Crazy Town

Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.

An anthology of surreal films by Patrick McGuinn featuring Vincent, a puppet who is obsessed with Twinkies and pasta.

A tragic story of a musician taking a bold voyage in the pursuit of creation, ambition, and need. Letting life choose for him, as part of the art itself and coming to terms with his decisions.

Hiding inside&out, writhing about, taken out&in.

Return to 'burn' only to find out you're already in that urn.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

A short, silent, experimental film created by avant-garde created by Ukranian-born artist, Anna Malina.

Centrist revelations abound among repetitions & revisitings.

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Strings together what's strung together (please use yr tether).

Your raging romp results only in rescinded regret @ the hands of radder cadets.

Rather pointless, rather stilted, fetid; not what we want us going after.

Don't ask me why, but I feel we're about to cry trying.

Say Om as you reach home only to realize you never really left/stopped saying Om.

A conceptual live concert by Diamanda Galás, "Plague Mass" continues the themes of the suffering and misery of the infected found in her "Masque of the Red Death" trilogy.

A live performance film capturing an intimate concert by composer, pianist and music producer Ryuichi Sakamoto in New York City. The performance marked the first public unveiling of Sakamoto’s new opus, async, hailed as one of the best albums of 2017 by Rolling Stone and Pitchfork.

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.

Halloween, New York City, 1981 Live at The Palladium with Ray White, Steve Vai, Bobby Martin, Tommy Mars, Ed Mann, Scott Thunes, Chad Wackerman

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.

"Time, forward!" - two orchestral suites by George Sviridov, published for the first time in 1968 (first suite) and in 1977 (second suite). The suites were created on the basis of music for the film "Time, Forward!" By Mikhail Schweitzer (based on the novel of the same name by Valentin Kataev, shot in 1965, released in 1966), dedicated to the construction of the Magnitogorsk Metallurgical Combine. From the first suite, the most famous part is "Time, forward!". Subsequently, it was used in a number of films, in television and radio programs, documentary films about the first five-year plans, industrialization, and post-war reconstruction. Sergei Oskolkov composed his suite: "Time, back!" The film is dedicated to the 100th anniversary of the revolution in Russia.