Salam

2017 Oscar Nominated Short Films: Documentary

This intimate documentary follows a group of Syrian children refugees who narrowly escape a life of torment and integrate into a foreign land.

An animated documentary film, based on an actual story of a woman from Damascus countryside. Suleima evokes some of childhood memories, when her thoughts refusing injustice had arisen. The film is a portrait of Suleima, and a monitoring of intellectual and social shifts she experiences during the events. The visual environment: has been presented graphically fully of sharp contrasts, and imaginary mixed with reality.

Kinder des Lichts

What will happen next in northern Syria? All of the parties to the conflict - the Americans, Assad’s regime, Russia, Iran and Turkey - have their own agendas for the war-torn region. But what do the Kurds themselves think about their future?

Documentary following a team of technicians in Italy as they reconstruct a number of historic Middle Eastern artifacts that were vandalized at the hands of Islamic State.

This short documentary delves into the world of Cinema Al Dunia in Damascus, exploring the current reality of the cinema and attempting to reveal its future.

A unique interview with Tooba Gondal, the woman who groomed and lured scores of Western women to join ISIS. Using social media, she became a deadly matchmaker, recruiting a number of high-profile “jihadi brides” for ISIS militants in Syria: she allegedly helped organise the transporting of three British schoolgirls, including Shamima Begum, to Syria.

An animated short documentary crafted by people on the move in the refugee camp of the island of Lesbos (GR), following the story of Orhan, a Syrian Kurd who fled war with his family in 2013, seeking safety in Turkey—only to find that peace was still a distant dream.

A powerful investigation into the political and criminal enterprise of kidnappings as ISIS rose to power in war torn Syria. It inter cuts exclusive footage with interviews of negotiators, investigators, fixers and even a used car salesman who are caught up in the confusion.

Like a visual elegy, My Memory Is Full of Ghosts explores a reality caught between past, present and future in Homs, Syria. Behind the self-portrait of an exsanguinated population in search of normality emerge memories of the city, haunted by destruction, disfigurement and loss. A deeply moving film, a painful echo of the absurdity of war and the strength of human beings.

In this beginner-level doumbek course, Amir Naoum teaches Southwest Asian drum rhythms and doumbek techniques to drummers and dancers.

When artist Janet Biehl fell in love with radical American philosopher Murray Bookchin in the 1980s whilst editing his ground-breaking opus “The Ecology of Freedom”, she could never have imagined that it would one day take her halfway across the globe. Now, over 40 years later, Janet travels from America to the Middle East to witness something remarkable - how Murray’s ideas have ignited a female-led revolution in North-East Syria, where society is being rebuilt in the wake of victory over ISIS. Janet meets the women who are turning her late partner’s political theories into a modern reality, creating a grassroots communal democracy. Janet draws what she sees, and her illustrations capture the humanity of ordinary people in their struggle to self-govern. Now, at this critical moment for Syria and with this revolutionary project under renewed threat, "Threads of a Revolution" reveals a possible way forward for those prepared to fight for a new way to live.

Untold stories from the frontlines of the 'Deterring Aggression' battle. This documentary chronicles the ten decisive days preceding the operation, casting light on a political milestone that catalyzed the liberation of Syrian lands and signaled the dawn of a new era of hope.

The story of iconic Syrian peace activist Ghiyath Matar whose brutal torture and death at the age of 26 outraged the international community and erupted into one of the most violent uprisings in modern history.

After twelve years in exile, Syrian journalist and filmmaker Daham Alasaad returns to Homs, devastated by the war in Syria. Once the city of his childhood, it is now a relic of an authoritarian regime, where different communities (Sunnis, Christians, Alawites) are trying to rebuild their lives together after terrible years of division and destruction. Thanks to Daham Alasaad's close relationship with the city's inhabitants, the director highlights some very moving characters, torn between grief, fear, the need for justice, and the desire for peace and reconciliation. By opening up naturally to the camera, they allow viewers to experience what Syrians of all backgrounds are going through today. "Homs-Syria, Life After" is a personal and political investigation into the ability of this symbolic city to rebuild hope on the ruins of a Syria ravaged by more than fifteen years of war and facing an uncertain future.

Bashar al-Assad's regime fell on december 8, 2024. Reporters Without Borders (RSF) reveals the mistreatment endured by journalists under his bloodthirsty regime. According to the NGO, 181 journalists were killed under his rule.

Before Aleppo's fall, Syrian/Norwegian director Nizam Najar explores the inside of the war. To him one of the reasons the rebellion has failed, stems from the Syrian society itself.

Addicted to Captagon

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.