Dead on Their Feet

Suellyn thought the Department of Community Services (DOCS) would only remove children in extreme cases, until her own grandchildren were taken in the middle of the night. Hazel decided to take on the DOCS system after her fourth grandchild was taken into state care. Jen Swan expected to continue to care for her grandchildren but DOCS deemed her unsuitable, a shock not just to her but to her sister, Deb, who was, at the time, a DOCS worker. The rate of Indigenous child removal has actually increased since Prime Minister Kevin Rudd delivered the apology to the ‘stolen generations’ in 2008. These four grandmothers find each other and start a national movement to place extended families as a key solution to the rising number of Aboriginal children in out-of-home care. They are not only taking on the system; they are changing it…

From the mind of Chris Benchetler comes TGR's latest short film collaboration. Improvisation is the silver thread that weaves this crew together. Just as the Grateful Dead did not fit their music into an established category, this short film finds a cast of some of the world’s best athletes on a spontaneous journey of skiing, snowboarding, surfing, and music, complete with a soundtrack comprised of only Grateful Dead music.

On November 4th, 2008, three states - California, Florida and Arizona - voted to amend their constitutions, denying and revoking the rights of same-sex couples to marry. On May 26, 2009, with Canadian allies, gay American families rally at a Vancouver demonstration to protest these amendments that persecute the LGBTQ community. Demonstration organizer Roger Chin relays the California Supreme Court's infamous decision on Prop 8. Subsequent speakers talk about couples living in exile. Weaving elements of public protest and intimate interviews, four families share their stories of how they met, their decision to escape to freedom in Canada, their Canadian experience and their dreams of returning to their home country, family and friends. In the end, the organizer celebrates the freedoms to marry that exists in Canada.

About trauma, resilience and post-traumatic growth in the medics who served with Australia's special forces in Afghanistan. From losing mates in the battlefield to treating horrifically injured Afghan kids in remote surgical theatres.

RETURN follows the efforts of a family of former sea-turtle–egg poachers, now dedicated protectors, leading VIVEMAR — a community-based organization in Oaxaca, Mexico. Through their work, they safeguard one of the world’s most endangered sea turtle species during its nesting season along the Mexican coast.

A documentary that follows the recording process over three days and nights of "(I'll Love You) Till the End of the World" by Nick Cave and the Bad Seeds. A new version of the documentary appeared in 2005, and on the 2019 Criterion release of Wim Wenders' film UNTIL THE END OF THE WORLD.

The rapid turning of a light draws a circle. In the space bound by its line unravels an archive of postcards sent between the island of Madeira and the former Portuguese colony of Mozambique. The figures carved into the Knife by the Sap of the Banana Trees circulates between a fictional colonial memory, and science-fiction.

Adventure bike-packers Matt Schweiker and Luke Swab decide to take on three of the hardest gravel bike rides in the southeast in three consecutive days. These light-hearted and hilarious friends will almost make you forget how difficult these routes are.

Set against a backdrop of spectacular neon footage of Vancouver, Los Angeles, and Las Vegas, the film is an illuminating exploration into the vibrant history and contemporary use of neon. The movement, power, and raw exuberance of neon is revealed through a fascinating demonstration of how neon is made, a montage of notable neon installations and commentary from a colorful array of neon experts.

Dive into a pool of sound at the Indian Ocean Hotel and meet the community that gathers within its walls.

After reading I Am the Sultan of the Law of Existence by Youssef Idris, a five-day journey through Egypt’s Western Desert, traveling from north to south., covering 2,800 km and shooting for 35 hours, the expedition became both physical and existential. The desert’s vastness and silence echo the text’s meditation on the relationship between man, nature and the universe, transforming the landscape into an active force that reshapes perception and confronts the nature of existence.

A short documentary exploring the reason behind the return of analog media, specifically vinyl. The documentary focuses on Gabriella, the main participant, and her experiences and personal viewpoints.

Ambitious documentary chronicling the cultural life and religious customs of the Sinhalese and the effects of advanced industrialism on such customs.

The same submarine which successfully captured the world's first moving images of a giant squid in its natural habitat is used for exploring the deep sea cliffs off the coast of New Guinea. The team encounters true living fossil species one after another. Join this exciting deep sea adventure!

A portrait of Ting Cui, a Team USA figure skater at Middlebury College student. An exploration of what it means to sustain a relationship with a sport across injury, pressure, and transition.

In her second film, MY LIFE AS I LIVE IT (1993), Essie Coffey returns to her home in Dodge City where she and the A-Team are running in the shire elections. Inter-cutting between 1993 and 1978, the film presents the fascinating contrasts of a society in transition. Some of the kids we met in the earlier film now have families of their own and are involved in education, art and sports. Others are drifting, trying to cope with alcohol and depression. Most significantly, community programs offer the possibility of dignity and self-determination. In this film, Essie shows us the Community Development Employment Program (CDEP) making a real difference. Although the CDEP has now come under attack from the Federal government, MY LIFE AS I LIVE IT portrays the CDEP as providing meaningful work and services to an impoverished remote community.

For Every Apricot drifts through the shifting terrain of memory, illustrating a grandmother’s journey in search of a “miracle drug” to cure her father’s illness. What begins as a simple family story, unfurls into a meditation on aging, fragility, and the circinate patterns that shape life. Through live-action interview, 16mm and 8mm archival footage, and a tapestry of handcrafted animation, the film moves between what is remembered, what is imagined, and what time has eroded. As she reflects on her father’s illness alongside her own, For Every Apricot becomes a deeply personal family portrait.

Soon enough humankind will ascend to space. Who can join that mission? Who has to stay behind? In some places it has already started. Men and machine taking flight, leaving for the unknown future. For the endless void. That’s where they meet. The People using machines to clean machines and the people sheltered inside those machines. Destined to collide, never to engage. Welcome to Europes biggest car wash.

A record from the 1948 Arnhem Land Expedition lead by anthropologist Charles P Mountford that explores the abundant birdlife and waterways of Arnhem Land in the Northern Territory of Australia. Thousands of birds, both native to Australia and from around the world, find sanctuary in the billabongs of Arnhem Land, feeding on the fish, insects and flowers that flourish there. Apart from their beauty, the birds serve the useful purpose of helping to keep the balance of nature in the wilderness areas of Australia’s far north. Close photography makes it possible for some of the more interesting birds to be carefully studied. The film’s soundtrack is perhaps the most unique ever recorded, bringing us the thrilling sound of the voices of thousands of birds breaking the quiet of the virgin bush.

A conflicted gay man struggles to teach his younger self about the challenges of adult life. Searching for answers inside stories from his past, he must confront his nature and the man he will become. Documentary meets musical feature in this experimental coming of age drama about power and masculinity in modern day Australia.