Le crépuscule des Celtes
Le garçon s'appelait Apache
Le Hibou et la baleine, Nicolas Bouvier
Le mariage en Afrique
Le passeur
Le salaire de l'artiste
“Namibia Crossings” takes a trip through a country of archaic beauty and bizarre contradictions. The film creates polyphonies of soulful landscapes made up of each individual's highs and lows.
Bach rencontre Buxtehude
Botiza
Bouton
In 1996, Kalashnikovs were publicly burnt in Timbuktu. At the time, the "Flame of Peace" symbolized the end of the Touareg rebellion, which had been suppressed in bloody massacres. That year, the rebels laid down their arms. That year, with the government having made promises, the families who had fled abroad left Mauritania, Algeria and Burkina Faso to return home. In the fight for rights and survival waged by this people, who for centuries had found their freedom in one of the world's most inhospitable regions, the Sahara, culture and arms have been in direct competition ever since.
It is winter at an emergency shelter for the homeless in Lausanne. Every night at the door of this little-known basement facility the same entry ritual takes place, resulting in confrontations which can sometimes turn violent. Those on duty at the shelter have the difficult task of “triaging the poor”: the women and children first, then the men. Although the total capacity at the shelter is 100, only 50 “chosen ones” will be admitted inside and granted a warm meal and a bed. The others know it will be a long night.
Synopsis - For god's sake Isabella and Nando are two militant atheists. They live in Italy, a country where the Church still plays a strong political role. T hey are among the 4000 members of UAAR (Union Atheists Agnostics Rationalists), an association that keenly defends the fundamentals of the secular state, giving trouble even to the Vatican. Among the various actions of the association: the campaign for the de-baptize and the "atheist bus", ads that should have spread the slogan: “The bad news is that God doesn't exist. The good one is that you don't need him”
Ce cher musée
D'une rive à l'autre
Dancing with the Storms
For a month, filmmaker Dieter Gränicher lives in an institution, in the village community of the deaf. As an attentive and increasingly familiar observer, he gets closer and closer to the village's inhabitants, who often suffer from a variety of handicaps, as they go about their daily lives. The film tells the story of the nuances and vivacity of sign language. It portrays human beings who, with great expressive power, overcome the limitations imposed on them by their disability, deeply touching the person opposite.
Classe d'accueil
Ceci est mon royaume
Cher Monsieur, cher papa