Listen

Deep underground, Alexandre follows voices and sounds, leading him to a lost woman.

Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.

A field laborer fights to survive in a hostile environment. The appearance of a strange presence and a revolver will change his destiny.

A young filmmaker trying to navigate the world of film finds himself caught in the grip of a Maelstrom that brings out the worst impulses in whomever it is passed to.

Follow Pete as he explores the struggles of an overwhelming new environment and finds comfort in the small things that remind him of home.

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.

A WWII paratrooper gets lost in a forest as the line between reality and memory begins to blur.

For an anxious person, being trapped on a boat with someone you don't like can be the tense. Stuck for hours afloat, nothing on the line, bad conversation, and cold winds as resentment rises. Both people chained to a rod and tackle because one won't speak up and admit that they want to go home.

Interview Record of New Artists

After a period of time where her hearing begins to overtake her sight, Casandra searches for the cause of her problem, isolating herself from society. She starts having visions that remind her of the past and promise an apocalyptic future.

A tale of separation portrayed through a rift between image and sound.

A captivating journey through sound, science and story.

Filmmaker Guillermo Escalon and composer Igor Gandarias are in residence at EMPAC to record the Hudson River journey of Beatriz Cortez’s sculpture Ilopango, the Volcano that Left, for a forthcoming film (2024). The sculpture will sail up the Hudson River by boat from its exhibition at Storm King Art Center to EMPAC for the opening of Shifting Center, where it will be installed for the duration of the exhibition. Shifting Center also features Escalon and Gandarias’ film Rapsodia.

We went back into The Doors' footage vault and restored the original concert film of their legendary Hollywood Bowl performance to high-definition video with a 5.1 stereo surround mix! Get a glimpse into the process of restoring the picture and sound.

The shot’s eerily static, but the house isn’t quite right. There’s no mold in the wood, maybe it’s the bug!

A shimmering 10 minute audiovisual experience crafted from footage taken on May 10, 2025.

The film follows five people who lost their sight in armed conflicts, gathering fragments of their present-day lives. Through an enveloping sound composition, veiled archival material, footage shot by the protagonists themselves, and a sensitive visual approach, the film explores memory, perception, and our relationship to the visible. Steering away from spectacle, it invites us to hear what often goes unheard, and to feel differently. In an age saturated with images, this documentary offers a sensory experience where listening becomes a gesture of resistance and human reconnection.

At the Saarland Modern Galerie in Saarbrücken, Germany, songs from Unfurl, Asaf Avidan's new album, blend with masterpieces from a contemporary art collection that is as socially conscious as it is inspiring.

A restless wife and a loving husband find an antique sound machine at a yard sale that they hope will let them sleep through the night, however they soon realize that the sound machine has no plans to let them have a good night's sleep at all.

In an age where silence is complicity, Muslimgauze: Electronic Intifada resurrects the haunting pulse of Bryn Jones—the Manchester-born musician who devoted his entire life to the Palestinian struggle without ever setting foot in the Middle East. Through the voices of his publisher and best friend, Geert-Jan Hobijn, Turkish musician Ekin Fil, and Turkish author Şule Demirtaş, the film traces Jones’s obsessive solitude and commitment in the studio, where he crafted a sonic battlefield of noise, resistance, and distortion. Postbellek's short documentary Muslimgauze: Electronic Intifada unfolds where the political collides with the artistic—a visual translation of noise into awakening. Confronting the uneasy intersections of politics, art, and representation, it is not a eulogy but a provocation: a reminder that resistance can echo louder than words—and sometimes, from the most unexpected corners of the world.