The Road

A cautionary tale about sticking your nose where it doesn't belong.

Thers's something in the morror!

A guy is obsessed with scaring his grandmother...

A boy playing in his backyard discovers he is not alone. One of four films selected for Mars’ “Bite Size Horror“ Halloween campaign.

A film in which the roles of angler and bait appear to be eerily reversed.

This found 8mm film of underwater ballet has a red rust effect flowing through it like living fire.

Oasissy’s oeuvre transcends onto the silver screen with a cinematic debut that defies genre, deftly blending their subtle tribute to Oasis with an unbridled passion for Céline Sciamma's masterpiece, Portrait of a Lady on Fire. Oasissy are a spoof, drag king, Oasis tribute act who have performed all over the UK, on the streets, in cabarets and on screens.

Coup de cœur

Numbers was created during a trip to Manhattan, where I caught my self-reflection in a glass door that read ‘41’ after having photographed the number 42 earlier the same day, and subsequently continued hunting until I found everything else between 1 and 100. Dedicated to Hollis Frampton. – D.B.

It's time to pull an emergency brake and start doing something to make Earth a better place to live.

A young pawn from the white team progresses on the chessboard where she quickly faces a piece from the opposite team.

Jimmy is a teenage boy who has become increasingly reliant on social media for social interaction. He finds himself feeling lonely and shy, unable to approach girls in person or online. As the film progresses, Jimmy slowly discovers the power of real relationships and the importance of taking risks to turn his life around.

A feedback driven experimental digital animation by Andrew Benson.

Taking one of the world’s most popular children’s songs as a sample, this video slowly reveals the latent violence embedded in the culture addressed to kids. This is a single video take, similar to a photograph, in which a tiny instrument is left to self-unwind with so much tenderness while the song’s story of almost carnivorous nature is told.

A middle-aged black man is falsely hailed by a passerby: “Hi, Gary!” He stops and turns. “How’s it going?” The camera takes in another careful, evenly lit shot of the man as he frowns and delivers his line with actorly gravitas: “I’m not Gary.”

3D Eternalism film by Ken Jacobs

Soleil Cou Coupé

I walk through the park holding him tight. When in the dark, that's when he starts to bite.

Gail's in trouble. Can Gary reach her in time?

Very short inspirational piece demonstrating the amount of vegetables which can be grown in a back garden in the middle of London