The widows and children of survivors of the H.M.S. Bounty rule Pitcairn Island, fighting off sailors and intruders.
A team of explorers set out to explore the sea and land of the remote Pitcairn Islands
This visit to Pitcairn Island in the South Pacific Ocean shows that life for the residents has changed little in the years since Fletcher Christian and his fellow mutineers on HMS Bounty, along with several Tahitian natives, landed here. The island is self-sufficient and has few visitors. Among the islanders we see at work is Fletcher Christian's great-grandson.
A documentary feature telling how then descendants of the crew of HMS Bounty survive today on the remote island of Pitcairn, where their ancestors settled after the mutiny.
Seduced by tales of endurance, villainy and adventure, one man attempts to re-trace the romantic voyages of the most infamous fugitives in British naval history. However, he soon discovers he is not alone on an emotional quest to reach one of the most remote islands in the world.
Pitcairn - L'isola degli ammutinati del Bounty
Pitcairn - a little slice of paradise. The tiny island settled by Fletcher Christian and the other mutineers from HMS Bounty. But in 2004 the British Pacific colony of Pitcairn - population 47 - won a notoriety that eclipsed its romantic past. A five year police investigation revealed a long history of shocking child sex abuse. The island was at the centre of world press attention - except that it's almost impossible to get there (the rocky island has no run-way, no roads no cars, no TV). The trial of the accused men - held in the village hall - divided opinion. How can the standards of normal life be applied to such a bizarre, remote community? But then again why should the daughters of the islanders not be protected? This remarkable film is a one-off. No other TV crew or journalists were allowed on the island. The twist is extraordinary. The men are jailed in a prison they must themselves build.
Timo Novotny labels his new project an experimental music documentary film, in a remix of the celebrated film Megacities (1997), a visually refined essay on the hidden faces of several world "megacities" by leading Austrian documentarist Michael Glawogger. Novotny complements 30 % of material taken straight from the film (and re-edited) with 70 % as yet unseen footage in which he blends original shots unused by Glawogger with his own sequences (shot by Megacities cameraman Wolfgang Thaler) from Tokyo. Alongside the Japanese metropolis, Life in Loops takes us right into the atmosphere of Mexico City, New York, Moscow and Bombay. This electrifying combination of fascinating film images and an equally compelling soundtrack from Sofa Surfers sets us off on a stunning audiovisual adventure across the continents. The film also makes an original contribution to the discussion on new trends in documentary filmmaking.
Princess Leia is captured and held hostage by the evil Imperial forces in their effort to take over the galactic Empire. Venturesome Luke Skywalker and dashing captain Han Solo team together with the loveable robot duo R2-D2 and C-3PO to rescue the beautiful princess and restore peace and justice in the Empire.
Nemo, an adventurous young clownfish, is unexpectedly taken from his Great Barrier Reef home to a dentist's office aquarium. It's up to his worrisome father Marlin and a friendly but forgetful fish Dory to bring Nemo home -- meeting vegetarian sharks, surfer dude turtles, hypnotic jellyfish, hungry seagulls, and more along the way.
In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.
When Forgotten Silver — the story of pioneer filmmaker Colin McKenzie — unspooled on 29th October 1995, in a Sunday TV slot normally reserved for drama, many believed the fable was fact. Controversy ensued as a public reacted (indignant, thrilled) to having the wool pulled over their eyes. Costa Botes, who originated the mockumentary, later made this doco, looking at the construction of McKenzie's epic, tragic, yet increasingly ridiculous story. He interviews co-conspirator Peter Jackson and other pranksters, and they muse on the film's priceless impact.
The intention of the film is to give an impression of what small exotic Denmark looks like, what the strange Danes look like and how they are. Nearly 100 Danes are presented in the film, amongst them a racing cyclist, a Minister of Finance, a popular actor and 13 unmarried women from a provincial town. "There is too much fogginess and rain and melancholy in most of the pictures of Denmark," says Jørgen Leth. "But not in my film. I would like to show you some authentic, clear and beautiful pictures from this strange country."
Poet-filmmaker Jørgen Leth taps his own earliest inspirational veins by free-floating through a camera/microscope-enhanced set of poems with love as their first and final subject. For example, how a tropical island woman prepares for a meeting with her lover. The film was shot partly in the South Pacific with more than a nod to social anthropoliogist B. Malinowski's historical work The Sexual Life of Savages.
Jørgen Leth can squeeze poetry from a stone and wit from dust, and he can find love where the milk of human kindness runs dry. In a series of tableaux of Life in Denmark, he carries absurdism to a happy extreme. To act out his minuscule non-dramas, he uses a motley crew of professional actors like Ghita Nørby and Claus Nissen, writer Dan Turéll plus a snake charmer, a bicycle racer and a circus queen.
Three ordinary people from Serbia go on a journey to Kosovo. A student, an actor and a journalist decide to explore this troubled place for themselves. The camera follows them during their journey and discovers the reality of Kosovo through their eyes. Each of them has different motivations: the journalist writes an article, the photographer takes pictures for an exhibition and the actor records his video diary.
Mexican medical researchers are lost in a plane crash in the Amazon basin, which triggers a whole bunch of adventure-movie subplots.
More than a decade after the release of the revolutionary skateboarding film The End, Birdhouse comes full circle with a monumental release of cinematic majesty titled The Beginning.