Secrecy

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

The lights and characters of Fortaleza's nightlife blend into a sensory experience through images stored in the memory of the devices.

Amanhã é Melhor

Engine materializes Liz Harris’s self-confessed obsession with engine sounds from cars and trains, and noise explosions heard at drag races. For Harris, that is the sound of excess, power, sex, destruction, capitalism, and oil becoming an airborne pollutant. All the same those are the sounds of transformation, from which comes life. With an original film by Takashi Makino shown in the background, Engine is a large stage machine of guttural bass tones and constant revving up that mimics our heartbeat and breathing, and pumps the blood in our veins.

The Olympean Collection is a visually poetic trilogy set against the vast landscapes of East Africa, following Daisy and a Boy Scout as their search for eternal youth spirals into a surreal odyssey of memory, loss, and transformation.

A witch and other strange things live in the attic above lonely, dope-addled artist, Grey. After meeting Renee, Grey struggles to appease these beings, as she tries to find her place in the world outside of her home.

Quiet reflections at the end of the season.

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

Follows various residents of the Chelsea Hotel in 1966 New York City.

The kings of the card game, tired of serving for the amusement of men, decide to participate in the lives of humans and behave like them.

When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

Amoré (1min, 16mm film loop, experimental installation) In 2005, Amoré won the Best Canadian Film award at Toronto’s International One-minute Film Festival and in 2011, it won the Jury Prize for Experimental Film at the Toronto Underground Film Festival.

Sequel to Moon Men, Summit of Saturn follows Adrian and Sumner as they live in isolation in the city, unable to figure out themselves creatively. Reality soon starts to dissolve around them as they descend into cosmic madness and they must find their separate ways out.

A study of observations around the ancient monument of the temple of Augustus and Livia and to cities of Vienne, Chonas-l'Amballan and Saint-Prim. Firstly proposed as a sort of ghost hunting, the project seems to focus on a world of figures, the whispers of the roads, diegetic/non-diegetic sounds and a camera that tries to investigate under fragments of logic and articulating cuts.

Filmed during summer 2019, Jesus Is King brings Kanye West’s famed Sunday Service to life in the Roden Crater, visionary artist James Turrell’s never-before-seen installation in Arizona’s Painted Desert. This one-of-a-kind experience features songs arranged by West in the gospel tradition along with new music from his forthcoming album.

Stasis

The creation of an infinite space. Light modulations over water surfaces, conjugating into multiple alterations. Time and light being reshaped through a liquid lens. The illusion of a starry night turns into a sea “roofed over by rainbows.”

Ten years ago, Arjun Singh and Tara Kapoor were inseparable-two young souls lost in love, dreaming of a future together. Their days were filled with laughter, stolen moments, and whispered promises of forever. But forever never came. Now, a decade later, Arjun finds himself in the dead of night, at an almost desolate five-star hotel room, a far cry from the life he once imagined. He is no longer the boy who believed in love-he is a man hardened by crime, preparing for the biggest drug deal of his life, one that could set him free. As the clock strikes 3:33 AM, shadows of the past begin to creep in. He sees glimpses of Tara-her laughter, her touch, her presence-as if time itself is mocking him.

Sebastian, an ambitious magazine creator wants to explore the world and document his experiences. During his maladaptive daydreams, reality comes crashing down on him.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.