodez Cathedral and its stained glass windows: praying figures and scientific imagery. A study on color, repetition and flickering consisting of 292 photographs.

Filmed during a visit to Jerome Hill in Provence, Jonas Mekas sets his Bolex to capture a single day overlooking the port of Cassis. Shot frame by frame from morning to sunset, the film distills shifting light and color into a quiet meditation on time, place, and perception.

‘Bring Out a Briton’ was a short appeal for Australians to help the Immigration Department in its plan to form and assist a ‘Bring Out a Briton’ Committee in each district. It featured popular Australian actor Chips Rafferty as the spokesman for the campaign. Aimed at the Australian public rather than the prospective immigrants it was designed to allay a perceived anxiety amongst the public about non-British European migration.

Twenty-five films from twenty-five European countries by twenty-five European directors.

La Ve, une constitution sur mesure ?

In America, everyone has a family story of immigration. Every family, at some point, has had somebody leave their native country behind to search for a better life. How did they hold onto their identity? How did they adapt to their new life? Every family has a special story. In my case, it's my Chinese-American story. My father would always tell us his story about walking for 7 days and 6 nights, before swimming for 4 hours to Macau to escape communism in 1966. His story would fall on my deaf ears until I returned to China with him.

This documentary explores the many questions raised by Canada's immigration policy in the face of one of the world's largest immigration movements. Shot in 1988 in Africa, Canada and Hong Kong, the film reveals first-hand what Canadian immigration officials are looking for in potential new Canadians, and the economic, social and political priorities orienting their choices.

An experimental essay film about terrorism, media, violence and globalisation. Three infotainment news broadcasts - a rollercoaster, a hijacking, and an influencer - are soundtracked by pulsating experimental electronics that push the psychic residue of a post war-on-terror world out of the unconscious and onto the screen. Capitalism, imperialism, desire; all three are implicated in a nihilism that has seeped from the news into the social psyche.

Bobbing around on Mediterranean waters aboard the Ocean Viking, aid workers from the French relief service SOS Méditerranée gaze at the horizon. Is that a rubber dinghy in the distance, or is it garbage? The organization sails up and down the Libyan coast looking to pick up refugees in boats. On board is a 30-strong team ready to offer help and support refugees with their asylum applications.

Every season, tens of thousands of migrant farmworkers converge on small communities like Immokalee, Florida where they plant and harvest the food that Americans consume. A vast majority of these workers are undocumented, leaving them at the mercy of the large agribusinesses who hire them, the crew leaders who contract them and the landlords and businesses that profit from the seasonal arrival of migrant workers. Their "undocumented" legal status allows for a system of exploitation that leaves workers and their families to endure conditions and wages that rarely meet international human rights standards. Immokalee U.S.A. documents these daily experiences, leading the viewer to examine their own role in the issues migrant workers face in the U.S.A.