Beyond all human restraint lies one's lugubrious layers of paint.
A story of broken humanity following the invasion of a technologically superior alien species. Bleak, harrowing, and unrelenting, the humans must find enough courage to go on fighting.
Onward, upward, greener [redder] grasstures.
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
Rather pointless, rather stilted, fetid; not what we want us going after.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
In this fragile yet frightening poetic fantasy set against a dark industrial landscape, a woman sits knitting on the porch of her home when a man appears and takes the knitting from her.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
Nevermore Eleanor (2024) | 2160p
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.
An unknown future. A boy confesses to the murder of another in an all-boy juvenile detention facility. More an exercise in style than storytelling, the story follows two detectives trying to uncover the case. Homosexual tension and explosive violence drives the story which delivers some weird and fascinating visuals.
Η οδύνη του Νώε
Ode to Dorothy reexamines the relationships of the main characters in The Wizard of Oz, revealing these relationships to be much more complicated and dark then we first understood as children. Comprised of footage from The Wizard of Oz and Meet Me in St. Louis, two musicals starring Judy Garland, the tape takes existing, iconographic images and reinterprets the footage to create an alternative narrative to the original storyline intended by L. Frank Baum.