Seduced by tales of endurance, villainy and adventure, one man attempts to re-trace the romantic voyages of the most infamous fugitives in British naval history. However, he soon discovers he is not alone on an emotional quest to reach one of the most remote islands in the world.
A team of explorers set out to explore the sea and land of the remote Pitcairn Islands
The widows and children of survivors of the H.M.S. Bounty rule Pitcairn Island, fighting off sailors and intruders.
A documentary feature telling how then descendants of the crew of HMS Bounty survive today on the remote island of Pitcairn, where their ancestors settled after the mutiny.
This visit to Pitcairn Island in the South Pacific Ocean shows that life for the residents has changed little in the years since Fletcher Christian and his fellow mutineers on HMS Bounty, along with several Tahitian natives, landed here. The island is self-sufficient and has few visitors. Among the islanders we see at work is Fletcher Christian's great-grandson.
Pitcairn - L'isola degli ammutinati del Bounty
Pitcairn - a little slice of paradise. The tiny island settled by Fletcher Christian and the other mutineers from HMS Bounty. But in 2004 the British Pacific colony of Pitcairn - population 47 - won a notoriety that eclipsed its romantic past. A five year police investigation revealed a long history of shocking child sex abuse. The island was at the centre of world press attention - except that it's almost impossible to get there (the rocky island has no run-way, no roads no cars, no TV). The trial of the accused men - held in the village hall - divided opinion. How can the standards of normal life be applied to such a bizarre, remote community? But then again why should the daughters of the islanders not be protected? This remarkable film is a one-off. No other TV crew or journalists were allowed on the island. The twist is extraordinary. The men are jailed in a prison they must themselves build.
Three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other -- to become brothers again like they used to be. Their "spiritual quest", however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray).
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
When Emil travels by bus to Berlin to visit his family, his money is stolen by a crook who specializes in digging tunnels. While following the thief, Emil runs into Gustav, a young boy who gathers up all his friends to help Emil find the money. However, they get into more trouble than they bargained for when Emil's pickpocket turns out to be mixed up with a couple of notorious bank robbers.
Emil goes to Berlin to see his grandmother with a large amount of money and is offered sweets by a strange man that make him sleep. He wakes up at his stop with no money. It is up to him and a group of children to save the day.
Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.
The expedition that shot this film was sponsored by the French Government and the Museum of Man, for the purpose of making a lasting record of the native tribes in French Equatorial Africa.
Na wyjeździe
After a surfer dies off Morro Bay, Calif., on Christmas Eve, shark attack investigators Ralph Collier and Brandon McMillan use forensic evidence and eyewitness accounts to identify the suspected killer: an 18-foot great white.
Film by Franca Donda about the Feminist icon Argelia Laya.
Film by Franca Donda, about Eumelia Hernández.
A silent amateur film with a runtime of 1 minute and 20 seconds (DCP from 9.5mm reversal, 16 fps), presented without intertitles. Preserved by Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna, the film captures scenes of rowing and diving during the summer of 1925 in Lavagna. It forms part of a larger collection of 9.5mm films discovered in 2006 in the cellar of Villa Rocca by Lavello’s grandson, Enrico Vassallo, and donated to the archive in 2007. Restored in 2025 using a 2K wet scanning process to mitigate damage from fungal mould, the footage reflects the technical limitations of manual camera operation, including occasional acceleration due to uneven crank rotation. As noted by Michele Manzolini, the film contributes to a broader visual record of informal leisure and early amateur cinematography in interwar Italy.