Secrecy

When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

Follows various residents of the Chelsea Hotel in 1966 New York City.

"SN was born out of an intense personal despair, and a desire to depict a failure of the self, coincident with my discovery of super-8 as a medium completely different from 16mm, well suited to a kind of analog for the written diary ... In part a portrait of Manhattan's constricted spaces, and more generally of the way humans occupy space, it also presents the failed journey of a self to organize, or become present in, the world ... I worked on this film between 1976 and 1984. It is super-8, color, silent, 18 fps, and in ten sections. All but one section is on a separate reel, and there are intended to be 40-second breaks between each reel, in darkness and silence, that are a planned part of the film. The eighth section is itself on three separate reels, each of them quite short, and the breaks between these reels should be a little shorter, about 20 seconds. With the breaks, the film runs about 105 minutes." - F.C.

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

A journey through time, memory, cinema, and loss. How will we be remembered?

Three images of a person running in the void through the movement of speed and abstract images

A new film by Sheik Althaf Hussain. The plot is unknown at this moment; currently in private screenings and festival submissions.

Heather McAdams documents her extensive postcard collection to the tune of Hank Snow's "I've Been Everywhere"

“Grapheme” is a short experimental video exploring the visual representation of language and symbols. A personal collection of books, letters, photographs, postcards, posters and signs are represented throughout the work. The title “grapheme” is derived from a linguistic term referring to the smallest unit, or letter, of the written language. In this piece, the written word and representational images are simplified to an ambiguous visual motif through extreme close-ups, a fast-paced rhythm and dynamic motion. The nature of seeing and reading is questioned by the sequence of images, letters and words. Underscoring the video is an original soundtrack composed with a musical collaborator, Daniel Brlas. In this moving-image work, visual language is interrogated as a fragile source of meaning.

An experimental film where artistic research focuses on the physical manipulation of the medium itself. The work’s uniqueness lies in the fact that the film strip was literally machine-sewn. To achieve specific visual effects, the filmmaker used various types of needles, stitches, and colored threads of different thicknesses. Furthermore, the experimentation involved adjusting the thread tension during the sewing process directly onto the celluloid, resulting in a tactile and abstract visual experience.

An experimental short on technology and organic life

Screened at the Ann Arbor Film Festival

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.

Experimental short film on the theme of repetition.

A human figure synergizes with the light and questions its existence and society's expectations of it.

An experimental odyssey through altered realities and reconstructed archives, where wandering voices of the past, present, and future unravel the elusive nature of time and memory.

In Slot in Memory, a 2013 short from Syrian filmmaker Khaled Abdulwahed, images of war are only visible through a tiny crack in an otherwise dark frame. Abdulwahed cuts between this crack and simple footage of children from Lebanon’s Sabra and Shatila refugee camps playing happily on a swing. Abdulwahed has said he had initially set out to tell a more direct account of war and trauma, but because he was physically unable to reach warzones inside Syria, he felt he couldn’t do such a project justice. Instead, filming the kids, he discovered the swing they were playing on had a crack in it, which inspired him to make the visual connection with the obscured war footage.

On the rooftop of a house in Lima Norte, Francia and Amelia come together for a conversation that goes beyond the everyday, sharing profound reflections amid the cracks of the Carabayllo district. Though they appear confident, they conceal a shared pain and a lingering sense of lost identity. As the sun sets, the shadows reveal their emotional scars, shaped by the struggle to find their place in an excluding society. In this encounter, they confront their most intimate truths, shedding social masks and revealing the complexity of their being in a constant search for connection and belonging in a world that harasses them.

An exploration of entering and leaving consciousness from the perspective of non-human bodies trapped in everlasting cycles of abuse.