Brexitannia

The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.

An in-depth portrait of British composer, pianist and singer Elton John, pop star and myth of modern culture.

Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.

A fascinating compilation tracing the development of British trains throughout the 20th century. This program provides a record of the greatest days of steam; the magnificent express engines developed by the 'Big Four' - the GWR, SR, LNER, and LMS; many famous named trains like the Golden Arrow and the Brighton Belle, the War and Nationalism; and the amazing variety of elder locos from the 1950's.

With the Brexit deadline pushed back and the prospect of a "no deal" looming large, here's a look back at eighteen months of tensions in the footsteps of European negotiator Michel Barnier, at the heart of the negotiations and twists and turns of the biggest divorce in history.

An American couple tour Britain with a teenage girl, visiting London, Canterbury, Cambridge, the West Country, Caernarvon, etc.

Award-winning director Patrick Forbes goes beyond the headlines to film the bitter battle to govern Britain after 2016’s referendum vote. Filmed over one extraordinary year, it’s a story of low politics, high ambition and bitter personal animosities – at stake the biggest decision the UK has taken for decades. Can the prime minister tame the judges, the opposition and finally the public to deliver Brexit? One thing everyone involved agrees on, get this wrong and, ‘we will see another even bigger seismic change in this country’s politics’.

David Jones investigates how 1960s council housing came to be built so poorly that thousands later needed to be demolished.

Un Jour en Royaume-Uni

2025, the year of the intensification of a total and deadly war, which nothing and no one seems able to stop, targeting military personnel and civilians, and which has now claimed more than 1.5 million lives or left that many wounded on both sides. But 2025 is also the year of our break with Donald Trump's America, an America with violent and unpredictable reactions, which risks abandoning the old continent, its most loyal ally for 80 years, for Vladimir Putin. How can we stop this bloodshed on our doorstep? How can we contain the master of the Kremlin, a dictator whose predatory logic threatens to spread beyond Ukraine? Sabotage, ghost ships, interference operations, and drone flights: he is already waging a hybrid war against the rest of Europe. Is armed conflict between Europe and Russia now a possibility?

A movie about travelling to Great Britain from Sweden by car and exploring that country

Brexit: Das Endspiel

Irlande, frontière du Brexit

On the 23rd of June 2016 Britain voted to leave the European Union. Who Are We? is a re-working of material from a BBC television debate transmitted a few weeks earlier.”The most provocative of the bunch is John Smith’s Who Are We?. Leading up to the Brexit vote, BBC’s Question Time became ever more vicious and confrontational. Who Are We? is a manipulation of one of those broadcasts, with David Dimbleby prompting “you, sir, up there on the far right” repeatedly.“Get our identity back – vote leave!” one audience member shouts, while another declares himself a veteran, followed by a swift manipulated cut to rapturous applause. It’s a heavily edited and remixed edition of Question Time, but by highlighting those in the audience with attitudes ranging from nationalistic to xenophobic, Smith’s short film shows the now normalised extremism within our society and our political discourse.” Scott Wilson, Common Space magazine, April 2017

Exclusive access to chief diplomat of the EU Federica Mogherini as Europe faces a crumbling world order.

We are surrounded by types, the words on signs, buses, shops and documents which guide us through our lives. Two types in particular are regarded as the faces of Britain - Johnston and Gill Sans. Their story is told by typeface expert Mark Ovenden.

Now a successful filmmaker, Lorna Tucker was once a teenage runaway sleeping rough on the streets of London. For this frank, forceful and inspiring documentary, she returns to her former haunts and speaks to current and former homeless people about why, twenty-five years later, record numbers of people are still reduced to living on Britain's streets.

A documentary and propaganda film which shows the British Army's preparations for, and the early stages of, the battle of the Somme.

Between January 1st and 31 December 2017, 768 people died as a result of murder or manslaughter in Britain - approximately 14 people a week. This powerful and original film tells the stories of some of those cases, exploring the human cost of murder - the ordinary people whose lives are changed forever and the communities left to wrestle with the consequences. Filmed over 12 months, it follows families and friends from the immediate aftermath of the crime, through the court process, and as they try to rebuild their lives. These stories are shown alongside statistical analysis of homicide figures for Britain since the Millennium, which reveal that so far this century, the pattern of homicides has remained strikingly similar in terms of the profiles of victims and the circumstances of the killing. This urgent, unflinching and intimate film goes beyond individual incidents to ask what the patterns of murder in our time say about the state of Britain.

Shown as part of the BBC's Modern Times series. Think of England shows Parr talking to the many people he encountered in the summer of 1999. He innocently asked people what it took to be English, and this simple question provided many revealing answers.