Maradonapoli

Documentary about Eduardo Longoni, the photographer who captured decisive moments in the last 40 years of Argentine history.

Rehearsals for a play about Maradona in Naples, with Italian actors and an Argentine director. Nothing about Maradona except anecdotes about his figure from the Neapolitans; one of the actors had come to play football. They were all 'touched' by Maradona, as is logical. Pennac is very intelligent, but he has never seen a ball in his life: his fascination comes from the public figure of Maradona, from the totem, from the stupor that invaded him when many friends confessed to having cried at his death. The spectator, Maradonian or not, has an irrepressible desire to travel to Naples and join the song that he sees towards the end of the film, which is moving and overwhelming in its beauty and simplicity. Ideal for theater lovers, or Maradona lovers, or both.

The last year in the life of Diego Maradona told by friends, family and former companions reveals his deep humanity. In the midst of the Covid 19 pandemic, a Maradonian funeral sends him away amid tears, songs and tear gas.

A history of Argentine football, from its origins in the nineteenth century to the victory of the Argentine national team in the 1986 World Cup. The film uses valuable archival footage.

Maradona, a young man, due to some dangerous situations, moves out of his hometown and reaches Bangalore to stay with his distant relatives. However, during his stay there, his situation worsens further.

Day one of the FIFA World Cup. The residents of Beirut have eagerly anticipated the big event, but for some reason the telecast is interrupted by strange audio waves. Soon they realize that an Israeli attack is in progress, but instead of running away and hiding, they rush to their rooftops where they can witness a much bigger live event.

A young Argentine learns that soccer star Diego Maradona is ailing in a Buenos Aires hospital, and resolves to bring him a tree root he's discovered.

During the 1990 World Cup, two young Palestinian boys are on a quest for “Maradona’s legs”; the last missing sticker that they need in order to complete their world cup album and win a free Atari.

Grandes Momentos del Fútbol: El bueno, el malo y el Diego

An educational film intended for children from 6 to 8 years of age. ‘We Grew A Frog, 1970’ tells the story of two schoolchildren, Lynne and Martin, who collect frog spawn from the village pond, take it to school, and there, in a tank, watch the spawn grow into frogs. The film shows in close-up the developmental stages of the spawn-to-frog process. This educational film features the pupils of Whatfield School in Suffolk. Headteacher, Gwen Dunn wrote and told the story.

O child, I know it can be bad. O child, sometimes you're be sad. O child, it can be true. O child, sometimes it can be all new. Here comes the sun.

Heïdi's Ice

Carlos Gesell, mi padre

The Foreigner Story: Feels Like the Very First Time

Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian electronic music pioneer who studied with Pauline Oliveros, David Tudor, John Cage, and Pandit Pran Nath. His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993. Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.

A film about a woman who doesn’t exist. Moroccan Hind was raped and consequently denied an official identity – she has no other choice but to work as a prostitute and traditional wedding dancer, but despite the odds of her situation, refuses to give up her dream of dignity, motherhood and love. This is a story of modern day outlaws, children of prostitutes, abandoned child brides and those who have had to escape to the fringes of patriarchal Moroccan society. Through the eyes of one young woman we see a life of constant struggle, but also a life free of the society’s norms and boundaries. The woman in the centre of the film, Hind, is both vulnerable and courageous as she tries to regain her life, her children and her mere right to live as an equal human being in the 21st century.

It never occurred to Syrian filmmaker Nidal Hassan and Lilibeth Rasmussen (Danish artist) that the day of their arrival to Damascus - March 16, 2011 - would be the day preceding the announcement of the uprising in Syria. Between Damascus, Sweida and Ein Al Arab, the film tries to gather details of stories of absent women and other women who would present their own testimonies about themselves and about love, life, death and sometimes about the revolution. Difficult months go by, friends disappear unwillingly in jails, and friends leave forcefully… and a longing to freedom, dignity and justice for which Syrians have conferred a lot of blood. Nidal moves around with his camera in attempt to record Syrians' daily journals subjected to pain, oppression, blood and hope. Between Damascus and Copenhagen, two filmmakers from two different cultures try to tell real stories of love, life and death in the age of the revolution.

Le train le plus difficile du monde

When Thomas Jefferson died in 1826, he left behind a mountain of personal debt, which forced his heirs to sell his beloved Monticello home and all of its possessions. The Levys of Monticello is a documentary film that tells the little-known story of the Levy family, which owned and carefully preserved Monticello for nearly a century – far longer than Jefferson or his descendants. The remarkable story of the Levy family also intersects with the rise of antisemitism that runs throughout the course of American history.

Music documentary about Billo Frómeta by director Rafael Marziano Tinoco from Venezuela.