Writing late becomes usual, we are always too late. Boris was my alter ego and I was his alter ego. Now that he is no longer here, I can be honest.
Hold mig fast. Før jeg forsvinder
Hélène Berr, une jeune fille dans Paris occupé
Nagaremono zukan is a documentary video, release from V&R Planning (AV). "Flower Picture Book" is the second work in the bicycle trilogy after Yumika. A very private sexual movie with Tomoko Matsunashi, right after Hirano broke up with Yumika. The violence of the camera is clearly increasing. If Yumika was the light, Nagaremono zukan is the shadow. There are two version of Nagaremono zukan, the censored one and the original hardcore one, with additional scenes, better quality and longer runtime.
Documentary relating Ingmar Bergman's life, from his high school graduation up until he became an established filmmaker in the latter half of the 40's.
Filmed in the quaint prairie town of Herbert, Saskatchewan, Heaven or Not by filmmakers Zuzana Hudackova and Danijel Margetic is an intimate portrayal of one man's tireless journey to give his life greater meaning. John Gerbrandt, a WWII veteran, has been singlehandedly building a 7,000-square-foot house over the past three decades with nothing more than his pension and salvaged materials. With no formal training, he is fuelled by a powerful determination to prove his worth to his God, his family, and his community. John's story transcends day-to-day life in a small town and reaches the realm of deep spirituality marked by an unwavering commitment. Now at the age of 84, suffering from health problems and the financial burden of property taxes, John might not be able to finish his lifelong endeavor.
When director Iván Guarnizo's mother passes during the first days of peace talks with FARC-EP in Colombia, a door opens to explore a dark and painful past and, perhaps, find forgiveness. Iván's mother had been kidnapped by FARC-EP forces and held in captivity for 603 days. As they marched her through the jungles and mountains of the Colombian countryside, she was able to keep a diary that in great detail documented the places she was taken, her experiences and the names and descriptions of her captors.
Serial killer Aileen Wuornos writes down her darkest secrets for her best friend while on Florida's death row; now, for the first time, those secrets are revealed in detail.
A somber journey on the road. A post with three lights. A crowded street. Stashed cables. The city. A grey square. The sun's reflection. The sun. Going back home.
This documentary recounts the difficult choice actress Mary Astor had to make after learning her personal, very intimate, diaries had been stolen. The film tells the story of Astor's 1936 child custody case.
The story of the life, loves and work of US writer Patricia Highsmith (1921-95), told through her unpublished diaries, her own voice and that of those who knew her, both family and close friends.
In 2016, Aekaphong’s uncle was murdered in his house alongside his wife. A year later, Aekaphong returns to his hometown to investigate the man’s past and come to terms with his absence.
How is secularism depicted in films? The term "Aa'La'Ma'Ni" means worldly in Arabic. It's significant in the Middle East, where secularism is controversial since the majority often link secularism with atheism and anti-religious sentiment. SECULAR | Aa'La'Ma'Ni, a documentary based on academic research, explores the depiction of secularism in Middle Eastern cinema and TV channels. Filmmakers and regional producers openly discuss religion, sectarianism, authorities, minorities, and industry challenges.
The end of World War II brings Europe a new political system, reshapes national and personal identities. Three women from Milan, Paris and Berlin report on the days of liberation in their diaries. Their personal stories expand the historical picture and make LIBERATION DIARIES a chronicle of female self-empowerment, resistance and resilience.
Thoughts, sometimes just numbers, reach us from offscreen almost like music, like a mantra or a prayer. What we see are circular fragments from familiar spaces: a mirror, a magnifying glass. A day like any other day: without medication, or perhaps better with? A film like the investigation of an uncertainty principle: do we really see better with a magnifying glass? A face scratched out of the family album: the gap is draped with flowers and cut-out pictures of clothes and finally filled again by a drawing.
In 2011, the director and screenwriter Wolf Gremm receives the diagnosis - prostate cancer. According to the doctors, he has not much longer to live, maybe eight months. Wolf Gremm is torn by these devastating news in the midst of an active, fulfilling life, but he decides to deal with the disease offensively and to fight. From now on smartphone and mini camera are his constant companions.
Wild Butterfly is true crime documentary that follows the tragic story of 24 year-old Claire Murray and her desperate search for a life- saving liver transplant that became a trial by national media. Depicted as an ungrateful junkie who recklessly destroyed her first transplant, Wild Butterfly investigates the true story behind the events that lead to Claire's death in 2010 including new criminal evidence. Catholic institutional cover-up, medical negligence, missing police records, and trial by mainstream and social media, are all at play in this heartbreaking and gripping documentary. This is not just the tragic story of one young woman and her family - this story opens our eyes to the impacts of universal social injustices and prejudices, that could befall any family and anybody's daughter.
The film weaves together the filmmaker's introspections with survivor's collective memories. Amid deciphering a diary, the filmmaker reflects on personal encounters.
While cleaning the apartment of Lucía, her deceased grandmother, Anna finds a notebook where she discovers the story of a secretly kept love, lived during the turbulent years of the Second Republic and the Spanish Civil War.
A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.