Kurama Tengu: The Fire Festival

Having put down his sword and given up the will to fight, the masterless samurai Iemon lives in solitude while being haunted by his violent enigmatic past...

A group of travelers is stranded in a small country inn when the river floods during heavy rains. As the bad weather continues, tensions rise amongst the trapped travelers.

Oda Nobunaga and Nōhime were originally married to mend a hostile relationship between neighbouring regions. Unfortunately, they were like oil and water, making for a somewhat unhappy marriage. When Oda's enemy, Imagawa Yoshimoto, attacks Owari with his vast army, Oda is devastated by the overwhelming gap in military strength. However, Nohime encourages him not to despair, and the pair draw up a tactical plan that will allow them to overcome the odds.

Ogami Itto battles a group of female ninja in the employ of the Yagyu clan and must eliminate a traitor who plans to sell his clan's secrets to the Shogunate.

Yagyu Jubei, the finest swordsman in the land, is called upon to bare his blade to help Iemitsu keep his post. Meanwhile a fishmonger named Isshin Tasuke who bears an amazing resemblance to Shogun Iemitsu may be called upon to put his life on the line by acting as the Shogun's double. At the same time, the tragic story of Banzuiin Chobei and Mizuno Jurozaemon is unfolding.

The background to and depiction of a watershed battle in Japanese history, at Sekigahara in 1600, when Tokugawa Ieyasu's Army of the East defeated the Army of the West of Ishida Mitsunari. The story includes the intrigues and shifting loyalties of the various retainers, family members, and samurai.

At the beginning of the 19th century, Japan was under a policy of national isolation. A group of Dutch scholars who wanted to open the country secretly completed a copy of a map of Japan under shogunate control. They sent a young Dutch scholar, Michi-an, as a secret envoy to deliver the copy of the map to the Dutch. Michi-an, hiding himself and making his way through the deserted winter mountains, but the mountain guardians, led by Takayama, had begun hunting in the mountains with a description of Michi-an's appearance arranged by the shogunate.

The classic tale of the shogun's illegitimate son Aoi Shingo is told in three parts as he strives to become the greatest fencer in Japan, while his father Shogun Tokugawa Yoshimune seeks to reunite with his lost son.  Part 1 sets up the story and introduces the characters.  When the secrets of Shingo's birth are revealed to him, it sets off a series of events that bring him to cross swords with members of the shogun's inner circle. 

Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.

A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.

Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?

After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.

Japan, 1137. The Taira family, a samurai clan, becomes involved in the disputes between Emperor Toba and the monks of Mount Hiei.

Legendary swordplay filmmaker Hideo Gosha's Sword of the Beast chronicles the flight of the low-level swordsman Gennosuke, who kills one of his ministers as part of a reform plot. His former comrades then turn on him, and this betrayal so shakes his sense of honor that he decides to live in the wild, like an animal. There he joins up with a motley group who are illegally mining the shogun’s gold, and, with the aid of another swordsman, gets a chance not just at survival but to recover his name and honor.

At Sakurada Gate in 1860, the shogun’s chief minister and his retinue of bodyguards are ambushed and annihilated. Bearing the responsibility and shame for this failure is Shimura Kingo, master swordsman and chief of the guard. Forbidden to take his own life in atonement, he is instead tasked with hunting down the remaining assassins; however, fate intervenes and now only one is left. Devoted to his late lord and his duty, he relentlessly pursues the sole remaining assassin for the next thirteen years. But times are changing in Japan and the way of the sword has become outlawed. What does this mean for Kingo?

Nagasaki at the end of the Edo period had the taste of a criminal paradise, where, despite the exotic, dangerous work was always in demand. Here, three wandering samurai who earn their living by killing get to know each other. Soon they learn that government officials will be transporting a large cargo of gold and decide to steal it.

Inomatsu, a carpenter with a reputation as a skilled craftsman, has a wife named Oritsu. Oritsu is deeply in love with Inomatsu and believes that the purpose of her life is to devote herself to her husband day and night. However, Oritsu is Inomatsu's fourth wife. In fact, he is a robber and thief. As a carpenter, Inomatsu usually sneaked into merchants' houses and carried out robberies. For him, wives are just a tool to deceive the public...

The film tells about the life of the former vassal of the Ako clan - Fuwa Katsuemon Masatane.

The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960's Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.

During the Edo period, a gifted swordsman was exiled from his clan when he questioned the misconduct of his leader. Years after, his dying wife wish was for him to go back to his clan.