Crazy Town

A surreal post-apocalyptic drama by Patrick Kennelly inspired by the clipping. album “Splendor & Misery”

A documentary that explores the challenges that a life in music can bring.

Created entirely from YouTube videos and edited in Windows Movie Maker, Lopatin recomposes outmoded video graphic landscapes via repetition and abuse.

Meet Shavon O'Brien: Her family doesn't understand her, her church ignores her, even Jesus forgets about her. With only the spirit of Sinead O'Connor to guide her, Shavon battles institutional child abuse, narcissistic group think, a talking stomach and a singing poop bucket! Shavon goes from Catholic to Crusty Punk in this very, very, very, dark musical comedy!

Halloween, New York City, 1981 Live at The Palladium with Ray White, Steve Vai, Bobby Martin, Tommy Mars, Ed Mann, Scott Thunes, Chad Wackerman

This episode focuses on Zappa's early 70s albums, Overnight Sensation (1973) and Apostrophy (') (1974). Together they encapsulate Zappa's extraordinary musical diversity and were also the 2 most commercially successful albums that he released in his prolific career. Included are interviews, musical demonstrations, rare archive & home movie footage, plus live performances to tell the story behind the conception and recording of these groundbreaking albums. Extras include additional interviews and demonstrations not included in the broadcast version, 2 full performances from the Roxy in 1973 and Saturday Night Live in 1976, and new full live performance done specially for these Classic Albums.

Rock musical adaptation of William Shakespeare's "A Midsummer Night's Dream".

Idiosyncratic composer, unique musician and ground-breaking film director…..Frank Zappa packed more into his short lifetime than most men would manage in two. His restless, challenging, creative spirit meant that he never stood still during a career that bought huge critical and commercial success – Zappa sold more than 60 million albums both as a solo artist and with the Mothers of Invention. The life and work of Frank Zappa are examined in this superb new critical review, which features new in-depth interviews with industry insiders, rock journalists and respected critics plus highlights from the songs that re-drew the face of rock music.

Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started from September of 2006 and completed in July of 2007. With a 35mm soundtrack image, I made a hand-drawn soundtrack on the 16mm film strip. The sounds were made either by directly contact printing the 35mm sound tracks or collaging the scratch images. According to pattern of sound on the 20% blank of 16mm film strip (normally used as space for optical recording), I edited whole image and made structure of film. Hence the margin is a where image is sound, and vice versa. Later, I studied the sound patterns which varied according to the kinds of images used or the concentration of the image, and made various attempts at rearranging the structure of the sound with the image.

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.

In the feature documentary, Summer 82 - When Zappa Came to Sicily, filmmaker and Zappa fan Salvo Cuccia tells the behind-the-scenes story of Frank Zappa's star-crossed concert in Palermo, Sicily, the wrap-up to a European tour that ended in public disturbances and police intervention. Cuccia had a ticket to the concert but never made it. Thirty years later, collaborating with Zappa's family, he re-creates the events through a combination of rare concert and backstage footage; photographs; anecdotes from family, band members, and concertgoers; and insights from Zappa biographer and friend Massimo Bassoli. The story is also a personal one, as Cuccia interweaves the story of Zappa's trip to Sicily with his own memories from that summer.

TRAUMA is a collaborative film project by Jesse Kanda and Arca first partially exhibited at MoMA PS1 at the end of 2013. The film follows a nonlinear narrative about the death of a salaryman, a drunk driving infant and takes place within a subconscious world. TRAUMA's score will span through Arca's existing and future works.

An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV) and his wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their 'Pandrogyne' project.

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).

A tragic story of a musician taking a bold voyage in the pursuit of creation, ambition, and need. Letting life choose for him, as part of the art itself and coming to terms with his decisions.

Cinematic magician, legendary provocateur, and author of Hollywood Babylon, Kenneth Anger was a unique figure in post-war American culture. His iconic short films are characterised by a mystical-symbolic visual language and phantasmagorical-sensual opulence that underscores the medium’s transgressive potential. Anger’s work fundamentally shaped the aesthetics of 1960s and 1970s subcultures, the visual lexicon of pop and music videos and queer iconography. These nine films form the basis of Anger’s reputation as one of the most influential pioneers of avant-garde film and video art. Fireworks, 1947, 14 min Puce Moment, 1949, 6 min Rabbit's Moon, 1950/1971, 16 min Eaux d'Artifice, 1953, 13 min Inauguration of the Pleasure Dome, 1954, 37 min Scorpio Rising, 1964, 28 min Kustom Kar Kommandos, 1965, 3 min Invocation of My Demon Brother, 1969, 11 min Lucifer Rising, 1981, 27 min

Frank Zappa and his band in a digitally recorded live performance at "The Pier" in New York, NY on August 26, 1984.

The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.

To the idly meditating musician received a call from his distant friend with a proposal to write a song about the untimely departed Lady Diana.