Giant Bear

A lonely fisherman drifts into haunted waters in search of food and finds much more than he bargained for. Based on an Inuit folktale.

On the eve of summer vacation, Prune leaves her parents for the traditional "end-of-year school trip." But once she's gone, an incredible snowstorm hits the small town where her family lives. Philémon, her younger brother, then makes an astonishing discovery: an Inuit family has settled on a roundabout. The meeting of these two worlds sets the stage for a wonderful adventure.

A young shaman must face her first test: a trip underground to visit Kannaaluk, The One Below, who holds the answers to why a community member has become ill.

Inuit artist Asinnajaq plunges us into a sublime imaginary universe—14 minutes of luminescent, archive-inspired cinema that recast the present, past and future of her people in a radiant new light. Diving into the NFB’s vast archive, she parses the complicated cinematic representation of the Inuit, harvesting fleeting truths and fortuitous accidents from a range of sources—newsreels, propaganda, ethnographic docs, and work by Indigenous filmmakers. Embedding historic footage into original animation, she conjures up a vision of hope and beautiful possibility.

Taqralik Partridge asks what if every language that had been lost to English — every word, every syllable — grew up out of the ground in flowers? Taqralik’s grandmother’s Scottish Gaelic and her father’s Inuktitut unfold in memories of her family, of pain, and of love.

In this animated short the artist tells the story of an Inuit hunter who clubs a seal pup on the ice and then later dies himself. The film's ethereal images are created and transformed in sand.

Three young Inuits set off in search of a promised land to save their clan from starvation.

The Inuit folktale of an old woman and the orphaned polar bear cub she took in as her own child.

A polar bear is hunted by Eskimos. But suddenly the hunt gets interrupted. Preserved by the Academy Film Archive.

When an impulsive boy named Kenai is magically transformed into a bear, he must literally walk in another's footsteps until he learns some valuable life lessons. His courageous and often zany journey introduces him to a forest full of wildlife, including the lovable bear cub Koda, hilarious moose Rutt and Tuke, woolly mammoths and rambunctious rams.

Combining figurative abstraction with magic realism, this animated short depicts a world in which whales fall out of the sky and fish turn into balloons. It is a black and white evocation of the real world, transformed by the director's special sense of whimsy. With bold lines reminiscent of the stark simplicity of Inuit art, this cautionary tale is a reminder of the interconnectedness of all things. We are all affected by the fate of the Arctic, which each year is disappearing a little farther into the ocean.

His recent animation Kablunât: Legend of the Origin of the White People (2016) draws from a Nunatsiavummiut legend recorded by a Moravian missionary. Making use of archival photographs collected over nearly nine years, Gear reinterprets the legend for a contemporary Inuit audience, while framing the story as a reclamation from colonial retellings. “I wanted to literally insert myself in that narrative, break it apart and see what was there in a kind of dreamlike way,” he notes.

He was called "He Who Has Two Souls". He was beautiful as a woman. And handsome as a man. He hesitated.

In this animated short from the Canada Vignette series, the camera explores, in exquisite detail, the daily hunt, fishing scenes and children at play as etched in black on an ivory Inuit pipe.

This animated short tells the story of a ferocious polar bear turned to stone by an Inuk shaman. The tale is based on emerging filmmaker Echo Henoche's favourite legend, as told to her by her grandmother in her home community of Nain, Nunatsiavut, on Labrador's North Coast. Hand-drawn and painted by Henoche in a style all her own, Shaman is the first collaboration between the Labrador artist and the NFB.

Two young friends are spending a day away from their camp. Unfortunately for them, an ancient land spirit -- an amautalik -- is also in the area. Luckily for them both, one of the children's difficult life has taught him to think quickly.

The film explores the way traditional hunting in Nunavut has evolved so that it can continue to play a vital role in contemporary Inuit culture.

A stop-motion short tells the story of a male owl, driven by hunger, as he goes in search of food in a late-spring snowstorm - but in his pursuit he may have met his match.

In this animated short, a self-important colonial explorer emerges from a sailing ship and plants a flag on the Arctic ice, as a bemused Inuit hunter looks on. Then the explorer plants another, and another, and another, while the hunter, clearly not impressed that his land has been “discovered,” quietly goes about his business. In this charming and humorous re-imagining of first contact between Inuit and European, Jonathan Wright brings us the story of a savvy hunter and the ill-equipped explorer he outwits.

This collection assembles the first animated films to be made by Inuit artists at the NFB. Featured is work by Solomonie Pootoogook, Timmun Alariaq, Mathew Joanasie, and Itee Pootoogook Pilaloosie—all participants in the Cape Dorset (Baffin Island) Film Animation Workshop, established to teach animation skills to local artists. The soundtrack features performances by Aggeok and Peter Pitseolok. Commentary is provided in a blend of Inuktitut and English.